Archive for gregory porter

2019 Jazz Grammy Nominations

Posted in 2019 Grammys with tags , , , , , , , , , , , , , on January 12, 2019 by curtjazz

Usually I drop this list of jazz (and jazz-related) nominees, on the day of the nominations but we’re still about a month from the awards, so I figured I still had some time.

Interesting mix this year of nominees; some usual suspects and some first-timers. I will be dropping my thoughts and predictions for each category, periodically, over the next few weeks, leading up to the ceremony on Sunday, February 10.

The nominees are:

Best Improvised Jazz Solo
For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter’s name is in parenthesis for identification. Singles or Tracks only.

SOME OF THAT SUNSHINE
Regina Carter, soloist
Track from: Some Of That Sunshine (Karrin Allyson)

DON’T FENCE ME IN
John Daversa, soloist
Track from: American Dreamers: Voices Of Hope, Music Of Freedom (John Daversa Big Band Featuring DACA Artists)

WE SEE
Fred Hersch, soloists

DE-DAH
Brad Mehldau, soloist
Track from: Seymour Reads The Constitution! (Brad Mehldau Trio)

CADENAS
Miguel Zenón, soloist
Track from: Yo Soy La Tradición (Miguel Zenón Featuring Spektral Quartet)

Best Jazz Vocal Album

MY MOOD IS YOU
Freddy Cole

THE QUESTIONS
Kurt Elling

THE SUBJECT TONIGHT IS LOVE
Kate McGarry, Keith Ganz, Gary Versace

IF YOU REALLY WANT
Raul Midón With The Metropole Orkest Conducted By Vince Mendoza

THE WINDOW
Cécile McLorin Salvant

Best Jazz Instrumental Album

DIAMOND CUT
Tia Fuller

LIVE IN EUROPE
Fred Hersch Trio

SEYMOUR READS THE CONSTITUTION!
Brad Mehldau Trio

STILL DREAMING
Joshua Redman, Ron Miles, Scott Colley & Brian Blade

EMANON
The Wayne Shorter Quartet

Best Large Jazz Ensemble Album

ALL ABOUT THAT BASIE
The Count Basie Orchestra Directed By Scotty Barnhart

AMERICAN DREAMERS: VOICES OF HOPE, MUSIC OF FREEDOM
John Daversa Big Band Featuring DACA Artists

PRESENCE
Orrin Evans And The Captain Black Big Band

ALL CAN WORK
John Hollenbeck Large Ensemble

BAREFOOT DANCES AND OTHER VISIONS
Jim McNeely & The Frankfurt Radio Big Band

Best Latin Jazz Album
The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.

HEART OF BRAZIL
Eddie Daniels

BACK TO THE SUNSET
Dafnis Prieto Big Band

WEST SIDE STORY REIMAGINED
Bobby Sanabria Multiverse Big Band

CINQUE
Elio Villafranca

YO SOY LA TRADICIÓN
Miguel Zenón Featuring Spektral Quartet

Best Contemporary Instrumental Album
(aka Best Contemporary Jazz Album)

THE EMANCIPATION PROCRASTINATION
Christian Scott aTunde Adjuah

STEVE GADD BAND
Steve Gadd Band

MODERN LORE
Julian Lage

LAID BLACK
Marcus Miller

PROTOCOL 4
Simon Phillips

Best Instrumental Composition
A Composer’s Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.

BLUT UND BODEN (BLOOD AND SOIL)
Terence Blanchard, composer (Terence Blanchard)

CHRYSALIS
Jeremy Kittel, composer (Kittel & Co.)

INFINITY WAR
Alan Silverstri, composer (Alan Silvestri)

MINE MISSION
John Powell & John Williams, composers (John Powell & John Williams)

THE SHAPE OF WATER
Alexandre Desplat, composer (Alexandre Desplat)

Best Arrangement, Instrumental or A Cappella
An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.

BATMAN THEME (TV)
Randy Waldman & Justin Wilson, arrangers (Randy Waldman Featuring Wynton Marsalis)

CHANGE THE WORLD
Mark Kibble, arranger (Take 6)

MADRID FINALE
John Powell, arranger (John Powell)

THE SHAPE OF WATER
Alexandre Desplat, arranger (Alexandre Desplat)

STARS AND STRIPES FOREVER
John Daversa, arranger (John Daversa Big Band Featuring DACA Artists)

Best Arrangement, Instruments and Vocals
An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.

IT WAS A VERY GOOD YEAR
Matt Rollings & Kristin Wilkinson, arrangers (Willie Nelson)

JOLENE
Dan Pugach & Nicole Zuraitis, arrangers (Dan Pugach)

MONA LISA
Vince Mendoza, arranger (Gregory Porter)

NIÑA
Gonzalo Grau, arranger (Magos Herrera & Brooklyn Rider)

SPIDERMAN THEME
Mark Kibble, Randy Waldman & Justin Wilson, arrangers (Randy Waldman Featuring Take 6 & Chris Potter)

Best Jazz Albums I Heard in 2016

Posted in Best Jazz Albums of 2016, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 3, 2017 by curtjazz

melissa-morganLet’s start with a confession: I got to hear fewer jazz albums this year than in any year in the past two decades. Which is a shame, because there was a TON of worthwhile music released during the year. My crazy schedule in 2016 often limited me to snippets or tracks from discs that I vowed to get back to, but never did.  So, here’s my list of the best albums that I actually got to hear during the year. Also, there’s a track from an extremely promising young artist, who needs to put more on the market, ASAP; a couple of outstanding 2015 releases that didn’t catch my ear until 2016; and finally, a few of the many fine 2016 releases that I plan to catch up with in January:

ALBUM ARTIST LABEL
ArtScience Robert Glasper Blue Note
Back Home Melissa Aldana Wommusic
Beginning of a Memory Matt Wilson Palmetto
Book of Intuition Kenny Barron Trio Impulse
Chasing After the Wind Gregory Tardy Steeplechase
Convergence Warren Wolf Mack Avenue
Days Like This Melissa Morgan CD Baby
Do Your Dance Kenny Garrett Mack Avenue
Feet in the Mud Mimi Jones Hot Tone
In Movement DeJohnette, Coltrane and Garrison ECM
Jersey Cat Freddie Hendrix Sunnyside
Live at Maxwell’s DE3 Sunnyside
Nihil Novi Marcus Strickland Revive/Blue Note
Notes from New York Bill Charlap Impulse
Once and Future Brian Charette Posi-Tone
Perfection Murray, Allen and Carrington Motema
Presented by the Side Door Jazz Club Black Art Jazz Collective Sunnyside
Restless Idealism Roxy Coss Origin
Soul Tree Ed Cherry Posi-Tone
The Sound of Red Rene Marie Motema
Stranger Days Adam O’Farrill Sunnyside
Take Me to the Alley Gregory Porter Blue Note
TriAngular III Ralph Peterson Trio Onyx/Truth Revolution
The Way We Play Marquis Hill Concord
Written in The Rocks Renee Rosnes Smoke Sessions

2016’s most compelling single in search of an album:

  • “Chicken Day” – Harvey Cummings II

Two 2015 albums (heard in 2016) that deserved to be on last year’s list:

  • Back to the City – Amos Hoffman (CD Baby)
  • Some Morning – Kim Nazarian (CD Baby)

Probably excellent 2016 albums that I look forward to hearing as soon as possible:

ALBUM ARTIST LABEL
#KnowingIsHalfTheBattle Orrin Evans Smoke Sessions
Away With You Mary Halvorson Octet Firehouse 12
Day Breaks Norah Jones Blue Note
Habana Dreams Pedrito Martinez Group Motema
Harlem on My Mind Catherine Russell Jazz Village
Inner Spectrum of Variables Tyshawn Sorey Pi
Madera Latino Brian Lynch Hollistic Music Works
San Jose Suite Etienne Charles Culture Shock
Something Gold, Something Blue Tom Harrell High Note
Upward Spiral Branford Marsalis Okeh

 

 

 

2017 Grammy Nominations: Jazz categories

Posted in 2017 Grammys with tags , , , , , , , , , , , , , , , , , , , , , , , on December 6, 2016 by curtjazz

grammy1

Congratulations to all of the artists nominated for Grammy Awards in the jazz related categories. Since they often include jazz artists, we’ve also included the nominations in the instrumental arrangement and composition categories in this list. The awards will be presented on Sunday, February 12, 2017, in a portion of the program prior to the nationally televised broadcast. More on the nominated, albums, performances and artists will follow in the coming weeks.

Best improvised jazz solo

“Countdown” — Joey Alexander, soloist

“In Movement” — Ravi Coltrane, soloist

“We See” — Fred Hersch, soloist

“I Concentrate On You” — Brad Mehldau, soloist

“I’m So Lonesome I Could Cry” — John Scofield, soloist

Best jazz vocal album

“Sound of Red” — René Marie

“Upward Spiral” — Branford Marsalis Quartet With Special Guest Kurt Elling

“Take Me to the Alley” — Gregory Porter

“Harlem On My Mind” — Catherine Russell

“The Sting Variations” — The Tierney Sutton Band

Best jazz instrumental album

“Book of Intuition” — Kenny Barron Trio

“Dr. Um” — Peter Erskine

“Sunday Night at the Vanguard” — The Fred Hersch Trio

“Nearness” — Joshua Redman & Brad Mehldau

“Country For Old Men” — John Scofield

Best large jazz ensemble album

“Real Enemies” — Darcy James Argue’s Secret Society

“Presents Monk’estra, Vol. 1” — John Beasley

“Kaleidoscope Eyes: Music of the Beatles” — John Daversa

“All L.A. Band” — Bob Mintzer

“Presidential Suite: Eight Variations On Freedom” — Ted Nash Big Band

Best Latin jazz album

“Entre Colegas” — Andy González

“Madera Latino: A Latin Jazz Perspective on the Music of Woody Shaw” — Brian Lynch & Various Artists

“Canto América” — Michael Spiro/Wayne Wallace La Orquesta Sinfonietta

“30” — Trio Da Paz

“Tribute to Irakere: Live In Marciac” — Chucho Valdés

Best instrumental composition

“Bridge of Spies (End Title)” — Thomas Newman, composer

“The Expensive Train Set (An Epic Sarahnade For Double Big Band)” — Tim Davies, composer

“Flow” — Alan Ferber, composer

“L’Ultima Diligenza Di Red Rock”  Versione Integrale — Ennio Morricone, composer

“Spoken at Midnight” — Ted Nash, composer

Best arrangement, instrumental or a cappella

“Ask Me Now” — John Beasley, arranger

“Good Swing Wenceslas” — Sammy Nestico, arranger

“Linus & Lucy” — Christian Jacob, arranger

“Lucy In the Sky With Diamonds” — John Daversa, arranger

“We Three Kings” — Ted Nash, arranger

“You And I” — Jacob Collier, arrange

Best arrangement, instruments and vocals

“Do You Hear What I Hear?” — Gordon Goodwin, arranger (Gordon Goodwin’s Big Phat Band Featuring Take 6)

“Do You Want To Know a Secret” — John Daversa, arranger (John Daversa Featuring Renee Olstead)

“Flintstones” — Jacob Collier, arranger (Jacob Collier)

“I’m a Fool to Want You” — Alan Broadbent, arranger (Kristin Chenoweth)

“Somewhere (Dirty Blvd)” (Extended Version) — Billy Childs & Larry Klein, arrangers (Lang Lang Featuring Lisa Fischer & Jeffrey Wright)

On JAZZ LIVES!!! May 26: LIVE Atlanta Jazz Festival Preview Show

Posted in Atlanta Jazz Festival 2016, JazzLives! with tags , , , , , , , , on May 26, 2016 by curtjazz

Johns Press PassI’ve covered the Atlanta Jazz Festival (AJF) since 2011 for Jazz Inside Magazine and for my own CurtJazz.com blog. And this year will be no exception. So, on the next edition of JAZZ LIVES!!!, Thursday, May 26th on Charlotte Community Radio from 6:00pm to 9:00pm, I will feature tracks by the artists who are scheduled to appear at this year’s AJF.

The AJF is the largest free jazz festival in the Southeast. It has been a part of The ATL’s Memorial Day Weekend celebration since the late 70’s. And beginning this Friday, May 27th, the 39th edition of the AJFwill kick off in its usual location, Atlanta’s Piedmont Park. It runs through Sunday, May 29th.

Performances will take place on three separate stages: the Locals Stage will feature Atlanta area favorites such as vocalist Alex Lattimore and pianist Joe Alterman. The International Stage will have well-known jazz headliners from outside of the U.S., such as Caribbean trumpeter Etienne Charles and renowned Brazilian pianist Eliane Elias. The Main Stage features its usual combination of up and coming stars and legends, with super group Next Collective, Grammy-winning vocalist Gregory Porter and the venerable saxophonist Benny Golson leading a very impressive lineup.

Alex Lattimore

Alex Lattimore

My May 26th show is designed to get those heading to the festival in the mood for the great weekend of music ahead. But be warned – with the great cuts I plan on playing and with Atlanta being a short car ride away from Charlotte, you may be inspired to change your weekend plans and join us in Piedmont Park. If you do, stop by and say “Hello”!


JAZZ LIVES!!!
with CurtJazz, airing LIVE every Thursday from 6:00pm to 9:00pm viaCharlotteCommunityRadio.orgCLTCRadio.org OR use the Mixlr app where you can listen and chat with our hosts and guests alike.

Atlanta Jazz Festival 2016 – Of COURSE I’ll Be There!

Posted in Atlanta Jazz Festival 2016 with tags , , , , , , , , , , , , on May 15, 2016 by curtjazz

Atlanta Jazz Festival - red logoI know that I’ve usually posted a few AJF related items by this point, with the Festival coming in two weeks but it’s been a very busy year. But don’t mistake my relative silence for absence. Of COURSE the CurtJazz crew will be there, in Piedmont Park this Memorial Day weekend – diggin’ the music, chatting with the artists and reporting back on what’s happening.

So in the spirit of better late than never, here’s this year’s full lineup for the 39th Atlanta Jazz Festival, from Friday, May 27 – Sunday, May 29. I’ll be following up over the next two weeks with individual reports, as usual. Hope to see you there!

Friday, May 27 (Main Stage Only)

next collective

Next Collective

Saturday, May 28 

Main Stage

Jamison Ross

Jamison Ross

International Stage

etienne charles1

Etienne Charles

Locals Stage

 

Sunday, May 29

Main Stage

Eugenie Jones

Eugenie Jones

International Stage

Eliane Elias 3

Eliane Elias

Locals Stage

A New Gift from JLCO: “Big Band Holidays”

Posted in New on the Playlist, The Jazz Continues..., Video Vault with tags , , , , , , , , , on December 17, 2015 by curtjazz

Big Band HolidaysMy late father often said “The best thing to do in a hurry, is nothing.” As I’ve grown older, I’ve begun to truly appreciate the enduring wisdom in those words – for I’ve so often discovered that I make my biggest errors, when I do things for speed and not for pleasure. Such is the case with my post a couple of days ago about my favorite new Holiday Jazz Albums.

Since I decided last weekend that I was going to write something every day for the rest of the year to atone for my lack of activity over the last six months, I’d became totally focused on putting something out there, even if I hadn’t really thought it through. So when I completed the post on new Christmas Jazz, I dropped a few words and a couple of videos, and declared my mission accomplished, even though I felt as if I was missing something…it didn’t matter; at least I was making my self-imposed deadline.

I was missing something. Something that I had heard and enjoyed more, , than most of the albums in the original post – it was the Jazz at Lincoln Center Orchestra’s Big Band Holidays; an album far richer and more complex than its simplistic title (and pedestrian cover art) would suggest.

Every December for over a decade, Wynton Marsalis, and the JLCO have come together with some of the great vocalists in jazz to perform their arrangements of some of the classic songs of the season. Thankfully many of these concerts were recorded. This year, Blue Engine Records, Jazz at Lincoln Center’s house label, assembled some of the choice selections from 2012 – 2014 concerts and released them as a compilation – featuring three of the best vocalists in jazz today, Rene Marie, Gregory Porter and Cecile McLorin Salvant and strong arrangements from some of the bands in house pros like Victor Goines, Sherman Irby and Ted Nash, plus a nod to the new testament Basie Band by including Ernie Wilkins classic arrangement of “Jingle Bells”. Big Band Holidays is a terrific jazz album first and a good Holiday album second, which is why I will probably be listening to it beyond next Friday night.

As you can see, these performances were also caught on video, so we can share a few of them with you. May these performances prove to be as timeless as my dad’s words.

Merry Christmas, everybody.

 

2014 Jazz Grammy® Recap – The Winners and Random Thoughts

Posted in 2014 Grammys with tags , , , , , , , on January 27, 2014 by curtjazz

Well jazz fans, we had our annual 15 minutes of fame (literally) yesterday at the Grammys during the pre-show, which was not broadcast on television but streamed live on the web. The  winners in the jazz categories included virtually no surprises. Those that won were either the favorites or highly touted possibilities right behind the  favorites.

And the Winners Are:

Best Improvised Jazz Solo – “Orbits”: Wayne Shorter – soloist (From the album Without a Net [Blue Note Records])

The Hall of Fame saxophonist wins with his only nomination from his critically acclaimed return to Blue Note Records.

Best Jazz Vocal Album – Gregory Porter: Liquid Spirit (Blue Note Records)

In a very minor upset, Porter beats out the phenomenal young vocalist Cecile McLorin Salvant to win his first Grammy. I loved Porter’s totally real acceptance speech in which he blurted out “Hey! I got a Grammy!”

Best Jazz Instrumental Album – Terri Lyne Carrington: Money Jungle: Provocative in Blue (Concord Jazz Records)

Another minor but welcome upset. In her acceptance speech the cool and classy Ms. Carrington noted that she was the first woman in history to win this particular award, which was surprising on one hand and then again, it wasn’t. It’s her second Grammy in the last three years; the other came for The Mosaic Project in 2012.

Best Large Jazz Ensemble Album – Randy Brecker, Wlodek Pawlik Trio & Kalisz Philharmonic: Night in Calisia (Summit Records)

No surprise here at all as Grammy voters went for the safe choice of the only name among the nominees that any of them had even remotely heard of.  Mr. Brecker was not at the ceremony, leaving the acceptance chores to his Polish colleagues on the recording who struggled gamely with their English in an endearing but ultimately long-winded  speech, which drew the only use of the “musical hook” that I heard while I was watching the pre-show.

Best Latin Jazz Album – Paquito D’Rivera & Trio Corrente: Song for Maura (Sunnyside/Paquito Records)

While this win was not at all unexpected, it was also utterly frustrating. For with all of the genuinely outstanding music nominated in this category, Grammy voters once again went with the most familiar choice. This is far and away not the travesty that last year was in this category but still, this award was given to a good album among some great ones. Mr. D’Rivera was also not in attendance which left the acceptance to the members of Trio Corrente, who looked to be in danger of getting the “musical hook” but didn’t.

And to wrap things up, a few “Random Thoughts” that I scribbled down during the pre-show and the broadcast Grammy Show:

  • It was great to see Latin Jazz pianist and Grammy nominee Roberto Fonseca being used as a segment presenter on the pre-show.Though English is not his first language, he soldiered on gamely, even when tasked with reading the rambling statement from an award winner who was unable to attend. Frankly, he did a better job that pre-show host Cyndi Lauper, who struggled mightily throughout.  She even at one point starkly told the audience. “I F-ck-d Up”, which was true but unnecessary to say. I’m no language prude but it just struck me as a crudely contrived way to try to curry favor in the midst of her obvious difficulties.
  • It was great to see the wonderful composer/arranger Maria Schneider take home some Grammys for her classical work on Winter Morning Walks. I also loved her impassioned plug of ArtistShare during her acceptance speech. Now if only the jazz world would show her as much love…
  • I was disappointed that no jazz artists got to perform even during the pre-show. Yet, we saw fine artists of many other genres get to show their stuff. Has it now come to the point that a live jazz performance is not even welcome during the non-broadcast segment of the ceremony?
  • Daft Punk???
  • Pharrell’s hat???
  • Madonna’s outfit???
  • Taylor Swift’s dancing???
  • Taylor Swift’s Death Stare at the end of her performance????
  • Taylor Swift. Period. – Kanye, you did this to us!!!
  • Jay-Z basically referring to his award as a “sippy cup” for his daughter, was a lame attempt at humor that came off as arrogant. I’ve liked Jay-Z and Beyonce for a long time but they are starting to put me off (not that they care).
  • Chicago would have been better without Robin Thicke. And I wish that the cats still in the group and Peter Cetera and Danny Seraphine could all patch up their differences and give us at least one more taste of the real Chicago.
  • Loved Stevie Wonder, Nile Rodgers, Pharrell and Daft Punk’s jam.  As a fellow prostate cancer survivor any time I see Nile Rodgers up there doing his thing it is inspirational to me.

That’s all I have to say about that. I’ll have more to say about other things though before the next Grammy season and I thank you for reading.

Until the next time, the jazz continues…

2014 Jazz Grammy® Preview #2 – Best Jazz Vocal Album

Posted in 2014 Grammys with tags , , , , , , , , on January 24, 2014 by curtjazz

Our second category is for the singers: Best Jazz Vocal Album. This is as strong a group of nominees for this award as I’ve seen in a while. There’s not a dud in the bunch. Though there are a number of seasoned vets here who’ve had their share of nominations, I think that it’s really a race between two relative newcomers for the trophy.

The nominees are:

Andy Bey: The World According to Andy Bey (HighNote Records)

The 74-year-old vocalist is an under-appreciated treasure. Every few years he reappears again to drop another bit of timeless art on us. Usually these days it’s just Bey’s voice and his piano, which is more than sufficient. The World According to Andy Bey is his second Grammy nominated album, following American Song in 2005. Bey does might justice to a well mixed group of standards, his own tunes and rarely performed songs by others.  Though a win by Mr. Bey would be a great thing. It’s not likely to happen; the juggernaut of the newcomers is a bit too strong.

Lorraine Feather: Attachments (Jazzed Media)

Ms. Feather is one of my favorite singer/songwriters. I love the unfailing wry wit in her lyrics and the way that she interprets them. Why another singer hasn’t done an album of Feather’s compositions is a mystery to me. The Grammy nominating committee also appreciates her , as Attachments is her third album in a row to be nominated for Best Jazz Vocal Album. Attachments is classic Feather as she mines one of her favorite topics, relationships. Not just male/female interactions but family, friends and even vermin are discussed and wondered upon. It’s one of her best among many very good albums. This woman should get a Grammy but I don’t think that it will happen this time.

Gregory Porter: Liquid Spirit (Blue Note Records)

Juggernaut – Part 1. Gregory Porter’s reputation has grown by leaps and bounds since he first burst on the scene with Water in 2010. His brand of soul-infused jazz singing brought him critical and commercial acclaim. Liquid Spirit, his first album for Blue Note, has garnered two Grammy nominations; one in this category for the album and the other for Best Traditional R & B Performance for the song “Hey Laura”. The album is very strong (though not IMO, as good as last year’s Be Goodwhich was also Grammy nominated) The critics love him, the fans love him and his name recognition is growing. Will Grammy love him? I’d say that there’s a good chance. The only one I think who could stop him from winning is…

Cecile McLorin Salvant: WomanChild (Mack Avenue Records)

Juggernaut – Part 2. Cecile McLorin Salvant seemingly appeared out of nowhere and dropped the best jazz vocal album of not only this year but of the last few years in WomanChild. Her way with a lyric is impeccable, her swing is right on time and her voice is unique in the best way possible. The thing is, she is just 24 years old! She’s got Abbey Lincoln’s wizened soul wrapped in her youthful, downtown cool persona. In addition, the non-jazz media  seems to be lining up behind her, with one mainstream publication stopping just short of anointing Ms. Salvant as “The Next Esperanza Spalding”. All of these stars aligning usually leads to victory on Grammy night, which I feel is a very likely case here. The only thing that may stop her is some may vote against her because of her youth but I doubt that will happen.

Tierney Sutton: After Blue (BFM Jazz)

Tierney Sutton alas, is to this Grammy category as Glenn Close is to the Oscars. Like Ms. Close, she is a very well-respected, gifted performer, whose art is always good enough to get her nominated for the big awards but in the end, she ends up being eclipsed by someone with a hot hand. After Blue gained Ms. Sutton her fifth nomination for Best Jazz Vocal Album.  As usual, it’s a great album; focused on the music of the legendary Joni Mitchell. Sutton has given us some fresh takes on some very familiar tunes and done consistent justice to the material. Also as usual, there’s a big, shiny object that will likely attract voter’s attention away from Ms. Sutton’s steady artistry. She is the longest shot.

So here is my bottom line unscientific prediction:

  • Should Win: Cecile McLorin Salvant
  • Will Win: Cecile McLorin Salvant

Next up on our preview will be Best Jazz Instrumental Album, which includes another very strong field of contenders this year.

CurtJazz’s Best Jazz Albums of 2013 – The Final List

Posted in Best Jazz Albums of 2013 with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 25, 2013 by curtjazz

tim greenMerry Christmas everyone!

Here’s a compilation list of our choices for the Best Jazz Albums of 2013 from our three prior Best of the Year posts. A click on the links in each title will take you to the Amazon or CD Baby page for each album (a great way to spend those gift cards you may have gotten from Santa).

From Best Jazz Albums of 2013 (So Far)

From Best Jazz Albums of 2013 – The Second Half

From Best Jazz of 2013 – A Few More Good Things; Plus!

And 5 great 2012 albums that we missed until 2013:

Tracks from all of the albums listed here will be featured on Curt’s Café Noir WebJazz Radio, starting on December 27, 2013 and into January 2014 as part of our Year End / New Year programming. Click HERE to go to the station and listen. It’s Free!

May you all have a happy, prosperous and jazz filled 2014!

Best Jazz Albums of 2013 – The Second Half

Posted in Best Jazz Albums of 2013 with tags , , , , , , , , , , , on December 16, 2013 by curtjazz

Rene Marie - evilI have to confess that this year’s list of the best jazz albums feels somehow incomplete. The albums on the first list, posted in early August and the ones in this article are all outstanding but as much as I get to hear, due to my vocation and avocation, I still have missed so much this year.

In part, this is a good thing because artists now have more freedom than ever to self produce and release their works without having to beg for record company crumbs. However, one of the bad things is that the distribution of these projects often leaves much to be desired. So there’s much out there that I’ve heard of but haven’t been able to get my hands on in any format. Something tells me my “Ones I’ve Missed” list in 2014 is going to be pretty large.

That being said, here are the favorite releases that I’ve heard  since July. As always, they are in alphabetical order by album title, not preference:

Aquarius – Nicole Mitchell’s Ice Crystals (Delmark)

It’s a marriage of several disparate elements that come together to create musical perfection: Ms. Mitchell’s flute playing off of Jason Adasiewicz’s vibes, producing the sound that gives the group its name; their AACM sensibility, leavened by a hint of Chicago Soul and some of the best compositions that I’ve ever heard from Ms. Mitchell. They have managed to stay true to their artistic roots yet make the music more accessible. No small feat but they pull it off with aplomb.

Creole Soul – Etienne Charles (MRI)

Mr. Charles, a young trumpet player originally from Trinidad, creates a successful marriage of straight ahead jazz and the musical styles of the Caribbean and New Orleans. Many have tried to do the same thing with only moderate success. Etienne Charles nails it, big time. Those who want to understand how to fuse groove and jazz without “selling out” should use this disc as a primer.  (Read my full review for Jazz Inside  Magazine HERE.)

I Wanna Be Evil (With Love to Eartha Kitt) René Marie (Motéma)

Leave it to Rene Marie to wait until the tail end of the year to release a masterpiece. She clearly has a strong affinity for her subject and instead of imitating the legendary performer; she draws Ms. Kitt’s style inside of her own and creates some fresh renditions of some of Eartha’s classics. She also creates a smoldering original tune “Weekend” which might have made even the legendary Kitt blush.  Ms. Marie’s performances are sexy, playful, charming, foreboding and thought-provoking; often at the same time.  It’s Ms. Marie’s best album since Vertigo and it may even top that classic.

Liquid Spirit – Gregory Porter (Blue Note)

With his third outstanding album in three years, Mr. Porter continues to carve out a niche for himself as either the most soulful jazz singer or the jazziest soul singer working today. Porter has melded the low-key sensitivity of Bill Withers to the jazz sensibility of a young Al Jarreau. He is also a damn good composer, dropping a few of his own tunes on this album, such as “Hey Laura” and “Brown Grass” that I expect to hear being covered by other singers in the near future. Plus he does a dynamite cover of one of my faves from Max Roach and Abby Lincoln, “Lonesome Lover”. Will Porter take home the Grammy this year? Knowing Grammy’s unpredictability, who knows?  But I think that he has a good shot in at least one of the two categories that he’s nominated in.

No Morphine; No Lilies – Allison Miller’s Boom Tic Boom (The Royal Potato Family)

The prodigiously gifted drummer takes us all over the jazz map in a little over 50 minutes; from swing to post-bop, to free, with numerous stops in between. Her working band of three years, which includes pianist Myra Melford; bassist Todd Sickafoose and the wonderful violinist Jenny Scheinman, has coalesced into a solid unit who play off of each other incredibly well.  Their musical trust for each other has allowed them to bring out the best in Ms. Miller’s compositions and for them to turn performances in different directions on a dime.

Out Here – Christian McBride Trio (Mack Avenue)

It’s no surprise that Mr. McBride is a fan of James Brown, because he is the hardest working bassist in jazz. Besides being the first call sideman for almost everyone in jazz today, he managed also to release two albums in 2013 under his own name, one with his Inside Straight aggregation and the other was this album, a back to basics trio date with two very exciting young cohorts; pianist Christian Sands and drummer Ulysses Owens, Jr. There’s nothing new here but what they do, they do stunningly well. It’s three world-class musicians, playing some standards, some originals and a couple of fun surprises. I hope that this isn’t just a one-off but if it is, it’s an impressive one.

Saturday Morning – Ahmad Jamal (Jazz Village)

What has gotten into Ahmad Jamal? All of a sudden, in his eighties, Miles Davis’ favorite pianist has become not only incredibly relevant again but I daresay, downright funky. First on last year’s Blue Moon and now on Saturday Morning.  Egged on by the percolating grooves laid down by bassist Reginald Veal and drummer Herlin Riley, the octogenarian reminds Robert Glasper and Co., where they got it from. His piano lines are still tasty and tasteful and not the least bit stale. Long live Mr. Jamal, I hope that he keeps going and continues to create music like this for many years to come. 

Soul Brother Cool – Cyrus Chestnut (WJ3)

This album is here for two reasons: one is its remarkable leader, who I consider to be one of the best jazz pianists of his generation. Mr. Chestnut is the natural successor to Bobby Timmons in the “Soulful Jazz Pianist” category and his teaming over the last few years with bassist Dezron Douglas and drummer Willie Jones III seems to have re-energized him.  The second reason is the presence of trumpeter Freddie Hendrix on this album. Mr. Hendrix is a remarkably talented musician who has been criminally under recorded. In fact, as of this writing, he has yet to lead a recording date. Hendrix stylistically (and even physically, somewhat) reminds me of another more well-known jazz trumpeter with the same first name and last initial. Throughout the album, he threatens to steal the show from the leader and at times, he does. And for bonus points, Chestnut and Jones used Max Roach’s rare album Drums Unlimited as an inspiration for the cover. Very cool indeed!

Tootie’s Tempo – Albert “Tootie” Heath (Sunnyside)

Here’s another jazz veteran undergoing a bit of a career renaissance.  The youngest of the Heath Brothers has recorded abundantly as a sideman on some of jazz’s greatest albums and quite a bit with his brothers over the years but very little as a leader. So here we have the 78-year-old “Tootie” working with relative youngsters Ethan Iverson of The Bad Plus on piano and NY avant-garde scene darling Ben Street on bass. On paper it sounds like a mismatch but in reality it is pure magic. Tootie will never be accused of being a bombastic drummer but everything he does is exactly as it should be. You can hear Mr. Heath taking care of his musical partners and vice versa. This is one of the most interesting working trios out there today. If you like this, check out this same group’s 2010 live recording from NYC’s Smalls Jazz Club.

Wolfgang Warren Wolf (Mack Avenue)

Vibraphonist Wolf’s follow up to his Mack Avenue debut is the most mature and cohesive album of his burgeoning young career. Split between tracks with his working band and an all-star group, Wolf’s growth as a musician, composer and arranger are all evident from first note to last. (Read my full review for Jazz Inside Magazine HERE.)

And in case you’ve forgotten, here are the albums/artists who were included in our post Best Jazz of 2013 (So Far), which first appeared in August 2013:

And I’m still not done! There will be one more post in which we will bring you a few more albums from 2013, that I still cannot get out of my head. Plus, in what has become an annual tradition, we will pay homage to some albums from 2012 that I somehow managed to miss until 2013.

As always, your comments, for and against, are welcome but spam is not.

Until the next time, the jazz continues…