Archive for tierney sutton

2015 Jazz Grammy Preview #2 – Best Jazz Vocal Album

Posted in 2015 Grammys with tags , , , , , , , on February 8, 2015 by curtjazz

Here we are, racing to the finish to get our Jazz Grammy predictions out before the awards are presented this afternoon!

In the Best Jazz Vocal Album category, we have a couple of extremely deserving first time nominees, a perennial nominee who unfortunately is always overlooked and a couple of fairly good albums that are the favorites to take home the prize.

Map to the Treasure: Re-imagining Laura Nyro  – Billy Childs & Various Artists (Sony Masterworks)

Billy Childs is a terrific if overlooked, jazz pianist and arranger. The idea for this album was a very good one, taking the music of the great pop songwriter, Laura Nyro and re-imagining them with some of today’s strongest vocalists and instrumentalists. The result is an outstanding pop album. Sorry, folks but for my money, despite the presence of Mr. Childs, Esperanza Spalding, Wayne Shorter and Dianne Reeves, who all perform impressively in their segments, Map to the Treasure, while award worthy, doesn’t belong in this category. The irony is, because of all of the pop names and the handful of jazz names involved, it stands a decent chance of winning. If it does, I will be happy for Mr. Childs, who defintely deserves wider recognition but my opinion still stands.

I Wanna Be Evil  – René Marie (Motema)

For my money, this first-time nominee is your winner. This late 2013 release by Ms. Marie was one of the best of her impressive career. Her performances on this tribute to the late, great Eartha Kitt, are at turns funny, seductive, unnerving and thought-provoking; just like the immortal performer who inspired them. (Read my full review for Jazz Inside Magazine HERE) Why Ms. Marie will probably not win? The album was released over a year ago, just missing the cutoff for last year’s awards but putting it in the position of having slipped from the consciousness of man voters. Also, Ms. Marie as great as she is, is not well-known by much of the voting crowd and some only know her for a few minor controversies from seven years ago. And, there’s also the presence of a very well-known name, with  a very accessible album, which is an odds-on favorite to take the prize. If I’m wrong I will be thrilled but I don’t think so.

Live in NYC  – Gretchen Parlato (ObliqSound)

Like Rene Marie, Gretchen Parlato is a first-time nominee. Also like Ms. Marie, Ms. Parlato’s album was released in 2013, just after the eligibility cutoff for the 2014 Grammys. And also like Ms. Marie, Ms. Parlato is a longshot to win today. Keeping it 100, I adore Ms. Parlato’s work but this album, which consists mostly of live takes of selections from her previous releases, while good, is inferior to most of her previous work. Because she is so terrific overall, it would be cool to see her recognized but I think the next lady is going to stand in her way.

Beautiful Life – Dianne Reeves (Concord)

Beautiful Life was the great Dianne Reeves first new release in about half a decade. It is loaded with big name guest stars (Glasper, Esperanza, Lalah Hathaway, George Duke, etc). It is laden with accessible, pop and adult r&b radio friendly material. And Dianne Reeves is by far the most recognizable name in this category. The album is okay; not Ms. Reeves best work, but it won’t matter. She will pick up her fifth Grammy today.

Paris Sessions- Tierney Sutton (Varese Sarabande)

In Grammy previews of years past, I have referred to Tierney Sutton as the “Glenn Close” of this category. Sad to say, that appellation will apply again today. Ms. Sutton is a terrific vocalist; a perennial Best Jazz Vocal Album nominee, who has never won the award. Because in spite of the quality of her work, she is still undeservedly obscure in a category that habitually awards name recognition. Paris Sessions is another gorgeous album partnering Ms. Sutton with Serge Merlaud and Kevin Axt, two outstanding guitarists. The album is worth adding to your library but alas, Ms. Sutton will leave once again, without the Grammy.

Our unscientific and mildly cynical prediction:

Should Win: Rene Marie

Will Win: Dianne Reeves

Up next, Best Jazz Instrumental Album

2014 Jazz Grammy® Preview #2 – Best Jazz Vocal Album

Posted in 2014 Grammys with tags , , , , , , , , on January 24, 2014 by curtjazz

Our second category is for the singers: Best Jazz Vocal Album. This is as strong a group of nominees for this award as I’ve seen in a while. There’s not a dud in the bunch. Though there are a number of seasoned vets here who’ve had their share of nominations, I think that it’s really a race between two relative newcomers for the trophy.

The nominees are:

Andy Bey: The World According to Andy Bey (HighNote Records)

The 74-year-old vocalist is an under-appreciated treasure. Every few years he reappears again to drop another bit of timeless art on us. Usually these days it’s just Bey’s voice and his piano, which is more than sufficient. The World According to Andy Bey is his second Grammy nominated album, following American Song in 2005. Bey does might justice to a well mixed group of standards, his own tunes and rarely performed songs by others.  Though a win by Mr. Bey would be a great thing. It’s not likely to happen; the juggernaut of the newcomers is a bit too strong.

Lorraine Feather: Attachments (Jazzed Media)

Ms. Feather is one of my favorite singer/songwriters. I love the unfailing wry wit in her lyrics and the way that she interprets them. Why another singer hasn’t done an album of Feather’s compositions is a mystery to me. The Grammy nominating committee also appreciates her , as Attachments is her third album in a row to be nominated for Best Jazz Vocal Album. Attachments is classic Feather as she mines one of her favorite topics, relationships. Not just male/female interactions but family, friends and even vermin are discussed and wondered upon. It’s one of her best among many very good albums. This woman should get a Grammy but I don’t think that it will happen this time.

Gregory Porter: Liquid Spirit (Blue Note Records)

Juggernaut – Part 1. Gregory Porter’s reputation has grown by leaps and bounds since he first burst on the scene with Water in 2010. His brand of soul-infused jazz singing brought him critical and commercial acclaim. Liquid Spirit, his first album for Blue Note, has garnered two Grammy nominations; one in this category for the album and the other for Best Traditional R & B Performance for the song “Hey Laura”. The album is very strong (though not IMO, as good as last year’s Be Goodwhich was also Grammy nominated) The critics love him, the fans love him and his name recognition is growing. Will Grammy love him? I’d say that there’s a good chance. The only one I think who could stop him from winning is…

Cecile McLorin Salvant: WomanChild (Mack Avenue Records)

Juggernaut – Part 2. Cecile McLorin Salvant seemingly appeared out of nowhere and dropped the best jazz vocal album of not only this year but of the last few years in WomanChild. Her way with a lyric is impeccable, her swing is right on time and her voice is unique in the best way possible. The thing is, she is just 24 years old! She’s got Abbey Lincoln’s wizened soul wrapped in her youthful, downtown cool persona. In addition, the non-jazz media  seems to be lining up behind her, with one mainstream publication stopping just short of anointing Ms. Salvant as “The Next Esperanza Spalding”. All of these stars aligning usually leads to victory on Grammy night, which I feel is a very likely case here. The only thing that may stop her is some may vote against her because of her youth but I doubt that will happen.

Tierney Sutton: After Blue (BFM Jazz)

Tierney Sutton alas, is to this Grammy category as Glenn Close is to the Oscars. Like Ms. Close, she is a very well-respected, gifted performer, whose art is always good enough to get her nominated for the big awards but in the end, she ends up being eclipsed by someone with a hot hand. After Blue gained Ms. Sutton her fifth nomination for Best Jazz Vocal Album.  As usual, it’s a great album; focused on the music of the legendary Joni Mitchell. Sutton has given us some fresh takes on some very familiar tunes and done consistent justice to the material. Also as usual, there’s a big, shiny object that will likely attract voter’s attention away from Ms. Sutton’s steady artistry. She is the longest shot.

So here is my bottom line unscientific prediction:

  • Should Win: Cecile McLorin Salvant
  • Will Win: Cecile McLorin Salvant

Next up on our preview will be Best Jazz Instrumental Album, which includes another very strong field of contenders this year.

Grammys 2012 Nominees – Best Jazz Vocal Album

Posted in 2012 Grammys, The Jazz Continues..., Video Vault with tags , , , , , , , on February 10, 2012 by curtjazz

Okay Jazz Peeps, the Grammys do feel a bit empty this year, after the purge of many categories, including jazz.

However, there are still some fine artists, who did great work over the past year, and whose work has been nominated. These people had nothing to do with the shortsighted decision-making of the NARAS, so I want to take a few posts to recognize them, with a track from their nominated work.  I’ll also include a few brief thoughts about each work. 

We’ll start with Best Jazz Vocal Album

The nominees are:

Karrin Allyson – ‘Round Midnight (Concord Records): Track “Goodbye”

IMO this is not Ms. Allyson’s best work, but she is still one of the best around today.  It’s well sung, as always but the Only The Lonely vibe wore thin after a while.

Terri Lyne Carrington – The Mosaic Project (Concord Records): Track “Transformation” [Vocal by Nona Hendryx]

My hands down favorite among the nominated albums, it’s a mostly vocal effort by Ms. Carrington and a number of other ladies.  One of our picks for Best Jazz Albums of 2011.

Kurt Elling – The Gate (Concord Records): Track “Golden Lady”

Mr. Elling is a perennial nominee in this category, who finally won on his prior nomination for his strong Coltrane/Hartman tribute Dedicated To You.  Though The Gate had some fine moments, I found it overall, to be just “okay”.

Tierney Sutton – American Road (BFM Jazz): Track “Wayfaring Stranger”

This album was a big favorite among the critics and it just may take home the prize on Sunday. Excellent musicianship; I just wished that it swung a little harder.

Roseanna Vitro – The Music of Randy Newman (Motéma): Track “Mama Told Me Not To Come

This is another personal favorite in this category. I’ve long been a fan of Randy Newman’s sardonic wit and wondered when a jazz vocalist would mine the Newman songbook to great extent.  Ms. Vitro seemed at first like an unlikely choice, but she sings the songs as if they were written for her and the arrangements are first-rate. She is a longshot in this category but it would not be at all disappointing to see her win.

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