Archive for the JazzLives! Category

JAZZ LIVES!!! with CurtJazz – Thursday, 12/1: JazzMas Begins with Buff Dillard

Posted in Charlotte Community Rado, Holiday Jazz, Jazz in Charlotte, JazzLives! with tags , , , , , , , , , , , on November 27, 2016 by curtjazz
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Buff Dillard

In the same way that we used to on Live365’s Curt’s Cafe Noir, we will celebrate the Holidays throughout December on JAZZ LIVES with CurtJazz on Charlotte Community Radio. And we will kick off our “JazzMas” celebration in fine style, during our show on Thursday, December 1, with our special guest, trombonist Buff Dillard, who will join me from 7pm – 8 pm (ET).

Born into a musical family, Buff exhibited an interest for singing, drums and playing brass instruments at an early age. By the age of twelve, the trombone had become his passion and he decided to focus on mastering the slide. As a student of Martin Luther King High School in Philadelphia PA, his gift allowed him to attend the Philadelphia All-City Jazz Academy. While there, he performed with the Philadelphia All-City Jazz Band, Pieces of a Dream, and the legendary Count Basie Band. He was also able to attend jazz workshops instructed by the celebrated jazz trumpeter Wynton Marsalis.

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As a solo artist, Mr. Dillard has released a total of 8 independent projects, including his latest album, Mr. Bonejazz and his Holiday themed EP Christmas Moments. Buff is endorsed by Conn/Selmer/King Instruments and continues his career as a trombonist, performer, independent international recording artist and CEO of Buff Dillard Music LLC.

During JAZZ LIVES!!! on December 1, Buff Dillard will join me during the 7 pm hour of the show. We will talk about his music, his influences, his current projects and we will play a few tracks from Christmas Moments that will help to get us all in the mood for the Holiday Season.

Be sure to join Buff Dillard and me as we prove that there’s nothing better than “Bone for the Holidays’, on JAZZ LIVES!!! with CurtJazz, Thursday, December 1; from 6 pm – 9 pm (EDT); on CLTCRadio.

JAZZ LIVES!!! with CurtJazz, airing LIVE every Thursday from 6:00pm to 9:00pm via CharlotteCommunityRadio.orgCLTCRadio.org OR use the Mixlr app where you can listen and chat with our hosts and guests alike.

Website: http://www.buffdillardmusic.com/

Instagram: https://www.instagram.com/buffdillard/

Twitter: https://twitter.com/BuffDillard1

Facebook: https://www.facebook.com/buffdillardmusic/

JAZZ LIVES!!! with CurtJazz – Thursday, 11/17: Joe Henderson Tribute – Featuring Dave Finucane

Posted in Charlotte Community Rado, JazzLives! with tags , , , , , on November 15, 2016 by curtjazz

joe-henderson_jazzlives225On this week’s edition of JAZZ LIVES!!! with CurtJazz, on Charlotte Community Radio (CLTCRadio), we will honor the music of a tenor saxophone giant, who only truly received the appreciation that he deserved during the final decade of his career; Joe Henderson.
Our broadcast tribute will air one day before a live tribute to the Mr. Henderson’s music will begin, in The Jazz Arts Initiative’s JAZZ ROOM, on Friday, November 18 and Saturday, November 19. Durham, NC based saxophonist/educator Dave Finucane will be the headliner.

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F. Scott Fitzgerald famously wrote that there are no second acts in American lives. Mr. Fitzgerald never met Joe Henderson. Mr. Henderson first came to prominence in the jazz world in 1963, with the release of his debut album, Page One, on Blue Note Records. The album featured two compositions that would become jazz standards: “Recorda Me” and “Blue Bossa”, which was written by Henderson’s frequent early musical partner, trumpeter Kenny Dorham. The next three years would see Henderson release four more albums on Blue Note that became jazz classics: Our Thing, In ‘n Out, Inner Urge and Mode for Joe.

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A 1967 move to Milestone records was not as fruitful. After moderate success with his first LP, The Kicker, Joe received little notice as a leader, for the better part of the next twenty years. Ironically, it was the revival of the Blue Note label in the mid 80’s that spurred renewed interest in Joe Henderson; as he recorded a live trio set at the Village Vanguard, boldly titled The State of the Tenor, which took the resurgent straight-ahead jazz world by storm. Verve records took notice. They signed Henderson in 1992 and promoted him heavily in a series of “songbook” projects, which highlighted the music of Billy Strayhorn, Antonio Carlos Jobim, Miles Davis among others. The albums, which were critically and commercially successful, re-established Joe Henderson as one of the premiere saxophonists in jazz, a place he occupied until his death in 2001.

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Dave Finucane

Dave Finucane is co-founder and director of the Durham Jazz Workshop. He graduated from the New England Conservatory of Music in Boston, and since he has been teaching in New York and the NC Triangle region. Dave is currently on faculty at Duke University and UNC Chapel Hill, teaching jazz improvisation and jazz saxophone. He performs extensively in the NC triangle and has recorded an excellent album, titled Valerie’s Song. He has also been a sideman on at least a dozen recordings.

Be sure to join me on JAZZ LIVES!!! with CurtJazz, as we honor the musical legacy of Joe Henderson and play tracks from Dave Finucane’s album Valerie’s Song; Thursday, November 17; from 6 pm – 9 pm (EDT); on CLTCRadio.

And don’t miss Dave Finucane as he pays tribute to Joe Henderson, in the Jazz Arts Initiative’s THE JAZZ ROOM. Friday, November 18, at 6 pm & 8:15 pm and Saturday, November 19, at 7 pm and 9:15 pm. For ticket information, visit www.thejazzarts.org

JAZZ LIVES!!! with CurtJazz, airs LIVE every Thursday from 6:00pm to 9:00pm via CharlotteCommunityRadio.org, CLTCRadio.org OR use the Mixlr app where you can listen and chat with our hosts and guests alike.

On JAZZ LIVES!!! May 26: LIVE Atlanta Jazz Festival Preview Show

Posted in Atlanta Jazz Festival 2016, JazzLives! with tags , , , , , , , , on May 26, 2016 by curtjazz

Johns Press PassI’ve covered the Atlanta Jazz Festival (AJF) since 2011 for Jazz Inside Magazine and for my own CurtJazz.com blog. And this year will be no exception. So, on the next edition of JAZZ LIVES!!!, Thursday, May 26th on Charlotte Community Radio from 6:00pm to 9:00pm, I will feature tracks by the artists who are scheduled to appear at this year’s AJF.

The AJF is the largest free jazz festival in the Southeast. It has been a part of The ATL’s Memorial Day Weekend celebration since the late 70’s. And beginning this Friday, May 27th, the 39th edition of the AJFwill kick off in its usual location, Atlanta’s Piedmont Park. It runs through Sunday, May 29th.

Performances will take place on three separate stages: the Locals Stage will feature Atlanta area favorites such as vocalist Alex Lattimore and pianist Joe Alterman. The International Stage will have well-known jazz headliners from outside of the U.S., such as Caribbean trumpeter Etienne Charles and renowned Brazilian pianist Eliane Elias. The Main Stage features its usual combination of up and coming stars and legends, with super group Next Collective, Grammy-winning vocalist Gregory Porter and the venerable saxophonist Benny Golson leading a very impressive lineup.

Alex Lattimore

Alex Lattimore

My May 26th show is designed to get those heading to the festival in the mood for the great weekend of music ahead. But be warned – with the great cuts I plan on playing and with Atlanta being a short car ride away from Charlotte, you may be inspired to change your weekend plans and join us in Piedmont Park. If you do, stop by and say “Hello”!


JAZZ LIVES!!!
with CurtJazz, airing LIVE every Thursday from 6:00pm to 9:00pm viaCharlotteCommunityRadio.orgCLTCRadio.org OR use the Mixlr app where you can listen and chat with our hosts and guests alike.

Right Back Where We Started

Posted in Jazz in Charlotte, JazzLives!, The Jazz Continues... with tags , , , , , , , , , , , , , , , , , , , , , , , , , on April 30, 2016 by curtjazz

Before writing reviews, before the “Browsing the Bins” column, before Live365 and Curt’s Cafe Noir and before this blog, there was live jazz radio… The mid-90’s as a jazz DJ on what was tCurtis with Birdhen WPBX, on the East End of Long Island, was the best gig of my life, of any kind, one I reluctantly gave up, when I moved south almost sixteen years ago. As I signed off in October 2000, I always knew that I would be back one day. I just didn’t think that my son, who was less than a month old when I left, would be ready to start driving when that day came!

THE DATE IS SET!!!

Thursday, May 12; 6 pm – 9 pm (EDT). The premiere of my new radio show “JAZZ LIVES!!! with CurtJazz” on Charlotte Community Radio. The show will be a continuation of the passion that developed in me during the twelve years of Curt’s Cafe Noir – jazz by active musicians.

We will play jazz from across the spectrum, from modern to bop to swing to avant-garde. So, what will all of the artists have in common? They are all still living and playing great jazz.

I’ve said it before and I will keep saying it – For jazz to survive in the 21st century, we have got to open our ears to some of the great young musicians who are bringing some fresh ideas from their own 21st century experiences. This means that on JAZZ LIVES!!!, we will play Sonny Rollins AND Kamasi Washington. We will play Kenny Barron AND Robert Glasper. We will play Dave Holland AND Esperanza Spalding. And you will definitely hear from Mimi Jones and the marvelous ladies of Hot Tone Music.

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(l to r) Camille Thurman; Mimi Jones and Shirazette Tinnin

And, thanks to the tireless efforts of people like my friends Ocie and Lonnie Davis and the Jazz Arts Initiative, Charlotte is gaining a national reputation for producing some terrific young jazz players. So expect to also learn more about some of the QC’s contributions to  jazz’s future, like Eleazar Shafer, Phillip Whack, Harvey Cummings II, Tim Singh; Troy Conn and Tim Scott, Jr. And a few amazing talents even younger than those I just mentioned, such as Sean Mason and Veronica Leahy.

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Tim Scott, Jr.

We are also blessed to have a studio that will be big enough for interviews and live performances and we plan to take advantage of that space for chats and mini concert sets with some of the greats and soon to be greats who live in or visit the Charlotte area.

All we ask from you is to give us a listen. And let us know what you think – on Facebook (CurtJazz Radio); on Twitter (@curtjazz); or on Instagram (curtjazz).

To hear JAZZ LIVES!!! with CurtJazz and all of the great programming that Charlotte Community Radio has to offer, just click this link http://charlottecommunityradio.org/
We will also be available via Mixlr (http://mixlr.com/)

More to come over the days leading up to our premiere. Watch this space!!!

Album Review: Etienne Charles – Creole Soul

Posted in CD Reviews, JazzLives! with tags on November 8, 2013 by curtjazz

Etienne Charles will be appearing tonight, Friday, 11/8 at SubCulture in NYC. Two shows, at 7:30 & 10 pm. Check him out if you’re in the Big Apple this evening!

Curt's Jazz Cafe

The following review first appeared in the September 2013 issue of Eric Nemeyer’s Jazz Inside Magazine

Etienne Charles

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CREOLE SOUL – Culture Shock Music EC004 www.etiennecharles.com  Creole (intro); Creole; The Folks; You Don’t Love Me; Roots; Memories; Green Chimneys; Turn Your Lights Down Low; Midnight; Close Your Eyes; Doin’ The Thing

PERSONNEL: Etienne Charles, trumpet, flugelhorn, percussion; Brian Hogans, alto saxophone; Obed  Calvaire, drums; Jacques Schwarz-Bart, tenor saxophone; Kris Bowers, piano, fender rhodes;  Ben Williams, bass; Erol Josué, vocals; Daniel Sadownick, percussion, vocals; D’Achee, percussion, vocals; Alex Wintz, guitar

By Curtis Davenport

One of the reasons that jazz is struggling with the public lately, is a lack of fresh voices. Whether it’s intentional or not, so many artists have a sound that is extremely derivative of someone who came before them. We who write about the music often aren’t much help as we rush to crown “the next Miles”, “the…

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A “Royal Jam” in The Queen City

Posted in Jazz in Charlotte, JazzLives! with tags , , , , , , on September 24, 2012 by curtjazz

In New York, Chicago, Philly or San Francisco, this night would have probably passed without notice. But in Charlotte, NC, where jazz jams occur on a basis closer to quarterly than nightly, this was an event of note…Ocie Davis, the veteran drummer, who makes his home base in Charlotte, was in town for a few days in early June, so he put out the word that there would be a  jam session, featuring his group, “The Queen’s Collective”  at 10 pm on Wednesday, June 6, at The Evening Muse, a funky little bar in the NoDa section of town, with a decidedly bohemian atmosphere.

These NoDa jams used to be regular weekly occurrences, but with Mr. Davis on the road quite a bit lately, they had pretty much died out…So when the word of this mid-week gathering went out via Facebook, Charlotte’s small but faithful jazz community was abuzz. I knew that my butt would be draggin’ when I got to work on Thursday morning, but hell, it was going to be worth it!

Eleazar Shafer (trumpet) and Zach Wheeler (sax) at the Queen’s Collective Jam on 6/6/12

I arrived a little before 10 and found a spot at the back of the club. The weekly Open Mic night was still going on and it would continue well past its scheduled conclusion time. By 10:30 those of us who had come to hear jazz were quietly getting a bit restless waiting for the game gaggle of college aged kids to relinquish the stage.  When they finally did, at around 10:40, Ocie and crew went quickly to work getting things set up for the session. He was joined by Queen’s Collective veterans, guitarist Troy Conn, Tim Singh on bass and percussionist Robert Beasley.  Conn is a UNC-Charlotte grad with fleet fingers, a gorgeous full tone and a touch of a CTI era GB influence. Mr. Singh is a young bassist who shows a world of promise.  Mr. Beasley is a veteran percussionist, versed in many styles. He is also without a doubt the coolest cat in the band, who with his shaved head and dark shades, resembles Roy Haynes’ younger Doppelganger.

Percussionist Robert Beasley at the Evening Muse on 6/6/12.

The collective kicked things off with a gritty untitled blues that featured Mr. Conn’s dirty guitar work. This was followed by a cool take on Joe Henderson’s “Recordame”. Conn and Singh set the table with their strong solos, followed by Davis and Beasley feeding off of each other in lockstep and showing the kids how it’s done.

Next was Trane’s “Impressions”; a ballsy move for any group that features a guitarist as we all have the sound of Wes Montgomery’s classic version from Smokin’ at the Half Note etched in our memories.  But as you’ll see in this clip, young Troy Conn is up to the task.

With the crowd now warmed up Ocie called for “Cissy Strut” – a staple for any percussionist with Bayou roots. Things then got even better when Mr. Davis summoned to the stand Eleazar Shafer, a 26 year-old Charlotte native who is now based in NYC, with a lot of Hubbard in his horn and in his attitude.  You’ve got to like a cat who takes the stage wearing a t-shirt that reads “I Am Awesome”; you’ve got to love him when he can back it up. Suffices to say, we love “Shafe”.

Davis then decided to take a break and relinquished the drum chair to Jacob Cavell. Another promising youngster, Zach Wheeler grabbed his alto sax and they then dove into one of my favorite Coltrane tunes, “Equinox”, with fine results.

There was much still to come as more musicians arrived, fully ready to go on all night long. Unfortunately however, I wasn’t, as I knew that I had to get out of there if I was to stand any chance of  being even semi-coherent at work later that day. So regretfully,  I had to cut out a little before 1 – missing in the process some great music and some fine new talent but feeling hopeful for the future of jazz in The Queen City.

It was fun y’all. Let’s do it again real soon!

Atlanta Jazz Fest 2012 – Day 3 Recap

Posted in Atlanta Jazz Festival 2012, JazzLives! with tags , , , , , , , on June 11, 2012 by curtjazz

The third and final day of this year’s Atlanta Jazz Fest was the best overall. The slight cloud cover throughout most of the day cooled the temperatures a bit. We were able to get started early enough to be in place in time to hear all Mainstage performances and best of all, the music was consistently strong.

The Mainstage acts kicked off with vocalist Yolanda Rabun, who was making her AJF debut. Ms. Rabun, an actress and attorney, as well as a singer; came to play; giving her all throughout her set. She is blessed with an oustanding vocal instrument and boundless energy. Her set was drawn for the most part, from her debut CD, So Real – a good idea as the album includes some very good original material, such as “The Good Wife”, “Marry You Again” and the outstanding title track. 

Yolanda Rabun, as she kicked off the final day of the 2012 Atlanta Jazz Festival

However, Ms. Rabun at times veered dangerously close to allowing her set to become too theatrical; using vocal affectations and tricks that someone with an instrument as good as hers does not need to use, in order to effectively deliver a song.  And her 15 minute plus take on the old Gladys Knight & the Pips tune “Friendship Train”, which included Ms. Rabun leaving the stage to dash among the blankets and chairs shaking hands with the audience; may have been too much of a good thing.

In spite of this minor misstep, Ms. Rabun finished strong with a terrific version of “So Real”. She is a very promising performer, from whom we hope to hear more at future AJFs and around the jazz world, in general.

Next up was trumpeter Russell Gunn, who has taken many musical turns during his almost 20 year career, from hard bop to hip hop to jazz rock. I had wondered aloud on Sunday, which Russell Gunn would we see on Monday.  I got my answer during the sound check before his set as I saw a spate of electronic instruments being arranged on the stage behind Mr. Gunn’s trumpet.  This meant that we were getting Elektrik Butterfly, Mr. Gunn’s more recent aggregation, which celebrates the music of the iconic rock group, Black Sabbath.  I’d heard of, but not actually heard Mr. Gunn in this setting before now, so I didn’t know what to expect. 

Russell Gunn during his opening number at the 2012 Atlanta Jazz Fest

Mr. Gunn and group kicked off with a funk-rock Black Sabbath tune that was reminiscent of the type of music we got from Miles in the early seventies. It was hot, funky, edgy and it divided the audience as if it were politics.  As I looked at the  crowd, about half were bopping their heads and beginning to dig the groove. The other half sat there with furrowed brows, as if to say “what the hell is this?”.

Russell Gunn and Elektrik Butterfly performing at the 2012 Atlanta Jazz Fest on Monday 5/28.

 As on Sunday, I missed the middle portion of Gunn’s set, for I hopped a cart ride over to the International Stage again. This time I caught the Melvin Jones Quintet.  Again, the crowd, though larger than Sunday’s, was still, very attentive and enthusiastic and with good reason. Mr. Jones, an Atlanta-based trumpeter and his group, which featured Mace Hibbard on saxes, were on fire; playing some extremely good straight ahead jazz.  I’ve been impressed with Mr. Jones ever since first hearing him at last year’s AJF. He did nothing to change my opinion in 2012.  This was my first time hearing Mr. Hibbard, who performed with his own group at the International Stage on Sunday. He was equally impressive. Here’s a clip what I saw and heard.

And here’s a little more:

In spite of the great music, we dashed back to the Mainstage to catch the remainder of Russell Gunn’s set and to meet with sax prodigy Grace Kelly, prior to hers. By the time we returned, vocalist Julie Dexter had joined Mr. Gunn on stage. More of the crowd was grooving, but there were some who would remain unconverted. No matter. Russell Gunn had done his job. He delivered a well-played set and he got the crowd buzzing. He had even made converts of two tough critics – my wife and son. My wife’s first words to me as I returned were “He is great! Do you have any of this music from him at home?”

Grace Kelly is interviewed prior to her set at the 2012 AJF

Grace Kelly walked into the press tent looking even younger than her 20 years, in a dress made partially of soda can tabs. She is as gracious and articulate a young woman as I have met in this business, who speaks with a stunning casualness about playing with legends such as Dave Brubeck, Phil Woods and Herbie Hancock. Yet when she took the stage, she played with the poise and artistry of someone at least twice her age. 

She played jazz classics and some of her newer compositions while engaging the audience in easygoing banter. Many had not heard of Ms. Kelly before her appearance, but by the time she was done, she had clearly acquired quite a few new fans – not the least of which was my son, age 11, who shyly asked me near the end of Grace’s set “Dad… Do you think that she’s attractive?”  Another rite of passage – Jazzy John had his first “Jazz Crush”.

Grace Kelly blowin’ hot during her set at the 2012 AJF on Memorial Day

Whereas the closing acts on the first two night of the AJF had been steeped in nostalgia, the final night was decidedly different. As Robert Glasper, one of the hottest performers in jazz today, was the closing artist.  By the time 9 pm rolled around on Memorial Day evening, the crowd, which was slightly smaller than on the previous 2 nights, due in part to the coming work day for many, was also decidedly younger, a by-product of Mr. Glasper’s more youthful fan base.  During his set, I found myself as excited by the music as by the implications of what was happening around me.

Robert Glasper closing the 2012 AJF on Memorial Day

For years the death knell for jazz has been sounded. Much of it by those who complained that  jazz had nothing to offer a younger audience, that could carry it forward into the middle of this century.  But the audience that night was thumbing its collective nose at the naysayers. As the Robert Glasper Experiment played a set of music from his breakthrough new album Black Radio, which has a strong mix of jazz and hip-hop, I saw crowds of twenty somethings dancing and forming pockets of fist-pumping excitement, especially when Glasper and company played “Smells Like Teen Spirit”.  They were digging what they heard and they wanted more.  Jazz had offered them something and they were eating it up!  As the night ended, due to curfew restrictions, more than either artist or audience wanting to stop; Jazzy John asked if I could download Black Radio on his iPod…For me that was as good as it got all weekend.  For I know that, at least in my home,  jazz does have a future.

The Robert Glasper Experiment during the 2012 AJF

As we close the books on the 2012 Atlanta Jazz Festival, we do so with a lot of fond memories and great anticipation for the 2013 AJF. We will also make a vow to plan to spend at least one full day at the International Stage. 

The festival is free because the City of Atlanta has heard that this is an important cultural outreach. And they’ve heard it from those of you who are area residents.  If you are an Atlanta resident, please do your part to ensure that there is a 2013 AJF and that it remains free of charge, by contacting your local government representative. That’s the best gift that you could give to jazz today.