Archive for charlotte jazz

JAZZ LIVES!!! with CurtJazz – Thursday, 11/10: Trumpeter Michael Hackett

Posted in Charlotte Community Rado, Jazz in Charlotte, Under The Radar with tags , , , on November 7, 2016 by curtjazz
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Mike Hackett

After a two week hiatus, JAZZ LIVES!!! with CurtJazz, is pleased to return to live broadcasts on CharlotteCommunityRadio, this Thursday, November 10, with a very special guest: Michael Hackett – educator, composer, arranger and trumpet master.

An Oregon native, who now calls Charlotte home, Michael Hackett is a graduate of the Indiana University Jacobs School of Music, where he earned the BM and MM in Jazz studies as well as a DM in Brass Pedagogy. He has toured, performed or recorded with a wide variety of jazz and pop artists including Natalie Cole, Frank Sinatra Jr., Ben Vereen, Aretha Franklin, Larry Willis, Sir Roland Hanna and Vincent Herring. Mike currently serves as an Assistant Professor of trumpet and Jazz Studies at The University of North Carolina at Charlotte. He is also a member of the Piedmont Triad Jazz Orchestra in Greensboro, NC and the North Carolina Brass Band.

 

As a recording artist, Mike can be found on numerous albums, including Circles, his first recording as leader (Summit Records, 2005), which was described by All About Jazz as “…an exciting performance that sizzles with intensity”. About his second disc, 2013’s New Point of View (Summit Records), The Jazz Society of Oregon raved, “…There are similarities here to the exceptional Blue Note sound and concept: clear statements of melody, creative improvisation, and consistent swing. Hackett’s sound is pure hard bop pleasure and ballad finery…”

Mr. Hackett’s playing has also been featured in numerous television and radio commercials as well as in the Hollywood blockbuster The Aviator, as a member of Vince Giordano’s Nighthawks.

During JAZZ LIVES!!! on November 10, Mike Hackett will join me during the 7 pm hour of the show, to talk about his music, influences, current projects and to play a few favorite tracks from his albums and other great jazz records.

Be sure to join Michael Hackett and me as we celebrate living jazz artists, on JAZZ LIVES!!! with CurtJazz, Thursday, November 10; from 6 pm – 9 pm (EDT); on CLTCRadio.

JAZZ LIVES!!! with CurtJazz, airing LIVE every Thursday from 6:00pm to 9:00pm via CharlotteCommunityRadio.orgCLTCRadio.org OR use the Mixlr app where you can listen and chat with our hosts and guests alike.

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Right Back Where We Started

Posted in Jazz in Charlotte, JazzLives!, The Jazz Continues... with tags , , , , , , , , , , , , , , , , , , , , , , , , , on April 30, 2016 by curtjazz

Before writing reviews, before the “Browsing the Bins” column, before Live365 and Curt’s Cafe Noir and before this blog, there was live jazz radio… The mid-90’s as a jazz DJ on what was tCurtis with Birdhen WPBX, on the East End of Long Island, was the best gig of my life, of any kind, one I reluctantly gave up, when I moved south almost sixteen years ago. As I signed off in October 2000, I always knew that I would be back one day. I just didn’t think that my son, who was less than a month old when I left, would be ready to start driving when that day came!

THE DATE IS SET!!!

Thursday, May 12; 6 pm – 9 pm (EDT). The premiere of my new radio show “JAZZ LIVES!!! with CurtJazz” on Charlotte Community Radio. The show will be a continuation of the passion that developed in me during the twelve years of Curt’s Cafe Noir – jazz by active musicians.

We will play jazz from across the spectrum, from modern to bop to swing to avant-garde. So, what will all of the artists have in common? They are all still living and playing great jazz.

I’ve said it before and I will keep saying it – For jazz to survive in the 21st century, we have got to open our ears to some of the great young musicians who are bringing some fresh ideas from their own 21st century experiences. This means that on JAZZ LIVES!!!, we will play Sonny Rollins AND Kamasi Washington. We will play Kenny Barron AND Robert Glasper. We will play Dave Holland AND Esperanza Spalding. And you will definitely hear from Mimi Jones and the marvelous ladies of Hot Tone Music.

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(l to r) Camille Thurman; Mimi Jones and Shirazette Tinnin

And, thanks to the tireless efforts of people like my friends Ocie and Lonnie Davis and the Jazz Arts Initiative, Charlotte is gaining a national reputation for producing some terrific young jazz players. So expect to also learn more about some of the QC’s contributions to  jazz’s future, like Eleazar Shafer, Phillip Whack, Harvey Cummings II, Tim Singh; Troy Conn and Tim Scott, Jr. And a few amazing talents even younger than those I just mentioned, such as Sean Mason and Veronica Leahy.

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Tim Scott, Jr.

We are also blessed to have a studio that will be big enough for interviews and live performances and we plan to take advantage of that space for chats and mini concert sets with some of the greats and soon to be greats who live in or visit the Charlotte area.

All we ask from you is to give us a listen. And let us know what you think – on Facebook (CurtJazz Radio); on Twitter (@curtjazz); or on Instagram (curtjazz).

To hear JAZZ LIVES!!! with CurtJazz and all of the great programming that Charlotte Community Radio has to offer, just click this link http://charlottecommunityradio.org/
We will also be available via Mixlr (http://mixlr.com/)

More to come over the days leading up to our premiere. Watch this space!!!

Concert Review – Delfeayo Marsalis in Charlotte, NC

Posted in JazzLives!, The Jazz Continues... with tags , , , , , , , on June 26, 2011 by curtjazz

I’ve been a resident of Charlotte, NC for almost 11 years.  I must admit that during most of that time, the choices for mainstream jazz have been at best, limited.  Yes, there have been a few establishments that have called themselves “jazz” clubs, but they have mostly offered what we sometimes call “grown folks music”, that is, a mix of radio hit-based R & B instrumentals;  vocalists whose time atop the pop charts has passed and competently performed, but unimaginative “smooth” jazz.  Economic times being what they are, even those clubs have fallen by the wayside.  Though there would be the occasional appearance of a jazz star, they were few and far between.

I tell you that to tell you this.  To quote Martin Luther King, we straight ahead jazz fans are now “able to hew out of the mountain of despair, a stone of hope”.  Within the past 15 months, Charlotte has played host to well-attended concerts by notables such as Regina Carter, Kurt Elling, Kenny Barron, Russell Malone, Esperanza Spalding, Robert Glasper, Branford Marsalis and now another Marsalis brother, Delfeayo; who brought a vibrant quintet to the McGlohon Theater at Spirit Square last week.  I’m going to cut to the chase: it was the finest jazz concert I’ve seen since I’ve lived in this city.

The concert was presented by the Jazz Arts Initiative, a new non-profit organization composed of educators, cultural arts patrons, musicians and individuals, all dedicated to the continued development of Charlotte’s arts heritage.  Headed by Lonnie Davis, the JAI has shown great potential to succeed where other similar organizations have failed –  first because they have already produced tangible results, such as last night’s concert and the ongoing educational programs for elementary and secondary school students; second, because they have shown a willingness to use social media, to an extent that prior organizations have not and finally, because they are funded in part by The Charlotte Arts and Science Council, giving them needed legitimacy with local arts fundraisers.

The evening was kicked off in fine fashion by the JAI All-Star Youth Jazz Ensemble, a promising group of youngsters, all in their teens: Quinn Bannon on drums; Phillip Howe on trumpet; Claire Lucas, bass; Steven Ray (remember that name) on guitar and Alex Sherman, piano. These well-trained, enthusiastic kids delivered solid, swinging takes on Miles’ “Four” and Sam Jones’ “Unit 7”. Their performances bode well for the future of JAI and Charlotte area jazz.

Delfeayo took the stage immediately after the JAI Youth; relaxed, in good humor and ready to swing. Surprisingly, he played no music from his latest, album Sweet Thunder, an Ellington tribute. Instead, he delighted the audience with tunes from the jazz canon and his own compositional catalog.  He broke with tradition by kicking the set off, not with a flag-waver but with Strayhorn’s “Intimacy of the Blues”.  Marsalis and the quartet, consisting of his longtime pianist Victor “Red” Atkins, John Brown on bass and Charlotte’s own Ocie Davis on drums, had the crowd feeling “intimate” as we hummed, swayed and responded with sundry expressions of approval. 

Another regular Marsalis ally, saxophonist Derek Douget and trumpeter Ashlin Parker, a Charlotte native who shows remarkable promise; joined the group for a bouncy romp through the old warhorse “Drum Boogie”.  This delight was followed by one of the high points of the evening, Elvin Jones’ “The Lone Warrior”, a tune inspired, as we found out in Delfeayo’s expository comments, by Jones’ father’s refusal to answer his draft notice.  Marsalis and Douget and Atkins painted a story of haunting determination in their solos and the ensemble passages. You could envision the proud, resolute Jones père as he marched through his 25 mile journey. 

From a previous performance, here’s Delfeayo’s group on an excerpt from “The Lone Warrior”, featuring Mark Gross…

The second half of the show was devoted to numbers penned by Marsalis:  the dark, haunting “Lost in the Crescent”, the appropriately whimsical “Br’er Rabbit” (both from Marsalis’ underrated Minions Dominions album).  And the compelling set closer, “The Weary Ways of Mary Magdalene” from his debut album Pontius Pilate’s Decision.   That tune’s percussive piano vamp grabbed my attention when I first heard it nearly 20 years ago and it still moves me in the same way now.

After the concert was over, Mr. Marsalis returned to the stage for a Q & A session with the audience.  In keeping with the relaxed atmosphere that had been established, Marsalis was gracious with his time and expansive with his answers, peppering his responses with interesting anecdotes and raucous humor. 

To close the evening, there was one more selection.  Victor Atkins returned to join Delfeayo for reminiscence about the beginning of their musical partnership, followed by a duet on “What a Wonderful World”. It was truly a wonderful evening of jazz in Charlotte, one of many we hope to see in the near future here. Kudos to Delfeayo Marsalis and his fine sextet, to the JAI All-Star Youth Ensemble and to Lonnie Davis and The Jazz Arts Initiative; thanks to them, the future of jazz in this city looks very bright, indeed.

Delfeayo Marsalis website: http://delfeayomarsalis.com Follow him on Twitter: http://twitter.com/delfeayo

The Jazz Arts Initiative website: http://www.thejazzarts.org Follow them on Twitter: http://twitter.com/theJazzArts

For Father’s Day – A Great Son of Jazz

Posted in JazzLives!, The Jazz Continues... with tags , , , , on June 18, 2011 by curtjazz

On Father’s Day, Charlotte will be hosting a concert by a son of “America’s First Family of Jazz”.  NEA Jazz Master Delfeayo Marsalis will appear at the McGlohon Theatre in Spirit Square on Sunday, June 19; at 7:30 p.m.

This will be the internationally acclaimed trombonist/producer/educator’s second appearance in Charlotte this year.  He was last with us in February for a series of educational workshops and concerts. He also took time out for a hot jam session at Sullivan’s in South End, which was documented in this blog

Here’s Delfeayo and his dad Ellis, on “Sultry Serenade”

Marsalis is of course, the son of renowned pianist/educator Ellis Marsalis and the brother of jazzmen Branford, Wynton and Jason Marsalis.  His father and brothers share the NEA Jazz Master Award with Delfeayo.  He’ll be playing selections from his latest critically acclaimed album Sweet Thunder (Duke & Shak) and more.   The JAI All-Star Youth Jazz Ensemble will open this event.

The concert is being presented by the Jazz Arts Initiative, a new non-profit organization made up of educators, cultural arts patrons, musicians and individuals dedicated to the continued development of Charlotte’s arts heritage.

The remaining tickets are on sale for $25. (The $35 VIP seats are sold out.) They are available online through CarolinaTix

I will be there, courtesy of a generous Father’s Day gift from my wife and son. I hope to see you there too.