Best Jazz Albums of 2014 – A Closer Look: Part 2 of 5

Somi - The Lagos Music SalonThe second post in the Best of 2014 series includes a look at recent albums from two of the best trumpet players under 40 in jazz today. We also have a disc from a veteran piano great who has overcome a tremendous amount of personal adversity to continue to produce world-class music. There is a hip drum master who has teamed with a jam band king on a mix of outside leaning originals with unexpected covers. Finally, there is a vocalist who sought to get in touch with her roots and in so doing, found musical excellence.

  • Face Forward, Jeremy – Jeremy Pelt (HighNote) – While some of his contemporaries have been grabbing the headlines, Jeremy Pelt has been quietly amassing an impressive and diverse résumé consisting of some of the more compelling jazz performances of this brief century. Though his recorded performances have mostly leaned toward the mainstream, Pelt has of late begun to delve into the fusion side of his persona with musically satisfying results. I always get the sense that Mr. Pelt is seeking; looking to bring a fresh perspective to his projects. As look back at his catalog as a leader, which now stands at a dozen albums, I realized that each of his records was in some way different from the last. And his latest album, Face Forward, Jeremy is no exception. (See our full review from Jazz Inside Magazine HERE)
  • Floating – Fred Hersch Trio (MRI) – While I’ve always greatly respected Fred Hersch as an artist, I admit that I haven’t always loved his recordings. That said, Floating is my favorite Fred Hersch album, to date. The easy rapport between Mr. Hersch and his trio mates (John Hebert on bass and Eric McPherson on drums), the interesting re-imaginings of a couple of standards mixed in among top drawer originals and the overall peaceful but not languid vibe made this an album I returned to many times over the course of the year.
  • Gathering Call – Matt Wilson Quartet + John Medeski (Palmetto) – One thing that I’ve always loved about Matt Wilson is that he makes serious music with an underlying wink. You gotta love a cat that will cover a relatively obscure Ellington track (“You Dirty Dog”), next to a recent Beyoncé hit (“If I Were a Boy”) and manage to play them both without irony. Medeski fits right in among Wilson’s usually pianoless group and sounds as if he has been there for years. The music flirts with the outer edges of convention but like a great roller coaster, pulls you back just before you go over the edge. Gathering Call is a fun trip.  
  • Im.Pro.Vise (Never Before Seen) – Sean Jones (Mack Avenue) – On this album, Sean Jones continues to do what he does best; turn out solid, hard swinging post bop jazz in the tradition of Miles’ last great quartet, which by extension also places him in the company of his LCJO mentor, Wynton Marsalis. While others have played in this vibe before, Mr. Jones does it with an elan that few of his contemporaries have, which separates this album from the pack. And the interplay between Jones and his longtime piano partner Orrin Evans is virtually telepathic.  Im.Pro.Vise (Never Before Seen) is a terrific live in studio blowing session that crackles with the energy of a great club set.
  • The Lagos Music Salon – Somi (OKeh) – Born in Illinois to Ugandan and Rwandan parents, Somi, an elegant, captivating and criminally underheard vocalist decided after her father’s death, to spend 18 months living in Lagos, Nigeria. The result is this stunning album, which gives us a mix of various African musical styles, American Jazz and R & B. The guest appearances by Angelique Kidjo, Common and Ambrose Akinmusire are perfectly placed. The storytelling, the intoxicating beats and the memorable compositions make Lagos Music Salon an indelible album. It’s without a doubt, the best of Somi’s career.

The next post, Part III, will cover albums 11 – 15 in our alphabetical “Best Of” list.

Until then, the jazz continues…

2 Responses to “Best Jazz Albums of 2014 – A Closer Look: Part 2 of 5”

  1. […] i mentioned in my 2014 year end review, Floating is one of my all time favorite Fred Hersch albums. That said, it’s ironic that this […]

  2. […] 2014 and the trio operates as a single, living breathing musical organism. It was on my list of the Best Jazz Albums of 2014 and it’s my pick for this award. But as we know, I don’t have a vote so the likely […]

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