Atlanta Jazz Fest 2012 – Day 1 Recap

The 2012 Atlanta Jazz Fest couldn’t help but exceed its immediate predecessor, based on volume alone. This year’s festival featured three full days of free jazz in Piedmont Park, whereas 2011 had only two.  Four acts a day were featured on the Mainstage and another four on the other side of the park at the International Stage.

What follows over the next three posts, will be my thoughts on the festival, opinions on performances and observations on some things that caught my attention. In addition, there are some photos and video clips. So this is not so much a review as it is a recap.

DAY ONE 5/26

Have to confess that the fam and I moved slowly on Saturday morning, while leaving Charlotte for Atlanta. So slowly that it backfired a bit. By the time we got everything we needed, dropped the dog off at doggie care, drove the 4 hours to ATL, dropped off our luggage at the hotel, found parking and walked back to the park, we unfortunately had managed to miss the first Mainstage performance by Dwight Andrews.  We settled in as Cyrus Chestnut was finishing his first number, which meant that   I was too late to take pictures of the “Nut Man”.  A bit disappointing, but it was my own fault.

Ernie Gregory, the renowned jazz photographer and Atlanta Jazz Festival emcee. introduces Kathleen Bertrand

As for Mr. Chestnut and his trio, they were up to their usual level of excellence. Chestnut, Dezron Douglas on bass and Neal Smith on drums have worked together long enough now that they are in musical lockstep. By the time they reached “CC Rider” the crowd had joined them, rocking along and snapping fingers as one. Another terrific performance by a great group.

 Between sets, we got settled in, enjoyed gourmet popsicles from a vendor who called himself “King of Pops”. My son John and I also took time to shoot our first vlogs of the weekend.

Up next was Atlanta-based vocalist Kathleen Bertrand.  Ms. Bertrand, an attractive and appealing singer, immediately caught the attention of the crowd with her pop influenced jazz vocals and her form-fitting dress.  Most of her material came from her latest album Katharsis, including “Wrapped Around Your Finger”, the set opener and the strong originals, “Date Night” and “Don’t Let It Die”; which is a plea for the survival of mainstream jazz.  A medley of standards in the middle of the set missed the mark a bit, but Ms Bertrand recovered strongly with an appropriate set closer “Jazz at Piedmont Park”.  It was a good set overall and it left the crowd feeling energetic and ready for the headliner.

Kathleen Bertrand performs “Wrapped Around Your Finger” at the 2012 Atlanta Jazz Fest

 And that headliner was the great Roy Ayers. I watched Mr. Ayers move slowly backstage prior to the performance (he is in his seventies, after all). However when his introduction came and he hit the stage, he did it with more energy than many men half his age.  He exhorted the crowd, sang, told stories and even played a little on the vibes. It was a virtual love fest as young and not so young on the by now packed lawn sang and danced along with “Red Black and Green”, “We Live in Brooklyn Baby”, “Searching”, “Everybody Loves the Sunshine” and the inevitable set closer, “Running Away”. Kathleen Bertrand even returned, joining Roy on vocals on one number. Roy Ayers is still a great performer and a very good vibraphonist. His vocals are by now, a bit shaky, but again, he is 71 and an R & B/Hip-Hop/Jazz legend.  He came and gave the crowd what they wanted and we all went home happy and anticipating another great day on Sunday. 

 

Roy Ayers exhorts the crowd during his performance at the 2012 Atlanta Jazz Fest

 

And Sunday was a great day, with a real revelation for me.

More on that in the next post, which will include more photos and performance footage.

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