Archive for lorraine feather

My Best Jazz Albums of 2018 – The Complete List

Posted in Best Jazz Albums of 2018 with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 28, 2018 by curtjazz

Yeah. I know. I’ve been away from the blog since, well, since my last year-end review.

It’s been quite a year folks. A lot of time on the road and a lot of “spare” time devoted to getting CurtJazz Radio back up, running and viable. But you didn’t come here to hear my problems. In the midst of it all, I did manage to hear a good amount of music. Some not so good and some that was very good, to excellent. Those in the latter category are included in the list below.

They are in alphabetical order, by album title. I’ve divided the projects into Instrumental and Vocal. I also wanted to recognize a couple of outstanding EPs, so I did. Each title includes a link that will take you to a place where you can purchase the music, if you feel so moved.

At the bottom of the post are three CD length Spotify playlists, which will give you a chance to sample a track from most of the albums/EPs on our list.

Tracks from all of these albums and EPs will be featured on CurtJazz Radio, from now, through the end of January 2019. CurtJazz Radio, on Live365.com, is always on and always FREE. Click HERE to listen.

I will try to not be such a ghost in 2019.

Instrumental

Album Title Artist Label
All in My Mind Dr. Lonnie Smith Blue Note
Armor of Pride Black Art Jazz Collective HighNote
Both Directions at Once John Coltrane Impulse
Christian McBride’s New Jawn Christian McBride Mack Avenue
Concentric Circles Kenny Barron Quintet Blue Note
Diamond Cut Tia Fuller Mack Avenue
Exiled Thandi Ntuli Ndlela Music Co.
Future is Female Roxy Coss Posi-Tone
Get It How You Live Royal Krunk Jazz Orkestra Ropeadope
Heaven and Earth Kamasi Washington Young Turks
In Common Walter Smith III; Matthew Stevens Whirlwind
In Real Time John Bailey Summit
In the Moment Pat Bianchi Savant
Interstellar Adventures Theo Hill Posi-Tone
Introspection Roni Ben-Hur and Harvie S Jazzheads
Jazzland Tim Warfield Criss Cross
Live from San Pedro Jeff Hamilton Trio Capri
Love Stone JD Allen Savant
Master’s Legacy Series; Vol. 2Emmet CohenCellar Live
Modern Flows; Vol. 2 Marquis Hill PR
Movement Kobie Watkins Grouptet Origin
Origami Harvest Ambrose Akinmusire Blue Note
Pardes (Orchard) Amos Hoffman & Noam Lemish CD Baby
Remember Love Houston Person and Ron Carter HighNote
Straight Forward New Faces Posi-Tone
Telepathy Christopher Hollyday CD Baby
Warriors for Peace E.J. Strickland Quintet JamminColorS

Vocal

Album Title Artist Label
Art Market Sasha Masakowski Ropeadope
Genius of Eddie Jefferson Allan Harris Resilience
Looking at the Moon Allegra Levy Steeplechase
Math Camp Lorraine Feather CD Baby
My Mood is You Freddy Cole HighNote
Some of That Sunshine Karrin Allyson CD Baby
Sung with Words Helen Sung CD Baby
Unbroken Tiffany Austin Con Alma
Waiting for the Sunrise Camille Thurman Chesky
The Window Cecile McLorin Salvant Mack Avenue

EPs

Title Artist Label
Alfred Sergel IVtet Alfred Sergel Self-Release
G8S Giacomo Gates 9th Note

Best of the Carolinas

Title Artist Label
Cola Jazz II Cola Jazz Jangly
The SeekerThomas TaylorSelf Release
Shanghai Decade Sean Higgins Trio Self Release
Playlist #1
Playlist #2
Playlist #3
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2014 Jazz Grammy® Preview #2 – Best Jazz Vocal Album

Posted in 2014 Grammys with tags , , , , , , , , on January 24, 2014 by curtjazz

Our second category is for the singers: Best Jazz Vocal Album. This is as strong a group of nominees for this award as I’ve seen in a while. There’s not a dud in the bunch. Though there are a number of seasoned vets here who’ve had their share of nominations, I think that it’s really a race between two relative newcomers for the trophy.

The nominees are:

Andy Bey: The World According to Andy Bey (HighNote Records)

The 74-year-old vocalist is an under-appreciated treasure. Every few years he reappears again to drop another bit of timeless art on us. Usually these days it’s just Bey’s voice and his piano, which is more than sufficient. The World According to Andy Bey is his second Grammy nominated album, following American Song in 2005. Bey does might justice to a well mixed group of standards, his own tunes and rarely performed songs by others.  Though a win by Mr. Bey would be a great thing. It’s not likely to happen; the juggernaut of the newcomers is a bit too strong.

Lorraine Feather: Attachments (Jazzed Media)

Ms. Feather is one of my favorite singer/songwriters. I love the unfailing wry wit in her lyrics and the way that she interprets them. Why another singer hasn’t done an album of Feather’s compositions is a mystery to me. The Grammy nominating committee also appreciates her , as Attachments is her third album in a row to be nominated for Best Jazz Vocal Album. Attachments is classic Feather as she mines one of her favorite topics, relationships. Not just male/female interactions but family, friends and even vermin are discussed and wondered upon. It’s one of her best among many very good albums. This woman should get a Grammy but I don’t think that it will happen this time.

Gregory Porter: Liquid Spirit (Blue Note Records)

Juggernaut – Part 1. Gregory Porter’s reputation has grown by leaps and bounds since he first burst on the scene with Water in 2010. His brand of soul-infused jazz singing brought him critical and commercial acclaim. Liquid Spirit, his first album for Blue Note, has garnered two Grammy nominations; one in this category for the album and the other for Best Traditional R & B Performance for the song “Hey Laura”. The album is very strong (though not IMO, as good as last year’s Be Goodwhich was also Grammy nominated) The critics love him, the fans love him and his name recognition is growing. Will Grammy love him? I’d say that there’s a good chance. The only one I think who could stop him from winning is…

Cecile McLorin Salvant: WomanChild (Mack Avenue Records)

Juggernaut – Part 2. Cecile McLorin Salvant seemingly appeared out of nowhere and dropped the best jazz vocal album of not only this year but of the last few years in WomanChild. Her way with a lyric is impeccable, her swing is right on time and her voice is unique in the best way possible. The thing is, she is just 24 years old! She’s got Abbey Lincoln’s wizened soul wrapped in her youthful, downtown cool persona. In addition, the non-jazz media  seems to be lining up behind her, with one mainstream publication stopping just short of anointing Ms. Salvant as “The Next Esperanza Spalding”. All of these stars aligning usually leads to victory on Grammy night, which I feel is a very likely case here. The only thing that may stop her is some may vote against her because of her youth but I doubt that will happen.

Tierney Sutton: After Blue (BFM Jazz)

Tierney Sutton alas, is to this Grammy category as Glenn Close is to the Oscars. Like Ms. Close, she is a very well-respected, gifted performer, whose art is always good enough to get her nominated for the big awards but in the end, she ends up being eclipsed by someone with a hot hand. After Blue gained Ms. Sutton her fifth nomination for Best Jazz Vocal Album.  As usual, it’s a great album; focused on the music of the legendary Joni Mitchell. Sutton has given us some fresh takes on some very familiar tunes and done consistent justice to the material. Also as usual, there’s a big, shiny object that will likely attract voter’s attention away from Ms. Sutton’s steady artistry. She is the longest shot.

So here is my bottom line unscientific prediction:

  • Should Win: Cecile McLorin Salvant
  • Will Win: Cecile McLorin Salvant

Next up on our preview will be Best Jazz Instrumental Album, which includes another very strong field of contenders this year.