Archive for jazz grammys

2016 Jazz Grammy Nominations

Posted in 2016 Grammys, Uncategorized with tags , , on December 14, 2015 by curtjazz

grammy1Here they are folks; the jazz albums and performances nominated for the 58th Grammy Awards, which will be presented on Monday, February 15, 2016; at the Staples Center in Los Angeles.

No real surprises here, the nominating committee basically followed their template. However, without an album this year from a living legend, it did open up a few spots for artists who don’t always get the recognition. As we get into the New Year, I will do my usual predicting and complaining about each category. But for now, I will just report the news…

Congratulations to all of the nominees!

Best Improvised Jazz Solo
• Giant Steps
Joey Alexander, soloist
Track from: My Favorite Things
[Motema Music]

• Cherokee
Christian McBride, soloist
Track from: Live At The Village Vanguard (Christian McBride Trio)
[Mack Avenue Records]

• Arbiters Of Evolution
Donny McCaslin, soloist
Track from: The Thompson Fields (Maria Schneider Orchestra)
[ArtistShare]

• Friend Or Foe
Joshua Redman, soloist
Track from: The Bad Plus Joshua Redman (The Bad Plus Joshua Redman)
[Nonesuch]

• Past Present
John Scofield, soloist
Track from: Past Present
[Impulse!]

Best Jazz Vocal Album
• Many A New Day: Karrin Allyson Sings Rodgers & Hammerstein
Karrin Allyson
[Motema Music]

• Find A Heart
Denise Donatelli
[Savant Records]

• Flirting With Disaster
Lorraine Feather
[Jazzed Media]

• Jamison
Jamison Ross
[Concord Jazz]

• For One To Love
Cécile McLorin Salvant
[Mack Avenue Records]

Best Jazz Instrumental Album
• My Favorite Things
Joey Alexander
[Motema Music]

• Breathless
Terence Blanchard Featuring The E-Collective
[Blue Note Records]

• Covered: Recorded Live At Capitol Studios
Robert Glasper & The Robert Glasper Trio
[Blue Note Records]

• Beautiful Life
Jimmy Greene
[Mack Avenue Records]

• Past Present
John Scofield
[Impulse!]

Best Large Jazz Ensemble Album
• Lines Of Color
Gil Evans Project
[Blue Note/ArtistShare]

• Köln
Marshall Gilkes & WDR Big Band
[Alternate Side Records]

• Cuba: The Conversation Continues
Arturo O’Farrill & The Afro Latin Jazz Orchestra
[Motema Music]

• The Thompson Fields
Maria Schneider Orchestra
[ArtistShare]

• Home Suite Home
Patrick Williams
[BFM Jazz]

Best Latin Jazz Album
• Made In Brazil
Eliane Elias
[Concord Jazz]

• Impromptu
The Rodriguez Brothers
[Criss Cross Jazz]

• Suite Caminos
Gonzalo Rubalcaba
[5Passion]

• Intercambio
Wayne Wallace Latin Jazz Quintet
[Patois Records]

• Identities Are Changeable
Miguel Zenón
[Miel Music]

Best Contemporary Instrumental Album
• Guitar In The Space Age!
Bill Frisell
[Okeh]

• Love Language
Wouter Kellerman
[Listen 2 Entertainment Group]

• Afrodeezia
Marcus Miller
[Blue Note Records]

• Sylva
Snarky Puppy & Metropole Orkest
[Impulse!]

• The Gospel According To Jazz, Chapter IV
Kirk Whalum
[Mack Avenue Records]


 

2015 Jazz Grammy® Preview #4 – Best Large Jazz Ensemble Album

Posted in 2015 Grammys with tags , , , , , , , on February 8, 2015 by curtjazz

A category that in the past was dominated by the traditional big bands, now features an interesting mix. It’s a tossup with much more than classic swing on the plate.

The L.A. Treasures Project – The Clayton-Hamilton Jazz Orchestra (Capri)

No video clip available

Life In The Bubble – Gordon Goodwin’s Big Phat Band (Concord)

Quiet Pride: The Elizabeth Catlett Project – Rufus Reid (Motema)

Live: I Hear The Sound – Archie Shepp Attica Blues Orchestra (Archie Ball)

OverTime: Music of Bob Brookmeyer – The Vanguard Jazz Orchestra (Planet Arts)

Should Win: Rufus Reid

Will Win: Vanguard Jazz Orchestra

2015 Jazz Grammy® Preview #3 – Best Instrumental Jazz Album

Posted in 2015 Grammys with tags , , , , , , , , , on February 8, 2015 by curtjazz

In our third preview, we look at the nominees for the award that many consider the be the big prize in the jazz categories: Best Instrumental Jazz Album. As usual, the category is stocked with strong contenders but it is likely to come down to a race between two big names:

Landmarks – Brian Blade & the Fellowship Band (Blue Note)

Drummer Brian Blade’s Fellowship Band has recorded four albums in sixteen years. Each one of them has been outstanding. The deeply personal Landmarks, recorded mostly in Mr. Blade’s hometown of Shreveport, LA, is no exception. It’s stark in spots richly orchestral in others and very compelling. I wouldn’t mind to see them take home the award but I don’t think that it’s going to happen due, ironically to another project that features Mr. Blade.

Trilogy – Chick Corea Trio (Concord)

Chick Corea, Christian McBride and Brian Blade came together on this 3 CD live recording from their world tour. The program includes jazz standards (Monk’s “Work”), classic Corea compositions (“Spain”) and even their take on Russian classical music (Scriabin’s Op. 11, No. 9). The trio is in outstanding  form and the musical performances are universally first-rate. I know that I complain a lot in this space about the awards consistently going to the legendary names but I can’t fight it on this one. Chick is most likely to win. The only thing standing in his way could be a super group with a number of big names in it. Their work isn’t as good but their names are almost as big.

Floating – Fred Hersch Trio (Palmetto)

Fred Hersch is one of the finest pianists of our time and Floating is more recorded evidence of that fact. This album found Mr. Hersch, bassist John Herbert and drummer Eric McPherson back in the studio after a few live discs. It’s as intelligent as any release of 2014 and the trio operates as a single, living breathing musical organism. It was on my list of the Best Jazz Albums of 2014 and it’s my pick for this award. But as we know, I don’t have a vote so the likely winner will be one of the two albums that flank it on this list.

Enjoy The View – Bobby Hutcherson, David Sanborn, Joey DeFrancesco Featuring Billy Hart (Blue Note)

Bobby Hutcherson in his return to the label where he made some legendary recordings, accompanied by contemporary masters David Sanborn, Joey DeFrancesco and Billy Hart. I so badly wanted this album to be great when I first heard that it was coming out. Alas, it was only good. It has numerous high point but almost as many moments of mediocrity. Still, here it is, up for a Grammy today. Will it win? Very possibly, if the voters don’t do their usual rush to Corea, who is this case, is the better pick. Or maybe they will split the vote and leave an opening for Blade or Hersch…We will see…

All Rise: A Joyful Elegy for Fats Waller  – Jason Moran (Blue Note)

This is another album that I loved conceptually; that I wanted so much for it to be stellar and it turned out to be just “good”. Moran is a true student of the great Fats Waller and I love what he has been doing in trying to bring Waller’s music to a contemporary audience. Perhaps he was trying to do a bit too much for this record and something got lost in the translation. Oh well… Again, I would love to see Moran recognized for his musical contributions but giving him a Grammy for this album would be like when they gave Al Pacino an Oscar for The Scent of a Woman.

As for our unscientific and slightly cynical prediction:

Should Win: Fred Hersch

Will Win: Chick Corea

Up Next: Best Large Jazz Ensemble Album

2015 Jazz Grammy Preview #2 – Best Jazz Vocal Album

Posted in 2015 Grammys with tags , , , , , , , on February 8, 2015 by curtjazz

Here we are, racing to the finish to get our Jazz Grammy predictions out before the awards are presented this afternoon!

In the Best Jazz Vocal Album category, we have a couple of extremely deserving first time nominees, a perennial nominee who unfortunately is always overlooked and a couple of fairly good albums that are the favorites to take home the prize.

Map to the Treasure: Re-imagining Laura Nyro  – Billy Childs & Various Artists (Sony Masterworks)

Billy Childs is a terrific if overlooked, jazz pianist and arranger. The idea for this album was a very good one, taking the music of the great pop songwriter, Laura Nyro and re-imagining them with some of today’s strongest vocalists and instrumentalists. The result is an outstanding pop album. Sorry, folks but for my money, despite the presence of Mr. Childs, Esperanza Spalding, Wayne Shorter and Dianne Reeves, who all perform impressively in their segments, Map to the Treasure, while award worthy, doesn’t belong in this category. The irony is, because of all of the pop names and the handful of jazz names involved, it stands a decent chance of winning. If it does, I will be happy for Mr. Childs, who defintely deserves wider recognition but my opinion still stands.

I Wanna Be Evil  – René Marie (Motema)

For my money, this first-time nominee is your winner. This late 2013 release by Ms. Marie was one of the best of her impressive career. Her performances on this tribute to the late, great Eartha Kitt, are at turns funny, seductive, unnerving and thought-provoking; just like the immortal performer who inspired them. (Read my full review for Jazz Inside Magazine HERE) Why Ms. Marie will probably not win? The album was released over a year ago, just missing the cutoff for last year’s awards but putting it in the position of having slipped from the consciousness of man voters. Also, Ms. Marie as great as she is, is not well-known by much of the voting crowd and some only know her for a few minor controversies from seven years ago. And, there’s also the presence of a very well-known name, with  a very accessible album, which is an odds-on favorite to take the prize. If I’m wrong I will be thrilled but I don’t think so.

Live in NYC  – Gretchen Parlato (ObliqSound)

Like Rene Marie, Gretchen Parlato is a first-time nominee. Also like Ms. Marie, Ms. Parlato’s album was released in 2013, just after the eligibility cutoff for the 2014 Grammys. And also like Ms. Marie, Ms. Parlato is a longshot to win today. Keeping it 100, I adore Ms. Parlato’s work but this album, which consists mostly of live takes of selections from her previous releases, while good, is inferior to most of her previous work. Because she is so terrific overall, it would be cool to see her recognized but I think the next lady is going to stand in her way.

Beautiful Life – Dianne Reeves (Concord)

Beautiful Life was the great Dianne Reeves first new release in about half a decade. It is loaded with big name guest stars (Glasper, Esperanza, Lalah Hathaway, George Duke, etc). It is laden with accessible, pop and adult r&b radio friendly material. And Dianne Reeves is by far the most recognizable name in this category. The album is okay; not Ms. Reeves best work, but it won’t matter. She will pick up her fifth Grammy today.

Paris Sessions- Tierney Sutton (Varese Sarabande)

In Grammy previews of years past, I have referred to Tierney Sutton as the “Glenn Close” of this category. Sad to say, that appellation will apply again today. Ms. Sutton is a terrific vocalist; a perennial Best Jazz Vocal Album nominee, who has never won the award. Because in spite of the quality of her work, she is still undeservedly obscure in a category that habitually awards name recognition. Paris Sessions is another gorgeous album partnering Ms. Sutton with Serge Merlaud and Kevin Axt, two outstanding guitarists. The album is worth adding to your library but alas, Ms. Sutton will leave once again, without the Grammy.

Our unscientific and mildly cynical prediction:

Should Win: Rene Marie

Will Win: Dianne Reeves

Up next, Best Jazz Instrumental Album

2015 Jazz Grammy® Preview #1 – Best Improvised Jazz Solo

Posted in 2015 Grammys with tags , , , , , , , , , on February 7, 2015 by curtjazz

Well here I am folks, late to the Grammy Party but still right on time!

The 2015 Grammy® Awards will be handed out this Sunday, February 8. The Awards in the Jazz categories will be distributed, as usual, during the “Pre-Show” before the televised broadcast. As I have done over the past few years I’ve put together a review of the jazz category nominees, including a musical clip (where available) and my opinion about the artists chances to take some hardware home on Sunday. Let’s start with jazz’s equivalent of Record of the Year, “Best Improvised Jazz Solo”

“The Eye Of The Hurricane,” – Kenny Barron, soloist:  From the album Gerry Gibbs Thrasher Dream Trio (Whaling City Sounds)

The great pianist Kenny Barron and the legendary bassist Ron Carter join drummer Gerry Gibbs (son of vibraphonist Terry Gibbs) on this terrific trio album. The nominated track is a blazing fast take on the Herbie Hancock composition, with Mr. Barron showing the impressive speed that we don’t get to hear from him often enough these days. It’s a fine track but it’s likely to get lost in the shuffle of big names on the way to the awards podium. What it has made me do is check out the work of Gerry Gibbs who I’ve somehow managed to miss over the years.

“Fingerprints,” Chick Corea, soloist: From the album Trilogy – Chick Corea Trio (Concord)

This is a nominated performance from Trilogy Mr. Corea’s live three disc semi-retrospective. The track is stellar, as is the album, which has also been nominated for Best Jazz Instrumental Album. Corea is as good, at age 73, as he has ever been and the support from Brian Blade and Christian McBride is also first rate. So, what’s my problem? I’ve talked about it every year since I’ve been doing these jazz Grammy posts; I would just like to see some of the Grammy voters award love go to someone not named Corea or Hancock or Rollins, etc. But I know that my wishes will likely go unfulfilled. The performance is very good and they know his name so Chick Corea will probably win this award and the other one as well.


“You & The Night & The Music,” Fred Hersch, soloist: From the album Floating – Fred Hersch Trio (Palmetto) 

As i mentioned in my 2014 year end review, Floating is one of my all time favorite Fred Hersch albums. That said, it’s ironic that this track gained a nomination as it is one of performances that I found to be just good but not great. There are better tracks on the album and better ones nominated in this category. Still, anytime Fred Hersch is acknowledged for his art, it is a great thing. The album is also nominated for Best Jazz Instrumental album. Sadly, it is likely to come home empty-handed due to the “Chick Factor”.

“Recorda Me,” Joe Lovano, soloist: From the album The Latin Side of Joe Henderson  – Conrad Herwig (Half Note)

No doubt about it; Conrad Herwig has struck critical and to an extent, commercial gold with his “The Latin Side of…” series. This track from the latest release is the best of the Joe Henderson tribute album, which was recorded live at the Blue Note in New York. Though the track is strong, I found it interesting that Mr. Lovano was singled out for recognition, as his is one of a number of strong solos during the 11 + minute performance. I guess it has to do with him being listed as the featured performer on the album cover. It also nominated for Best Latin Jazz Album. I think that it has a better chance in that category.


“Sleeping Giant,” Brad Mehldau, soloist: From the album Taming the Dragon – Mehlania (Nonesuch)

A track from Mehlania, the new electronic duo composed of the well-respected pianist Brad Mehldau, this time on a variety of electronic keyboards and drummer/percussionist Mark Guiliana. This is a spacey/trippy track that is for me, reminiscent of Miles circa Bitches Brew. Not really my cup of tea but I wouldn’t count it out on Grammy night due to Mehldau’s name recognition. I have to admit that if it wins, I will laugh my ass off.

So here is my unscientific prediction:

  • Should Win: Kenny Barron
  • Will Win: Chick Corea

Up next, will be Best Jazz Vocal Album. A category that will also likely be dominated by name recognition.

2015 Jazz Grammy Nominations

Posted in 2015 Grammys with tags , , , on December 6, 2014 by curtjazz

grammy1Here is a list of the jazz performances that were nominated for a Grammy at the 57th Grammy Awards, which will be presented on February 8, 2015. Our list includes the Instrumental categories, which are usually dominated by jazz artists. Our posts of commentary and predictions will follow in January 2015.

 

Improvised Jazz Solo

“The Eye Of The Hurricane,” Kenny Barron
“Fingerprints,” Chick Corea
“You & The Night & The Music,” Fred Hersch
“Recorda Me,” Joe Lovano
“Sleeping Giant,” Brad Mehldau

Jazz Vocal Album

“Map To The Treasure: Reimagining Laura Nyro,” (Billy Childs &) Various Artists
“I Wanna Be Evil,” René Marie
“Live In NYC,” Gretchen Parlato
“Beautiful Life,” Dianne Reeves
“Paris Sessions,” Tierney Sutton
Jazz Instrumental Album

“Landmarks,” Brian Blade & The Fellowship Band
“Trilogy,” Chick Corea Trio
“Floating,” Fred Hersch Trio
“Enjoy The View,” Bobby Hutcherson, David Sanborn, Joey DeFrancesco Featuring Billy Hart
“All Rise: A Joyful Elegy For Fats Waller,” Jason Moran

Large Jazz Ensemble Album

“The L.A. Treasures Project,” The Clayton-Hamilton Jazz Orchestra
“Life In The Bubble,” Gordon Goodwin’s Big Phat Band
“Quiet Pride: The Elizabeth Catlett Project,” Rufus Reid
“Live: I Hear The Sound,” Archie Shepp Attica Blues Orchestra
“OverTime: Music Of Bob Brookmeyer,” The Vanguard Jazz Orchestra

Latin Jazz Album

“The Latin Side Of Joe Henderson,” Conrad Herwig Featuring Joe Lovano

“The Pedrito Martinez Group,” The Pedrito Martinez Group
“The Offense Of The Drum,” Arturo O’Farrill & The Afro Latin Jazz Orchestra
“Second Half,” Emilio Solla Y La Inestable De Brooklyn
“New Throned King,” Yosvany Terry

Contemporary Instrumental Album

“Wild Heart,” Mindi Abair
“Slam Dunk,” Gerald Albright
“Nathan East,” Nathan East
“Jazz Funk Soul,” Jeff Lorber, Chuck Loeb, Everette Harp
“Bass & Mandolin,” Chris Thile & Edgar Meyer

Instrumental Composition

“The Book Thief,” John Williams (John Williams)
“Last Train To Sanity,” Stanley Clarke (The Stanley Clarke Band)
“Life In The Bubble,” Gordon Goodwin (Gordon Goodwin’s Big Phat Band)
“Recognition,” Rufus Reid (Rufus Reid)
“Tarnation,” Edgar Meyer & Chris Thile (Chris Thile & Edgar Meyer)

Arrangement, Instrumental or A Cappella

“Beautiful Dreamer,” Pete McGuinness (The Pete McGuinness Jazz Orchestra)
“Daft Punk,” Ben Bram, Mitch Grassi, Scott Hoying, Avi Kaplan, Kirstie Maldonado & Kevin Olusola (Pentatonix)
“Get Smart,” Gordon Goodwin (Gordon Goodwin’s Big Phat Band)
“Guantanamera,” Alfredo Rodríguez (Alfredo Rodríguez)
“Moon River,” Chris Walden (Amy Dickson)

Arrangement, Instruments and Vocals

“All My Tomorrows,” Jeremy Fox (Jeremy Fox Featuring Kate McGarry)
“Goodnight America,” Vince Mendoza (Mary Chapin Carpenter)
“New York Tendaberry,” Billy Childs (Billy Childs Featuring Renée Fleming & Yo-Yo Ma)
“Party Rockers,” Gordon Goodwin (Gordon Goodwin’s Big Phat Band)
“What Are You Doing The Rest Of Your Life?” Pete McGuinness (The Pete McGuinness Jazz Orchestra)

Also worth noting is that Robert Glasper’s Black Radio 2 received two nominations in the R & B categories, for Best R & B Album and Best Traditional R & B Performance (for “Jesus Children of America”).

Congratulations to all nominees. More to follow…

2014 Jazz Grammy® Recap – The Winners and Random Thoughts

Posted in 2014 Grammys with tags , , , , , , , on January 27, 2014 by curtjazz

Well jazz fans, we had our annual 15 minutes of fame (literally) yesterday at the Grammys during the pre-show, which was not broadcast on television but streamed live on the web. The  winners in the jazz categories included virtually no surprises. Those that won were either the favorites or highly touted possibilities right behind the  favorites.

And the Winners Are:

Best Improvised Jazz Solo – “Orbits”: Wayne Shorter – soloist (From the album Without a Net [Blue Note Records])

The Hall of Fame saxophonist wins with his only nomination from his critically acclaimed return to Blue Note Records.

Best Jazz Vocal Album – Gregory Porter: Liquid Spirit (Blue Note Records)

In a very minor upset, Porter beats out the phenomenal young vocalist Cecile McLorin Salvant to win his first Grammy. I loved Porter’s totally real acceptance speech in which he blurted out “Hey! I got a Grammy!”

Best Jazz Instrumental Album – Terri Lyne Carrington: Money Jungle: Provocative in Blue (Concord Jazz Records)

Another minor but welcome upset. In her acceptance speech the cool and classy Ms. Carrington noted that she was the first woman in history to win this particular award, which was surprising on one hand and then again, it wasn’t. It’s her second Grammy in the last three years; the other came for The Mosaic Project in 2012.

Best Large Jazz Ensemble Album – Randy Brecker, Wlodek Pawlik Trio & Kalisz Philharmonic: Night in Calisia (Summit Records)

No surprise here at all as Grammy voters went for the safe choice of the only name among the nominees that any of them had even remotely heard of.  Mr. Brecker was not at the ceremony, leaving the acceptance chores to his Polish colleagues on the recording who struggled gamely with their English in an endearing but ultimately long-winded  speech, which drew the only use of the “musical hook” that I heard while I was watching the pre-show.

Best Latin Jazz Album – Paquito D’Rivera & Trio Corrente: Song for Maura (Sunnyside/Paquito Records)

While this win was not at all unexpected, it was also utterly frustrating. For with all of the genuinely outstanding music nominated in this category, Grammy voters once again went with the most familiar choice. This is far and away not the travesty that last year was in this category but still, this award was given to a good album among some great ones. Mr. D’Rivera was also not in attendance which left the acceptance to the members of Trio Corrente, who looked to be in danger of getting the “musical hook” but didn’t.

And to wrap things up, a few “Random Thoughts” that I scribbled down during the pre-show and the broadcast Grammy Show:

  • It was great to see Latin Jazz pianist and Grammy nominee Roberto Fonseca being used as a segment presenter on the pre-show.Though English is not his first language, he soldiered on gamely, even when tasked with reading the rambling statement from an award winner who was unable to attend. Frankly, he did a better job that pre-show host Cyndi Lauper, who struggled mightily throughout.  She even at one point starkly told the audience. “I F-ck-d Up”, which was true but unnecessary to say. I’m no language prude but it just struck me as a crudely contrived way to try to curry favor in the midst of her obvious difficulties.
  • It was great to see the wonderful composer/arranger Maria Schneider take home some Grammys for her classical work on Winter Morning Walks. I also loved her impassioned plug of ArtistShare during her acceptance speech. Now if only the jazz world would show her as much love…
  • I was disappointed that no jazz artists got to perform even during the pre-show. Yet, we saw fine artists of many other genres get to show their stuff. Has it now come to the point that a live jazz performance is not even welcome during the non-broadcast segment of the ceremony?
  • Daft Punk???
  • Pharrell’s hat???
  • Madonna’s outfit???
  • Taylor Swift’s dancing???
  • Taylor Swift’s Death Stare at the end of her performance????
  • Taylor Swift. Period. – Kanye, you did this to us!!!
  • Jay-Z basically referring to his award as a “sippy cup” for his daughter, was a lame attempt at humor that came off as arrogant. I’ve liked Jay-Z and Beyonce for a long time but they are starting to put me off (not that they care).
  • Chicago would have been better without Robin Thicke. And I wish that the cats still in the group and Peter Cetera and Danny Seraphine could all patch up their differences and give us at least one more taste of the real Chicago.
  • Loved Stevie Wonder, Nile Rodgers, Pharrell and Daft Punk’s jam.  As a fellow prostate cancer survivor any time I see Nile Rodgers up there doing his thing it is inspirational to me.

That’s all I have to say about that. I’ll have more to say about other things though before the next Grammy season and I thank you for reading.

Until the next time, the jazz continues…