Best Jazz Albums of 2017 (So Far): Closer Look, Pt. 2 – Instrumental Albums

Posted in Best Jazz Albums of 2017, CD Reviews with tags , , , , , , , , , , , , , , , , on August 7, 2017 by curtjazz

Let’s now look at my top 10 albums (and one EP), on the instrumental side:

Akua’s Dance – Akua Dixon (Akua’s Music)

Cellist Akua Dixon has collaborated with musical greats of numerous genres, from classical to Broadway; from R&B to, of course, jazz. Whatever the idiom, she brings a gorgeous tone and an unfailing sense of lyricism, to the music. On Akua’s Dance, her third project as a leader in the last six years, she plays a baritone violin, which is basically an over-sized cello.  The full and present sound of the instrument, along with her hard swinging backing trio, including the welcome addition of guitarists Freddie Bryant and Russell Malone, make this her best solo album, by far. She covers all bases, from fun jazz (“Dizzy’s Smile”), to an irresistible cover of Sade’s “Sweetest Taboo”, to a compelling, worldly-wise vocal on Abbey Lincoln’s “Throw It Away”. This album doesn’t sound like anything else on this list and that’s a great thing.

 

Back to Earth – Farnell Newton (Posi-Tone)

Portland, OR based Trumpeter/Composer/Educator Farnell Newton is one of the hardest working cats in the music business. Over the last few years, he has released a couple of very strong contemporary jazz projects (Class is Now in Session; Ready to Roll) and a fascinating collection of impromptu improvisations (10 Minute Trumpet Jams). On Back to Earth he has come home, with his first straight-ahead album in over a decade. And it is pure dynamite. Newton shows off his powerful chops and his flawless sense of swing, in a set of inventive originals, such as the soulful “Gazillionaire” and impressive covers, like a take on Freddie Hubbard’s classic “Arietas”, that does the legend proud. I’ve enjoyed all of Mr. Newton’s work over the years but I know that I will be reaching for Back to Earth, long after the end of 2017.

Boundary Issues – Chris Greene (Single Malt)

Like Farnell Newton, saxophonist Chris Greene’s star shines mostly on a regional basis, in this case, it’s Chicago. Regardless of his address, the dude just keeps dropping first-rate projects, that make me wish I lived closer to Chi-town, or that he toured more often. Boundary Issues, is an enjoyable set, that is very accessible but not at all patronizing. Mr. Greene’s saxophone is as rich and inventive as always and I have to give special props to Steve Corley for his next-level drum work. Most memorable track: a Silver meets Marley version of “Nica’s Dream”.

Brothers Under the Sun – Steve Nelson (HighNote)

Steve Nelson is one of the three best jazz vibraphonists alive today. But you may not have heard of him because he drops projects under his own name about as often as we experience a solar eclipse. He has spent most of his career elevating the works of others but when he steps out in front, it is an unequivocally special event. His latest album, a quartet date, is no exception. It’s a swinging mix of standards and originals, many of them composed by his friend and frequent musical partner, the late, great pianist, Mulgrew Miller. Brothers Under the Sun, is an elegant, swinging, good time from beginning to end; an exquisite musical statement and a subtle but fitting tribute to a giant who left us too soon.

Made in America – Bobby Watson (Smoke Sessions)

I love the concept of this album as much as I do the music. Saxophonist Bobby Watson, has created a tribute to a number of influential African Americans; some who are well known, such as Sammy Davis, Jr. and Butterfly McQueen; and a few others, such as Bass Reeves and Major Taylor, who sent even me scrambling to Google more about them. But Made in America is not a dry history lesson; it is a living, energetic, creative and unapologetically  jazzy appreciation of those who paved the way, sometimes at great cost. It’s also quite evocative, as Watson has dropped in smile inducing references, such as quoting “Wild Blue Yonder”, in the Wendell Pruitt tribute (“Aviator”) and Lewis Nash “tapping” out the rhythm on “G.O.A.T.” (for Sammy Davis, Jr.). This project succeeds on all levels. Kudos to Mr. Watson and all involved.

The Music of John Lewis – Jazz at Lincoln Center Orchestra, feat. Jon Batiste and Wynton Marsalis (Blue Engine)

John Lewis, the pianist and guiding light of the Modern Jazz Quartet, passed away over 16 years ago. For many, their knowledge of him begins and ends with the MJQ. However, John Lewis was one of the great jazz composers of his time and one of the most affecting blues pianists that I’ve ever heard. The biggest surprise is that it has taken so long for there to be a full-scale, recorded tribute to his music. Perhaps, it’s because only Wynton and the JLCO could do it right. The most pleasant surprise for me, is the stellar work of Jon Batiste on piano. I knew of Mr. Batiste and I knew he had an impressive musical pedigree but, through no one’s fault but mine,  I’d mostly heard him in his day job, as musical director for The Late Show with Stephen Colbert. Mr. Batiste, who is just 30, is a fantastic pianist, who embodies Lewis’ elegant swing, while adding a few of his own touches. The JLCO and Mr. Marsalis are of course, at the top of their game, the arrangements are inventive and the Lewis compositions selected, from “Django”, to “Two Bass Hit”, to “Spanish Steps”, are his absolute finest. As prolific as Mr. Lewis was, there is definitely need for a Volume 2 (and 3, for that matter). Let’s hope someone hears me.

Post Cool: Vol 1; The Night Shift – Carol Morgan (Self-Produced)

This disc appeals to me for so many reasons: First, it’s by Carol Morgan a trumpet player whose picture is in the dictionary under the phrase “criminally obscure”. Second, her front line partner is tenor saxophonist, Joel Frahm, who is next to Ms. Morgan in the aforementioned “photo”. Third, the music is fabulous. Nothing fancy, no big stars or pyrotechnics – it’s just four real pros, (Martin Wind – bass and Matt Wilson – drums, a couple of stellar musicians, round out the quartet – no piano), playing like it was the 2 am set in a small, smoky club. No frills, just damn good music. There are standards of the jazz canon (“Strollin'”, “Night in Tunisia”, “On a Misty Night”), given fresh life. There are also a couple of fine originals from Ms. Morgan’s and Mr. Frahm (“Night”, “Song for Mom”, respectively) that are very worthy additions. As of now, this set is only available via Ms. Morgan’s website (www.carolmorganmusic.com). It’s worth the trip because, while you’re there you might want to sample some of her other fine work.

Reach – Christian Sands (Mack Avenue)

Christian Sands first came on the jazz scene 15 years ago as a child prodigy who displayed flashes of brilliance that predicted a very bright future. Now at 27, with a number of high profile gigs under his belt, including his current spot as Christian McBride’s pianist of choice; Mr. Sands has dropped, Reach, his first major label album. Suffice to say those early predictions were accurate. His virtuosity on the keys has matured to the point where his runs are truly substantial.  His most impressive area of growth is as a composer. Sands wrote 8 of the album’s 10 songs, including impressive tributes to two of his influences; Chick Corea and Bud Powell. He has also composed a killer Latin track (“Oyeme!”) and a head nodding hip-hop groove (“Gangstalude”) . Additionally, there is an ominous, seven minute deconstruction of “Use Me”, the Bill Withers classic, featuring some killer jazz-rock guitar from Gilad Hekselman. Reach is a fine announcement of arrival from this young veteran.

Sabiduria – Eddie Palmieri (Ropeadope)

The greatest living bandleader in Latin Jazz has just turned 80 and he shows no signs of slowing down. As befitting someone who has been a major musical figure for six decades, the list of heavy hitters who join him for the celebration is impressive – Joe Locke is on vibes, Pretty Purdie, on the drums, Ronnie Cuber and Donald Harrison are two of the saxophonists, Marcus Miller, on bass and the list goes on. Sometimes, having so many guest stars can lead to confusion but that’s not the case here as Sabiduria is the strongest and most appropriately eclectic musical statement that I’ve heard from Mr. Palmieri in at least 15 years. There are tracks rich with history and some that explore new ground. And we’ve also got Locke and violinist Alfredo de la Fe, trading hot solos on “La Cancha”. Happy Birthday to “The Sun of Latin Music”. From the looks of things, he’s going to shine for quite a while more.

Serenade for Horace – Louis Hayes (Blue Note)

Another awesome octogenarian, Louis Hayes makes his Blue Note Records debut, as a leader, with this gorgeous, swinging tribute to his old boss Horace Silver. Thankfully, Mr. Hayes is experienced enough to not do a note for note regurgitation of the Silver classics, which are still fresh in most jazz fan’s minds and readily available. Instead, Serenade for Horace manages to capture the joyous spirit of Silver, while still making these tunes, some of which are over 60 years old, sound as if they were fresh compositions. A lot of this is due to the out in front presence of Steve Nelson on the vibes. Apart from his early work with Milt Jackson, Silver rarely worked with a vibraphonist, so Nelson leading the way on many of the tracks is invigorating. Gregory Porter drops by to sing his own new lyric on “Song for My Father”. Even if you own the Silver recording of all of these tunes, this disc is worth your while.

A Tribute to Art Blakey [EP] – Tony Allen (Blue Note)

Hell. Frickin’. Yeah!!! This is not a full album but a four song EP with an album’s worth of badass playing, as the legendary king of Afrobeat, Tony Allen, pays tribute to another percussion monster, the great Art Blakey. I love almost everything about this project – the song selection (“Moanin'”; “Night in Tunisia”; “Politely” and “Drum Thunder Suite”); the fresh sound of all of these familiar Blakey classics, when filtered through an Afrobeat lens; the cool, Buhaina-esque cover photo of Mr. Allen; the fact that the whole disc is begging to be sampled into a hot, hip-hop groove. So what don’t I love? It’s only four songs. It was just enough to make me want more. More Tony Allen and more Afrobeat Blakey, please!

And that’s our halftime show. A great first half of the year in jazz. I’ve got a stack of  CDs staring at me on my desk and even more album downloads in the computer waiting to be reviewed and shared with y’all. Gonna be a busy but rewarding rest of the year. More to come, soon. If you missed the complete list, see it HERE

Until then, the jazz continues…

Best Jazz Albums of 2017 (So Far) – Closer Look Pt. 1 – Vocal Albums

Posted in Best Jazz Albums of 2017, Uncategorized with tags , , , , , , , , on July 26, 2017 by curtjazz

Taking a closer look at my five favorite vocal projects, so far, in 2017:

  • Dance of Time – Eliane Elias (Concord) – It’s still hard to believe that in her early years on  the American jazz scene, Eliane Elias was known strictly as a pianist. I liken her at this point to a Brazilian Diana Krall – she is still a first rate pianist but her vocal gifts, especially in her native Portuguese, have at this point, overshadowed her keyboard skills. On her latest album, she pays tribute to 100 years of samba. It is a sheer delight, with guest spots by Toquinho, Mike Manieri, ex-husband Randy Brecker, Mark Kibble and many others. Dance of Time is a true celebration and a great place to start for those introducing themselves to Ms. Elias’ work.

  • Nightintales – China Moses (MPS) – The daughter of legendary jazz vocalist Dee Dee Bridgewater, Ms. Moses has been on the scene now, for a few years. On Nightintales, she nails down a perfect mix of modern R&B and passionate soul-jazz. The sound is like nothing else on the scene today and that’s precisely what makes it irresistible.  The angular, hypnotic “Running” and raw soul of “Hungover”, make this album worthwhile, all by themselves. But there’s much more here and all of it needs to be experienced.

  • Petite Afrique – Somi (OKeh/Sony Masterworks) Somi, the American vocalist, of Rwandan and Ugandan heritage, has gotten better with each successive release. I thought she had reached her peak with 2014’s impressive The Lagos Music Salon.  Petite Afrique, however, feels even more personal and is more captivating than the previous project. Named for the section of Harlem around 116th Street, which is home to a gorgeous mosaic of African immigrants, the music captures, the rhythms, the passion, the joy, the fears and the frustrations of that community, in some cases, simultaneously.  With top flight co-production by Keith Witty and the brilliant trumpeter Etienne Charles, this is an album that you’ll remember long after the final note.

  • A Social Call – Jazzmeia Horn (Prestige) I was first exposed to this amazing young vocalist when I decided, without previewing, to drop her version of Betty Carter’s “Tight”, into my radio show one night. The hair on my arms stood at attention, my mouth fell open and by the time she begins to trade fours with the saxophonist a third of the way in, I was an unabashed fan. I then listened to the rest of the album on the way home from the studio and by the time I got to my front door, I was on a jazz high. Ms. Horn brings us a little Betty, a little Sarah, a little Ella, a little gospel and a whole lot of herself on this stunning debut project. Jazzmeia won the right to record this project as a prize for winning the 2015 Monk Vocal Competition. I’ve taken issue with the Monk judges in the past but not this time. They got it 100% right.

  • What Time Is It? – Giacomo Gates (Savant) I was first introduced to Mr. Gates around 20 years ago, at one of the earliest incarnations of the Litchfield Jazz Festival. His set was ridiculously truncated, due to curfew rules and a previous artist running overtime. Giacomo expressed mild annoyance, which greatly displeased the festival organizers. But I dug what little I heard and vowed to keep up with this “regular guy”, baritone, with loads of charm, who exuded the cool soulfulness of Mark Murphy. Gates has released a number of very fine albums over the years and his latest is another in the series. It’s a nice mix of jazz standards, originals and a few surprises (such as “Silhouettes”, the ’50’s pop classic). Now in his sixties, Mr. Gates still doesn’t get the attention, even within our insular jazz world, that I think he deserves. If you haven’t heard him before, What Time Is It?, is a great place to start.

I haven’t heard everything released so far this year and I’m sure that there will be more to come over the next few months. I can’t wait to be back with more in December.

Up next – a closer look at my favorite instrumental albums, so far.

Until then, the jazz continues

Best Jazz Albums of 2017 (So Far)

Posted in Best Jazz Albums of 2017 with tags , , , , , , , , , , , , , , , , , , , on July 8, 2017 by curtjazz

farnell newtonI’ve been away from regular blogging for a minute. Through my show, I’ve gotten to hear a lot of first rate new projects during the first half of the year. So what better way to return to regular posts than to give recognition to the finest discs that I’ve heard so far this year. The list includes five vocal and ten instrumental albums (and one EP), listed in alphabetical order. The next two posts will be closer looks at the albums, including video clips.

Vocal Albums 

 

Instrumental Albums

JAZZ LIVES!!! with CurtJazz: Interactive Playlist 5/18/17 (Final Show)

Posted in Charlotte Community Rado, CLTC Playlists, Jazz in Charlotte, JazzLives!, Video Vault with tags , , , , , , , , , on June 3, 2017 by curtjazz

JazzLives_Logo225Our final show on Charlotte Community Radio was Thursday, 5/18/17. I decided to have no guests that evening and just to concentrate on sharing the music with the audience one more time. It was truly, a bittersweet occasion.

Though Charlotte Community Radio is no more, JAZZ LIVES!!! with CurtJazz will be back. We are working on a couple of avenues right now and we expect to be back on the air, either terrestrially or on the web, by the fall. Until then, I will be with you in this space, stepping up my blog game again and doing all that I can to keep jazz alive.

As with the previous playlists, this one includes a recording of the show, a full list of the tracks played and some video clips of the songs played that caught my eye.

Keep swingin’, y’all!

 

TRACK TITLE ARTIST(S) ALBUM LABEL
The Common Ground Kenny Burrell Blues – The Common Ground Verve
Yes or No Wayne Shorter Juju Blue Note
Tu, Yo Y Mi Flauta Adrian Crutchfield Private Party CD Baby
Billie’s Bounce George Benson Giblet Gravy Verve
On the Sunny Side of the Street John Michael Bradford Something Old, Something New CD Baby
I Know You Know Esperanza Spalding Esperanza Heads Up
Searching Roy Ayers Evolution: Polydor Anthology Polydor
I Just Wanna Live Buff Dillard (feat. Nicci Canada) I Just Wanna Live (single) Self-Release
Dizzy’s Dashiki Poncho Sanchez / Terence Blanchard Chano y Dizzy Concord
Chitlins Con Carne Kenny Burrell Midnight Blue Blue Note
Brother Thelonious Helen Sung Anthem for a New Day Concord
Easy Going Amos Hoffman Back to the City Self Release
The Party’s Over Leslie Odom, Jr. Leslie Odom, Jr. S-Curve
Sweet Summer Love Eugenie Jones Come Out Swingin’ Self-Release
Killer Joe Quincy Jones Walking in Space A&M
Sonny’s Playground George Coleman A Master Speaks Smoke Sessions
Love You Madly Natalia M. King Bluezzin’ ‘til Dawn Challenge
I’m an Old Cowhand Sonny Rollins Way Out West Contemporary
Freight Trane Amanda Monaco Glitter Posi-Tone
This Here Theo Hill Promethean Posi-Tone
Isfahan Dayna Stephens Gratitude Self-Release
Everything I’ve Got Belongs to You Nicki Parrott Dear Blossom Arbors
Project S Jimmy Heath Big Band Turn Up the Heath Planet Arts
It’s You Or No One Joris Teepe & Don Braden Conversations Self-Release
Arietas Farnell Newton Back to Earth Posi-Tone
Song for My Father (feat. Gregory Porter) Louis Hayes Serenade for Horace Blue Note
Tell Me Something Good Deep Blue Organ Trio Wonderful! Origin
Nefertiti Joel LaRue Smith The Motorman’s Son Self Release
Blind Man, Blind Man Herbie Hancock My Point of View Blue Note
Why Don’t You Do Right? Jeanie Bryson Some Cats Know Telarc
E Preciso Perdoar Sasha Masakowski Wishes CD Baby
Doc’s Holiday Sean Jones Live from Jazz at the Bistro Mack Avenue

JAZZ LIVES!!! with CurtJazz: Interactive Playlist 3/30/17 (with Amos Hoffman)

Posted in Charlotte Community Rado, CLTC Playlists, Jazz in Charlotte, JazzLives!, The Jazz Continues..., Video Vault, Who's New in Jazz with tags , , , , , on June 2, 2017 by curtjazz

amos hoffman collageOn the March 30 edition of JAZZ LIVES!!! with CurtJazz, on Charlotte Community Radio, we were fortunate to have as an in-studio guest, the brilliant guitarist/oudist, Amos Hoffman.

We discussed Amos’ influences, the jazz scene in his native Israel, New York and in the Carolinas, where he currently resides. We also played most of the tracks from his most recent album, Back to the City and as a special treat, Mr. Hoffman played some live in studio performances.

In this interactive playlist, we have included a link to the entire broadcast, the full list of tunes for the evening, clips of three of the in-studio performances and the official video for “Brown Sugar”; an infectious and compelling track from Mr. Hoffman’s 2010 album, Carving 

For more information on Amos Hoffman and his upcoming performances, visit his website: www.amoshoffman.com  To purchase a copy of Back to the City (CD Baby), click HERE. To purchase Carving (iTunes) click HERE.

 

TRACK TITLE ARTIST(S) ALBUM LABEL
Smoke Gets in Your Eyes Amos Hoffman Back to the City CD Baby
Easy Going Amos Hoffman Back to the City CD Baby
After Lazy Noon Amos Hoffman Back to the City CD Baby
Alone in South Carolina Amos Hoffman Back to the City CD Baby
Little Pigs Amos Hoffman Back to the City CD Baby
Pannonica Amos Hoffman Back to the City CD Baby
Back to the City Amos Hoffman Back to the City CD Baby
Blue Silver Pat Bianchi A Higher Standard Self-Release
Senor Blues Giacomo Gates Fly Rite Sharp Nine
The Outlaw Blue Note 7 Mosaic: A Celebration of Blue Note Blue Note
Monie (feat. Donald Harrison) John Michael Bradford Something Old, Something New CD Baby
Fortress Mark Whitfield Grace Self-Release
Soul Sister Warren Wolf Convergence Mack Avenue
My Shining Hour Tia Fuller Decisive Steps Mack Avenue
Doodlin’ Manhattan Transfer Vibrate Telarc
Homecoming Shamie Royston Portraits Self-Release
Hi-Fly (feat. Jon Hendricks) Sachal Vasandani Hi-Fly Mack Avenue
Fred’s Blues Brent Rusinow Old Guy Time Self-Release
Wake-up Call Jesse Davis As We Speak Concord
Music in the Air Jon Hendricks A Good Git-Together Pacific Jazz
Taiji Camp Keith Davis Trio Still CD Baby
Day Dreaming Roy Ayers Red, Black and Green Polydor

JAZZ LIVES!!! with CurtJazz: Interactive Playlist – 5/4/17

Posted in Charlotte Community Rado, CLTC Playlists, Jazz in Charlotte, JazzLives!, Video Vault, Who's New in Jazz with tags , , , , , , , , , on June 1, 2017 by curtjazz

Jazzmeia-Horn-A-Social-Call 225The penultimate edition of JAZZ LIVES!!! with CurtJazz on Charlotte Community Radio, featured mostly new releases. There has been a lot of great new music released in 2017 and I wanted to share as much of it as possible before wrapping it up. I had to drop in a Sonny Rollins classic and a few others, like the one from a few years back from my man, Etienne Charles and Chaka with Echoes of an Era ’cause they were totally in my head. But the majority of the love went to the new stuff, such as the sublime debut disc by Ms. Jazzmeia Horn and the striking groove of Nightintales, the latest release from that daughter of jazz royalty, Ms. China Moses.

There’s a link to the entire program below and video clips of a few of the tracks as well. Hope y’all dig it!

 

 

TRACK TITLE ARTIST(S) ALBUM LABEL
Sweet Georgia Brown Ori Dagan Less Than Three Self-Release
Karma Joey DeFrancesco Project Freedom Mack Avenue
Disconnected China Moses Nightinales MPS
I Told You I Love You Giacomo Gates Centerpiece Origin
La Cancha Eddie Palmieri Sabiduria Ropeadope
Old Men Sing the Blues Kevin Mahogany The Vienna Affair Cracked Anegg
The Aviator Bobby Watson Made in America Smoke Sessions
Take the Coltrane Kevin Eubanks East West Time Mack Avenue
Spanish Steps LCJO (feat. Jon Batiste & Wynton Marsalis) The Music of John Lewis Blue Engine
Tight Jazzmeia Horn A Social Call Prestige
Armando’s Song Christian Sands REACH Mack Avenue
Tatra Hermon Mehari Bleu Unlabeled
Soy Califa Allegra Levy Cities Between Us SteepleChase
O Pato Eliane Elias Dance of Time Concord
Black Enough Somi Petite Afrique Okeh
Take the A Train Echoes of an Era Echoes of an Era Elektra
Little Sunflower Ed Cherry Soul Time Posi-tone
Haitian Fight Song Akua Dixon Akua Dixon Self-Release
What a Difference a Day Makes Akiko Tsuruga Sakura American Showplace
Straighten Up and Fly Right Nnenna Freelon & Take 6 Soulcall Concord
Pandora’s Box Jeremy Pelt The Talented Mr. Pelt HighNote
Cinderella Poncho Sanchez Ultimate Latin Dance Party Concord Picante
Camera Eyes Behn Gillece Dare to Be Posi-tone
Surrey with the Fringe on Top Sonny Rollins Newk’s Time Blue Note
That’s Not Your Donut Champian Fulton Speechless CD Baby
Kitch’s Bebop of Calypso (feat. Lord Superior) Etienne Charles Kaiso Culture Shock
Down By The Riverside Christian McBride Trio Live at the Village Vanguard Mack Avenue
RED! Josh Lawrence Color Theory Posi-tone
Make America Great Again! Delfeayo Marsalis Make America Great Again! Troubador Jass
Breathless Terence Blanchard Breathless Blue Note
Central Line Art Hirahara Central Line Posi-tone

JAZZ LIVES!!! with CurtJazz: Interactive Playlist 4/27/17

Posted in Charlotte Community Rado, CLTC Playlists, Jazz in Charlotte, JazzLives!, Under The Radar with tags , , , , , , , , , on May 28, 2017 by curtjazz

CurtJazz Studio 225Our show on Thursday, April 27 was our first since learning of the station’s impending demise. No guests that evening; I just spent a lot of the show playing Carolinas based artists and those who had been guests on the show over the last year. A bit sentimental but still some great jazz.

A link to a recording of the entire program is below, as are a couple of terrific video clips from a couple of the tracks on the playlist. Enjoy!

 

TRACK TITLE ARTIST(S) ALBUM LABEL
I’m Old Fashioned Elli Fordyce Songs Spun of Gold Self-Release
Moanin’ Tony Allen A Tribute to Art Blakey Blue Note
It’s Only A Paper Moon Denise Jannah A Heart Full of Music Timeless
Here to Help Chris Greene Quartet Boundary Issues Single Malt
Lucid Lullaby Linda May Han Oh Walk Against Wind Biophilia
Little Pigs Amos Hoffman Back to The City Self-Release
Phryzzinian Man Wynton Marsalis Black Codes from the Underground Columbia
The Coaster Kevin Mahogany Songs and Moments Enja
Epitaph III – J. Mac Chad Eby Broken Shadows Cellar Live
Absolute-Lee Brandon Lee Absolute Lee CD Baby
Johnny Come Lately Don Braden / Mark Rapp The Strayhorn Project Premium Music
Crazy Baby Nicci Canada Twenty Twelve Self-Release
Screwball Mike Hackett New Point of View Summit
Think Tank Will Campbell Think Tank Origin
Chicken Day Harvey Cummings Chicken Day Self-Release
West End Blues John Michael Bradford Something Old Something New CD Baby
Thelonious Ali Jackson Amalgamations Sunnyside
Black Coffee Tenya Coleman Tenya Self-Release
Clapper Dapper Geoff Clapp Bend in the River CD Baby
Unit 7 Ellis Marsalis Sextet Live at Jazz Fest 2014 Self-Release
Afro Samurai Mark Whitfield Grace Self-Release
It Could Happen to You Eric Nemeyer Blessing in Disguise Self-Release
Speak No Evil Wayne Shorter Speak No Evil Blue Note
On the Red Clay Royal Bopsters Project Royal Bopsters Project Motema
Butterfly Gretchen Parlato In a Dream ObliqSound
Red, Black and Green Roy Ayers Red, Black and Green Polydor
Sweet Georgia Brown Anat Cohen Clarinetwork – Live Anzic
Benny’s Bounce Michael Dease All These Hands Posi-tone
Lady Bird Adia Ledbetter Take 2: Rendezvous with Yesterdays CD Baby
Boio Moio Brent Rusinow Old Guy Time CD Baby
Gypsy Ahmad Jamal Blue Moon Jazz Village