Archive for the Who's New in Jazz Category

Two New Releases from Posi-Tone Records

Posted in CD Reviews, New on the Playlist, Under The Radar, Who's New in Jazz with tags , , , , on November 11, 2017 by curtjazz

West Coast based producer Marc Free, heads up one of the best little labels in jazz today, Posi-Tone Records. They consistently release high quality jazz, featuring respected vets, such as guitarist Ed Cherry and trumpeter Joe Magnarelli and also some of the finest up and coming names on the scene today. Here’s our review of the latest from a couple of those new(er) faces.

Bruce Harris – Beginnings

bruce harrisNew York native Bruce Harris makes an impressive debut as a leader, with this album. The trumpeter is a graduate of SUNY Purchase and a protégé of the great Jon Faddis. He has paid his dues over the last few years, playing with Barry Harris, T.S. Monk and Jimmy Cobb, among many others. On this joyous album, he has gone with a nice mix of jazz standards and a few originals that demonstrate his solid compositional skills.

Harris utilizes an accomplished rhythm section of Michael Weiss on piano, Clovis Nicolas on bass and drummer Pete Van Nostrand; along with a talented group of rotating saxophonists, including three of my personal favorites, Dmitry Baevsky, Jerry Weldon and Grant Stewart. Mr. Harris’ tone is what immediately draws you in; it is positively ebullient and clear as a bell, reminiscent of a young Clark Terry.  “Ask Questions” a jubilant Harris original kicks off the proceedings, with strong solos from the leader, Baevsky and baritone saxophonist Frank Basile. Prince’s “Do U Lie” is reborn as a fabulous, up-tempo, 4/4 feature for Harris, who drops one his best solos on the record. I’d never heard such a lively take on “Ill Wind” before now. I liked it, a lot, with Harris and Weldon playing musical tag over the rhythm section’s insistent beat. Harris’ “The Step” is a finger-snapping joyride, which lets Weiss and Nicholas in on the solo fun, in addition to the horns.

Rating: 4 out of 5 Stars – Beginnings is a fine start for Bruce Harris. I enjoyed every minute and I look forward to what’s next.

 

Behn Gillece – Walk of Fire

behn gilleceVibraphonist Behn Gillece has been a Posi-Tone mainstay for the past couple of years, co-leading a group with saxophonist Ken Fowser, guesting on the albums of label mates, such as Walt Weiskopf and Michael Dease and leading his own group, which released impressive projects in 2015 (Mindset) and 2016 (Dare to Be). Keeping up that album per year pace, Mr. Gillece has released Walk of Fire, which is his most mature and fully realized project to date.

For this album, Mr. Gillece was inspired by the instrumentation on Joe Henderson’s Blue Note classic, Mode for Joe, on which Henderson used a septet of three horns, plus vibes and a traditional piano, bass, drums rhythm section. Walk of Fire replicates that sound on most of its tracks, with Dease on trombone, Weiskopf on tenor and another label mate, the brilliant Bruce Harris on trumpet. The rhythm section is Adam Birnbaum on piano, bassist Clovis Nicolas and drummer Jason Tiemann.

The ten compositions are all by Gillece and there’s not a bad one in the bunch. Things get started with the title cut, which sounds like a Mode for Joe, lost track with Gillece contributing a driving solo over the hard-swinging theme. This cat has grown exponentially over the last few years, to the point where I would now place him in the upper echelon of vibraphonists working today.  Gillece then gives way to strong, brief statements by Weiskopf and Dease. “Fantasia Brasileira” is a beautiful bossa, with an infectious head and tasty ‘bone from Dease. “Bag’s Mood”, is, as you would suspect, a tribute to that soulful master of the vibes, Milt Jackson. Gillece swings hard in the pocket and this time Harris joins in on the fun with some high-flying trumpet work. It’s a feel good track that I had on repeat for about 30 minutes. On “Celestial Tidings”, the horns lay out and you get to hear Gillece very much in a Bobby Hutcherson bag, with shifting rhythms and terrific solos that will keep you engaged.

When I first heard Behn Gillece a few years back, I was immediately impressed by his potential. Now, on Walk of Fire, he has arrived.

Rating: 4 ½ out of 5 Stars: Highly recommended straight ahead jazz. One of the best albums that I’ve heard this year.

JAZZ LIVES!!! with CurtJazz: Interactive Playlist 3/30/17 (with Amos Hoffman)

Posted in Charlotte Community Rado, CLTC Playlists, Jazz in Charlotte, JazzLives!, The Jazz Continues..., Video Vault, Who's New in Jazz with tags , , , , , on June 2, 2017 by curtjazz

amos hoffman collageOn the March 30 edition of JAZZ LIVES!!! with CurtJazz, on Charlotte Community Radio, we were fortunate to have as an in-studio guest, the brilliant guitarist/oudist, Amos Hoffman.

We discussed Amos’ influences, the jazz scene in his native Israel, New York and in the Carolinas, where he currently resides. We also played most of the tracks from his most recent album, Back to the City and as a special treat, Mr. Hoffman played some live in studio performances.

In this interactive playlist, we have included a link to the entire broadcast, the full list of tunes for the evening, clips of three of the in-studio performances and the official video for “Brown Sugar”; an infectious and compelling track from Mr. Hoffman’s 2010 album, Carving 

For more information on Amos Hoffman and his upcoming performances, visit his website: www.amoshoffman.com  To purchase a copy of Back to the City (CD Baby), click HERE. To purchase Carving (iTunes) click HERE.

 

TRACK TITLE ARTIST(S) ALBUM LABEL
Smoke Gets in Your Eyes Amos Hoffman Back to the City CD Baby
Easy Going Amos Hoffman Back to the City CD Baby
After Lazy Noon Amos Hoffman Back to the City CD Baby
Alone in South Carolina Amos Hoffman Back to the City CD Baby
Little Pigs Amos Hoffman Back to the City CD Baby
Pannonica Amos Hoffman Back to the City CD Baby
Back to the City Amos Hoffman Back to the City CD Baby
Blue Silver Pat Bianchi A Higher Standard Self-Release
Senor Blues Giacomo Gates Fly Rite Sharp Nine
The Outlaw Blue Note 7 Mosaic: A Celebration of Blue Note Blue Note
Monie (feat. Donald Harrison) John Michael Bradford Something Old, Something New CD Baby
Fortress Mark Whitfield Grace Self-Release
Soul Sister Warren Wolf Convergence Mack Avenue
My Shining Hour Tia Fuller Decisive Steps Mack Avenue
Doodlin’ Manhattan Transfer Vibrate Telarc
Homecoming Shamie Royston Portraits Self-Release
Hi-Fly (feat. Jon Hendricks) Sachal Vasandani Hi-Fly Mack Avenue
Fred’s Blues Brent Rusinow Old Guy Time Self-Release
Wake-up Call Jesse Davis As We Speak Concord
Music in the Air Jon Hendricks A Good Git-Together Pacific Jazz
Taiji Camp Keith Davis Trio Still CD Baby
Day Dreaming Roy Ayers Red, Black and Green Polydor

JAZZ LIVES!!! with CurtJazz: Interactive Playlist – 5/4/17

Posted in Charlotte Community Rado, CLTC Playlists, Jazz in Charlotte, JazzLives!, Video Vault, Who's New in Jazz with tags , , , , , , , , , on June 1, 2017 by curtjazz

Jazzmeia-Horn-A-Social-Call 225The penultimate edition of JAZZ LIVES!!! with CurtJazz on Charlotte Community Radio, featured mostly new releases. There has been a lot of great new music released in 2017 and I wanted to share as much of it as possible before wrapping it up. I had to drop in a Sonny Rollins classic and a few others, like the one from a few years back from my man, Etienne Charles and Chaka with Echoes of an Era ’cause they were totally in my head. But the majority of the love went to the new stuff, such as the sublime debut disc by Ms. Jazzmeia Horn and the striking groove of Nightintales, the latest release from that daughter of jazz royalty, Ms. China Moses.

There’s a link to the entire program below and video clips of a few of the tracks as well. Hope y’all dig it!

 

 

TRACK TITLE ARTIST(S) ALBUM LABEL
Sweet Georgia Brown Ori Dagan Less Than Three Self-Release
Karma Joey DeFrancesco Project Freedom Mack Avenue
Disconnected China Moses Nightinales MPS
I Told You I Love You Giacomo Gates Centerpiece Origin
La Cancha Eddie Palmieri Sabiduria Ropeadope
Old Men Sing the Blues Kevin Mahogany The Vienna Affair Cracked Anegg
The Aviator Bobby Watson Made in America Smoke Sessions
Take the Coltrane Kevin Eubanks East West Time Mack Avenue
Spanish Steps LCJO (feat. Jon Batiste & Wynton Marsalis) The Music of John Lewis Blue Engine
Tight Jazzmeia Horn A Social Call Prestige
Armando’s Song Christian Sands REACH Mack Avenue
Tatra Hermon Mehari Bleu Unlabeled
Soy Califa Allegra Levy Cities Between Us SteepleChase
O Pato Eliane Elias Dance of Time Concord
Black Enough Somi Petite Afrique Okeh
Take the A Train Echoes of an Era Echoes of an Era Elektra
Little Sunflower Ed Cherry Soul Time Posi-tone
Haitian Fight Song Akua Dixon Akua Dixon Self-Release
What a Difference a Day Makes Akiko Tsuruga Sakura American Showplace
Straighten Up and Fly Right Nnenna Freelon & Take 6 Soulcall Concord
Pandora’s Box Jeremy Pelt The Talented Mr. Pelt HighNote
Cinderella Poncho Sanchez Ultimate Latin Dance Party Concord Picante
Camera Eyes Behn Gillece Dare to Be Posi-tone
Surrey with the Fringe on Top Sonny Rollins Newk’s Time Blue Note
That’s Not Your Donut Champian Fulton Speechless CD Baby
Kitch’s Bebop of Calypso (feat. Lord Superior) Etienne Charles Kaiso Culture Shock
Down By The Riverside Christian McBride Trio Live at the Village Vanguard Mack Avenue
RED! Josh Lawrence Color Theory Posi-tone
Make America Great Again! Delfeayo Marsalis Make America Great Again! Troubador Jass
Breathless Terence Blanchard Breathless Blue Note
Central Line Art Hirahara Central Line Posi-tone

JAZZ LIVES!!! 10/20/16 – Trumpet Tribute (featuring Kenny Dorham)

Posted in Charlotte Community Rado, Jazz in Charlotte, Obscure Trumpet Masters, Who's New in Jazz with tags , , , , , , , , , , on October 19, 2016 by curtjazz

JAZZ LIVES!!! with CurtJazz – Thursday, October 20: Trumpet Tribute – featuring Kenny Dorham

kennydorham_unamasOn this week’s edition of JAZZ LIVES!!! with CurtJazz, it will be all about the trumpets.

With the birthdays of Roy Hargrove, Wynton Marsalis and Dizzy Gillespie all taking place this week, plus the Grammy winning jazz trumpeter Ashlin Parker, paying tribute to the underappreciated trumpet master Kenny Dorham, in The Jazz Arts Initiative’s JAZZ ROOM this Friday and Saturday, it is a perfect time for a Trumpet Tribute, from 6 pm – 9 pm, Thursday on CharlotteCommunityRadio (CLTCRadio).

He was a trumpet player of exceptional gifts; a composer of jazz classics, such as “Blue Bossa” and a better than average vocalist. Nevertheless, McKinley Howard “Kenny” Dorham (1924-1972), often gets lost among the glut of trumpet stars of the 1950’s and 60’s. He was a member of Art Blakey’s original Jazz Messengers and he replaced Clifford Brown in Max Roach’s group after Brownie’s tragic death. Dorham’s recordings as a leader are some of the most enduring of the era, including Afro Cuban, Quiet Kenny, ‘Round About Midnight at the Café Bohemia and Una Mas. He also made memorable music as a sideman, especially with his frequent musical partner, tenor saxophonist Joe Henderson. Together, they made three classic Blue Note albums over a two year period, under Henderson’s name: Page One; Our Thing and In ‘n Out.

ashlin-parker

Ashlin Parker

Charlotte native Ashlin Parker plays with large and small ensembles nationally and internationally. His solos have been described at various times as being lyrical or fiery, with throaty growls or “brilliant vibrato,” and with lightning staccato runs or “superb legato” phrasing.  When part of a front-line, Ashlin can bring energy, bite, and zest to a performance through engaging in “fine counterpoint duets” or spirited trading with other horn players.  His newest ensemble, the Trumpet Mafia, is considered “an immensely talented band.”

Ashlin shared in the 2009 Grammy Award for Best Large Jazz Ensemble for the New Orleans Jazz Orchestra’s album, Book One.  Following Book One, Ashlin has recorded with numerous artists, including Ellis Marsalis, Harold Battiste, Dmitry Mospan, James Partridge, Terence Blanchard and Jason Marsalis. Ashlin has been teaching various aspects of jazz, including improvisation, theory, repertoire, arranging, and performance preparation in private lessons, courses, summer institutes, jazz camps, and master classes for more than ten years.  He has been leading the jazz trumpet studio in the Music Department at the University of New Orleans since January 2011.

Be sure to join me on JAZZ LIVES!!! with CurtJazz, as we honor the musical legacy of Kenny Dorham and play the music of Wynton Marsalis, Dizzy Gillespie, Roy Hargrove and  Ashlin Parker; Thursday, October 20; from 6 pm – 9 pm (EDT); on CLTCRadio.

Don’t miss Ashlin Parker as he pays tribute to Kenny Dorham, in the Jazz Arts Initiative’s THE JAZZ ROOM. Friday, October 21, at 6 pm & 8:15 pm and Saturday, October 22, at 7 pm and 9:15 pm. For ticket information, visit www.thejazzarts.org

JAZZ LIVES!!! with CurtJazz, airs LIVE every Thursday from 6:00pm to 9:00pm via CharlotteCommunityRadio.orgCLTCRadio.org OR use the Mixlr app where you can listen and chat with our hosts and guests alike.

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Twitter:  @thejazzarts  @curtjazz

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Atlanta Jazz Festival 2015 Preview: Sunday on the International Stage

Posted in Atlanta Jazz Festival 2015, Who's New in Jazz with tags , , , , , , , , on May 12, 2015 by curtjazz
Arturo O'Farrill

Arturo O’Farrill

On Sunday, May 24th, the 38th Atlanta Jazz Festival’s International Stage will close in a big way, with the latest winners of the Grammy Award for Best Latin Jazz Album: Arturo O’Farrill and his Latin Jazz Orchestra. The group won the honor for their latest release, The Offense of the Drum (Motema), which is a stunning tour through a melange of Latin styles; with great guest stars such as Vijay Iyer and Donald Harrison adding to the fun. It was the second time they won the award, the first was in 2009 for Song for Chico.

A pianist, composer and bandleader, Mr. O’Farrill is the son of one of the legendary founders of the Afro-Cuban jazz genre, Chico O’Farrill. Born in Mexico, Arturo moved to NYC with his family at the age of 5. Soon began a musical odyssey, which would initially find Arturo decidedly moving away from the music of his father toward straight-ahead jazz. As he learned to play piano, one of his original idols was Chick Corea. Discovered as a teen, playing piano in an upstate New York bar, by Carla Bley. O’Farrill then joined Ms. Bley onstage at Carnegie Hall a few weeks later. He then spent three fruitful and educational years in Ms. Bley’s band before moving on to a stint as musical director for Harry Belafonte.

After later working with (and getting history lessons from) Andy and Jerry Gonzalez and their renowned Ft. Apache Band, Arturo made his way back to his roots, joining his father’s band in 1995, as Chico O’Farrill was experiencing a late career renaissance. With his father now being ill, Arturo became the band’s pianist, musical director and contractor, spearheading the group as they began a 15 year Sunday night residency at NYC’s famed Birdland, in 1997. After his father’s death in 2001, Arturo became the titular leader of the band, as they rose to new heights with a mixture of the traditional Afro-Cuban sound favored by Chico O’Farrill with the blend of Latin rhythms from all over the Western Hemisphere, that have become the younger O’Farrill’s trademark.

But before Mr. O’Farrill gets to close things out on Sunday evening, the International Stage will feature a Turkish percussionist, a Brazilian vocalist and a Haitian guitar based group with a remarkable back story. Sitting still throughout the day will be very difficult indeed.

1:30 PM – Fernanda Noronha

Ferananda Noronha is a Brazilian native who now calls Atlanta home. Her eponymous first CD, recorded in 2005, was produced by the master jazz drummer/producer Norman Connors, who also guided the careers of Jean Carne and the late Phyllis Hyman, among others. The disc was not released in the U.S. until last year, but it has received a lot of attention in the ATL area. A vocalist since the age of 13, Ms. Noronha counts Sarah Vaughan, Stevie Wonder and Joao Gilberto among her influences, which is not surprising, since her infectious sound includes elements of all three of those legendary performers.

3:30 PM – Strings

Born in Port-Au-Prince, Haiti in 1959, guitarist Jacky Ambroise was introduced to music at a very early age when his father Jean-Jacques D. Ambroise played the classical flute at family gatherings and his mom sang folk songs. Tragically, he lost both of his parents at the age of 6, due to Haiti’s political turmoil. Fascinated by Spanish music as well as the rhythms of his homeland, Jacky Ambroise taught himself to play the guitar at age 8 and a few years later, he was one of the most popular artists in his homeland. The group Strings, which Ambroise formed with another guitar playing friend, Philippe Augustin, plays a style they call “Tropical Flamenco”, which successfully blends their musical influences. Having now fully recovered from major brain surgery in 2009, Mr. Ambroise will join Mr. Augustin and the other members of Strings as they fill the AJF International Stage with pure musical joy.

5:30 PM – Emrah Kotan

Atlanta resident Emrah Kotan is a classically trained percussionist who came to the United States from his native Turkey and received a Master’s degree in Jazz Studies from Georgia State University. His debut album, The New Anatolian Experience, is a collection of original compositions and arrangements that fuse world music and jazz, creating stylistically sophisticated vibes and a genuine model of personal artistic expression. Aside from performing, Emrah is an enthusiastic music educator who has conducted master classes and has taught many students over the years, some of which who have been awarded music scholarships by the colleges of their choice. Emrah teaches students of all ages privately and is the Director of the Jazz and World Percussion Ensembles at Agnes Scott College.

7:30 PM – Arturo O’Farrill & The Afro Latin Jazz Orchestra

We’ve told much of Arturo O’Farrill’s musical story above. So now, we’ll let the two-time Grammy winner speak for himself.

Music by these artists and many other AJF38 performers can be heard on our 24/7 Live365 streaming jazz radio station, Curt’s Cafe Noir, from 5PM – 7PM, daily between now and May 31.

For more information about the 2015 Atlanta Jazz Festival, visit their website: http://atlantafestivals.com

Atlanta Jazz Festival 2015 Preview: Sunday (5/24) on the Locals Stage

Posted in Atlanta Jazz Festival 2015, Who's New in Jazz with tags , , , , , , on April 29, 2015 by curtjazz
Tony Hightower

Tony Hightower

On the 2015 Atlanta Jazz Festival stage devoted to ATL area artists, the festival’s final day, Sunday May 24th, will feature more of a traditional jazz schedule than Saturday. You’ll have your pick of a big band, a smooth jazz saxophonist, a classic jazz quintet and an up and coming vocalist. All are first-rate representatives of the best the ATL jazz scene has to offer.

 

 

12:30 PM Joe Gransden and His Big Band

Joe Gransden is a veteran trumpeter/vocalist who has often been compared to another trumpet master who also sang a little, Chet Baker. A New York native, Mr. Gransden has 14 albums to his credit, including his latest Songs of Sinatra and Friends. Atlanta residents know Gransden from his appearances on  the 1st and 3rd Mondays of each month at Cafe 290, with his big band. That same band will get AJF38’s Sunday off to a great start, with swinging charts, hot trumpet solos and cool vocals.

2:30 PM Mastery

An all-star group composed of some of Atlanta’s top jazz veterans, Mastery features the original compositions of bassist and leader, Mamaniji Azanyah.  If straight ahead jazz in the style of Bird, Miles, Trane, Mingus and Monk is what you seek, then Mastery is where you will find it. When these cats hit the stage, expect no gimmicks and nothing cute, just hard-driving, swinging, classic jazz – Straight, No Chaser.

4:30 PM Jeff Sparks

In the tradition of Grover Washington, Najee and Gospel Jazz groups such as Allen and Allen, Jeff Sparks work on the soprano and alto saxophones combines R&B, smooth and classic jazz into a joyous mixture that has been pleasing Atlanta crowds for over 20 years. Listeners of all ages are uplifted by Mr. Sparks sound and leave his performances feeling better than when they came in. You can take some of that good feeling home with you on Sparks’ album Love.Life.Soul

6:30 PM Tony Hightower 

Tony Hightower is known to many in the Atlanta area for his performances in many of Tyler Perry’s stage productions. As an R&B singer, Mr. Hightower worked with Lionel Richie, Outkast and Jimmy Jam & Terry Lewis, among others. But it has always been Hightower’s dream to be a jazz vocalist in the style of the great Nat King Cole. So, when Mr. Hightower decided to record his first jazz album, The New Standard, he went right to the source, accepting advice and tutelage from Atlanta resident, Cole sibling and a great jazz vocalist in his own right, Freddy Cole. Tony Hightower shows a great deal of promise on the album, with several compelling tracks. I’m sure he will bring those gifts to the stage in his live performance.

Tracks from many of the artists performing at AJF38 may be heard daily from 5 PM – 7 PM on our streaming jazz radio station, Curt’s Cafe Noir, from now through May 31.

For more information about the Atlanta Jazz Festival, visit their website http://atlantafestivals.com 

 

 

Atlanta Jazz Festival 2015 – Saturday (5/23) on the Locals Stage

Posted in Atlanta Jazz Festival 2015, Who's New in Jazz with tags , , , , , on April 25, 2015 by curtjazz
Jessie Davis

Jessie Davis

In spite of my best intentions, I have almost always found myself in a breathless rush to the finish to complete my annual Atlanta Jazz Festival preview posts. I’ve sometimes finished a preview literally minutes before the music begins. This year it will be different! Because we are starting a month before AJF38 begins, we should have plenty of time to do each stage justice and at the same time provide you with the info you’ll need to decide where to be if you plan to be in Piedmont Park this Memorial Day Weekend.

The Locals Stage was a new idea to last year’s Festival, giving those artists who spend most of the year playing in the ATL area a chance to gain a bit more exposure than they regularly receive. It will continue this year with a rather eclectic but talented group of performers. Here’s a look at what Saturday, May 23rd, on the Locals Stage will look like:

 

12:30 PM –  Tri-Cities High School Jazz Band

The Bank of America Youth Jazz Band Competition allows young jazz musicians from all over the ATL metropolitan area the opportunity to showcase their talent. The second place winners this year and recipients of a $750 contribution to their music program, was the Tri-Cities High School Jazz Band. These fine young musicians will get a chance to show their stuff as they kick things off on The Locals Stage.

2:30 PM – Jessie Davis and the Nebraska Jones Experiment

 How this Brooklyn-based vocalist and her group got to be considered for the AJF’s Locals Stage, is a geographical mystery. But, Ms. Davis is a cool and interesting vocalist and their sound is fresh and hip, so damn the map and dig their music. Ms. Davis has described her sound as “Future Soul”.  She started the “The Nebraska Jones Experiment” as a one woman show on a subway platform. The “NJE” is now a collective of musicians from all over the world.   Their jazz includes, soul, hip-hop, pop and even a little turntable. They will definitely be bringing a little slice of Brooklyn cool to the ATL.

4:30 PM – Kenosha Kid

How does a cat from Athens, GA come to be known as “Kenosha Kid”? Good question. I’ll let his AJF38 page tell the story: “In Thomas Pynchon’s novel Gravitys Rainbow, the Kenosha Kid is a maddeningly ambiguous figure: it might be a cowboy, or a dance, or a Sodium Amytal-induced hallucination (or all of the above). Guitarist/composer Dan Nettles (who, by the way, has never been to Kenosha, WI) conceived his namesake band with similarly uncategorizable intentions. This Kenosha Kid might be an indie rock band, could be a modernist jazz ensemble, can probably be considered a jam band, and most definitely is all of the above”

There you have it. Kenosha Kid also has a new album out, called Inside Voices. Check out the album and Dan Nettles at 4:30 PM.

6:30 PM – Wolfpack ATL 

I can promise you this: When these Atlanta legends hit the Locals Stage, everybody in Piedmont Park will know it. Wolfpack ATL is loud, it is funky and it is probably like nothing else you’ve heard before. Think Sun Ra, meets Dirty South Hip Hop, meets Clark ATL Marching Band. Wolfpack ATL is the brainchild of Grammy award-winning saxophonist Kebbi Williams. They have performed all over the Atlanta area, winning hearts and moving butts. If you want to find them, get to the park at 6:30 and just listen for the funky tubas.

Our next AJF38 post will feature the artists who will play the Locals Stage on Sunday May 24, the final day of the Festival.

For more on the Atlanta Jazz Festival 2015, visit their website http://atlantafestivals.com/