The following review first appeared in the February 2014 issue of Eric Nemeyer’s Jazz Inside Magazine
PERSONNEL: Nicole Zuraitis, vocals, piano; Dan Pugach, drums; Scott Colberg, double bass; Julian Shore, rhodes, organ; Victor Gould, piano; Ilan Bar-Lavi, guitar; Billy Buss trumpet, flugelhorn; Jon Paul, acoustic guitar; Nandini Srikar, vocals
By Curtis Davenport
In my younger days, I used to frequent what we called “Wine and Cheese Cafés”, where you could usually find some very good and reasonably priced wines, a diverse assortment of cheeses and more often than not, an eclectic assortment of some of the best music around, setting the atmosphere. It was generally a mix of soft rock, mellow but funky R&B and tasty contemporary jazz of the type that was popularized by CTI Records. Often, I would hate to leave because the music mix was more intoxicating than any alcoholic beverage being served. Invariably, there would be an artist that captured that perfect mix of the genres and I would ask the waiter “Who is that playing now?” If now was then, I would have certainly asked about the music of Nicole Zuraitis.
Nicole Zuraitis is a young New York based singer/songwriter/keyboardist. The NYU graduate has performed or recorded with Winard Harper, Jane Monheit and Don Braden. Her own music as evidenced on Pariah Anthem, which is her second album, is a well crafted hybrid of rock, jazz and R&B, which fits very well around her impressive voice. And that voice is hard to ignore. On most selections, Ms. Zuraitis hangs out in that corner of the alto range that was once so well occupied by the great Angela Bofill. Then just as soon as you’ve gotten comfortable there, Ms. Zuraitis will suddenly sweep into a glissando through several octaves that places her close to Minnie Riperton territory. I couldn’t help but stop and take notice.
The songs on Pariah Anthem were all written by Zuraitis and many of them are quite good. “Secret” is sweetly soulful, with a swirl of jazz chords and a dreamy rhodes backdrop by Julian Shore. It sounds like a lost track from Ms. Bofill’s Angel of the Night album. “Staring Into the Sun” is a lovely duet between Ms. Zuraitis and Victor Gould’s piano. It gives her a chance to show off her remarkable range to great effect. “To The Hive” starts as an insistent jazz-rock tune that takes an unexpected turn with the addition of a Hindi verse by Indian singer Nandini Srikar. When Srikar and Zuraitis rush toward the coda in an English/ Hindi counterpoint, it is exhilarating. On “Dagger”, Ms. Zuraitis and company drop a nice neo-soul groove, led again by Julian Shore’s rhodes. This cat knows how to pull an atmosphere out of his keyboard. “If Only for Today” is a torchy ballad, performed again as a duet between Ms. Zuraitis and Mr. Gould. They are so good together that I would gladly listen to an evening of them playing duets.
Nicole Zuraitis is a gifted performer and Pariah Anthem is an album that will grow on you with repeated listening as the nuances reveal themselves. It’s music that doesn’t easily categorize itself. And you know what? That’s not a necessarily a bad thing. Keep an eye on Ms. Zuraitis, for I think that she has a bright future ahead of her.