Archive for the 2013 Grammys Category

2013 Jazz Grammy® Preview #7 – Best Instrumental Composition

Posted in 2013 Grammys with tags , , , , , , , , , , on February 10, 2013 by curtjazz

And it all comes down to this…

Our final look at the jazz artists nominated for 2013 Grammy Awards are in a category that I’m almost embarrassed to say that I initially overlooked.  It would make sense that the nominees in this category would be mostly jazz musicians, since you don’t hear a great deal of pop instrumentals these days. Though there are a few names that you don’t hear often these days, this category like the others is full of the familiar.

The nominees are:

Chuck Loeb for “December Dream”, from Fourplay’s Esprit De Four (Heads Up International)

Guitarist Chuck Loeb is the newest member of this contemporary jazz supergroup and from the sounds of this tune, he fits in just fine with the other three cats. It’s a very pleasant melody and a nice performance as well.

Chick Corea for “Mozart Goes Dancing”, from Chick Corea and Gary Burton’s Hot House (Concord)

He’s baaaaack! Chick Corea, who threatens to have a Christopher Cross type evening (look him up youngsters) as far as Jazz Grammy’s go, has been again nominated in this category for the only new composition on Hot House. Actually, I have to admit that I wouldn’t mind if he was the winner here. Mozart Goes Dancing is very ingratiating and the performance favorably reminds me of some of the Third Stream pieces that John Lewis wrote for the Modern Jazz Quartet in the sixties. So yeah, I’m pulling for Chick this time.

Chris Brubeck and Dave Brubeck for “Music of Ansel Adams: America” performed by the Temple University Symphony Orchestra (BCM&D)

The late great Dave Brubeck and his son, Chris composed this work in tribute to the legendary photographer Ansel Adams. This symphonic work is rendered even more impressive when seen in its original setting, accompanied by the stunning black and white photography of Mr. Adams.

Bill Cunliffe for “Overture Waltz and Rondo”, performed by the Temple University Symphony Orchestra (BCM&D)

Mr. Cunliffe, the noted jazz pianist, arranger and producer wrote this Third Stream style work. While it’s very nice I didn’t find it to be that memorable overall. Nice trumpet work by Terell Stafford on the recording.

Bill Holman for “Without a Paddle”, from The Pete Christlieb & Linda Small 11 Piece Band’s High on U (Bosco)

Bill Holman has been on the scene for over 60 years, first gaining notice with Stan Kenton, I’ve been a fan of tenor saxophonist Pete Christlieb since first hearing his solo on Steely Dan’s “Deacon Blues” when I was in high school. Christlieb has been a longtime admirer of Mr. Holman, so it’s nice to see them come together on this album, which consists of all Holman compositions and arrangements.

This wraps up our Grammy previews, thanks for reading them. Now let’s sit back and see who takes home the awards!

Until then, the jazz continues…

2013 Jazz Grammy® Preview #6 – Jazz in “Exile”

Posted in 2013 Grammys with tags , , , , , , on February 6, 2013 by curtjazz

For our penultimate (I know that I said this would be the last one, but there will be one more after this) look at jazz artists nominated for Grammys in 2013, we will look at three categories in the R&B field that feature one artist who is generally considered to be a jazz musician. These albums/performances got no love from the Jazz Grammy nominating committee but those in the R & B area had the good taste to recognize them.

Best R&B Performance

“Thank You” – Estelle (from All of Me [Home School/Atlantic])

“Gonna Be Alright (F.T.B.) – Robert Glasper Experiment Featuring Ledisi (from Black Radio [Blue Note])

This is one of two nominations for Glasper’s much discussed Black Radio album. The heralded young jazz pianist let his R&B and hip hop influences show all over the disc. I for one found it exciting and refreshing (see CurtJazz’s Best Jazz Albums of 2012). Many other jazz traditionalists scoffed at it. On this track Glasper featured Ledisi, an R&B vocal powerhouse, who has also shown a past appreciation for jazzy things. If the track sounds familiar it’s because this is a vocal version of “F.T.B.”, which is a track on Mr. Glasper’s 2007 album In My Element. The lyrics and the stronger beat are a nice touch. Glasper is up against some tough competition here but to my ears “Gonna Be Alright” compares favorably with the other nominees… I wish him the best.

“I Want You” – Luke James [Mercury]

“Adorn” – Miguel [RCA/Bystorm Entertainment]

“Climax” – Usher (from Looking 4 Myself [RCA])

Best Traditional R&B Performance

(“Grown Folks Music”… Now we’re back in my wheelhouse! Therefore, I will drop a few comments)

“Lately” – Anita Baker [Blue Note]

Good to hear from Anita. Sounds like something from her classic ‘80’s period. Looking forward to the rest of the album.

“Love on Top” – Beyoncé (from 4 [Columbia])

Catchy tune by Mrs. Carter – great beat; irresistible hook.

“Wrong Side of a Love Song” – Melanie Fiona (from The MF Life [SRC])

My goodness! This girl can SANG! A memorable retro torch song.

“Real Good Hands” – Gregory Porter (from Be Good [Motéma])

Jazz vocalist Gregory Porter’s sophomore album was every bit as good as his debut.It was one of our Best of 2012.  But again, it was criminally ignored in the Jazz Vocal Grammy category. At least he did get a nod from the R&B voters for this soulful track. The cut is a winner but Porter is up against some real stiff competition. It’s a Grammy night long shot.

“If Only You Knew” – SWV (from I Missed Us [Mass Appeal/E1 Music])

SWV (Sisters With Voices). It’s good to hear this trio of NYC natives reunited. They sound as good as ever and they demonstrate excellent taste with their cover of this Philly Soul classic made famous by Patti Labelle.

Best R&B Album

Black Radio – Robert Glasper Experiment (Blue Note)

This nomination speaks volumes. The jazz world isn’t open minded enough to consider this work of art but the supposedly shallow, profit minded world of R&B is. I’ll say it again; I view this album as breaking needed new ground in a 21st century direction for jazz. But I admit to being in the minority. There are some fine albums in this category that are more along the lines of mainstream R&B, so a win here by Mr. Glasper isn’t probable but it is definitely possible.

Back to Love – Anthony Hamilton (RCA)

Write Me Back – R. Kelly (RCA)

Beautiful Surprise – Tamia (Plus 1)

Open Invitation – Tyrese (Voltron Recordz) 

You can hear tracks from Robert Glasper, Gregory Porter and other Grammy nominated jazz artists and albums on Curt’s Café Noir, our 24/7 web radio station,through February 10. We feature these tracks daily, from 4 pm – 6 pm on “The Grammy Show”. Click here to listen.

Our last post (we mean it this time!) about the 2013 Grammys will feature the nominees for “Best Instrumental Composition”, a category which happens this year to feature all jazz artists.

Until then, the jazz continues…

2013 Jazz Grammy® Preview #5 – Best Latin Jazz Album

Posted in 2013 Grammys with tags , , , , , , , on February 3, 2013 by curtjazz

Out of all of the Jazz Grammy Categories, it gives me the most satisfaction to write about this one. Not because of the albums nominated, which are frankly, an uneven bunch, but because the Grammy nominating committee has righted a wrong that they committed last year when they dropped this category altogether.  Thanks to the efforts of Bobby Sanabria and a host of other Latin Jazz musicians, scholars and aficionados, this award has been restored to its rightful place. The fight should not end here as there are a number of other categories that NARAS needs to reinstate, however this is a step in the right direction

The nominated albums are:

Flamenco Sketches – Chano Dominguez (Blue Note)

There are many who loved this project, which is essentially a reimagining of Miles Davis’ legendary Kind of Blue album, using Flamenco and other Latin rhythms; I am not one of them.  While I don’t think that it was necessarily a horrible idea, for me there is something missing in the execution. Mr. Dominguez is a gifted pianist and he and his bandmates give it their all, but except for a couple of spots (the stunning title track and “Blue in Green”), the project doesn’t mesh as well as one would hope. Apparently however, the Grammy nominating committee does not share my view and this album has been nominated.

¡Ritmo! – The Clare Fischer Latin Jazz Big Band (Clavo)

Clare Fischer passed away in early 2012. He was widely respected as a practitioner of Latin and Brazilian music and many musicians who have gained fame in Latin music, such as Poncho Sanchez and Alex Acuña have passed through his groups. With all due respect, while Mr. Fischer penned some timeless Latin tunes (“Morning” and “Pensativa”, to name two) and wrote many marvelous arrangements for artists ranging from Dizzy Gillespie to Prince, IMO his Latin Jazz recordings often lacked clave, the rhythmic intangible that is a key to great Latin music. On this album, there are as usual, some good tunes and solid arrangements by Clare Fischer; conducted by his son, Brent. But there is an overall politeness to these proceedings which prevents the album from being anymore than just “good”.  And I’m sorry but  a number of the statements made by Brent Fischer in the accompanying video (including the jaw-dropping assertion that ¡Ritmo! “is the first all Latin Jazz CD in a big band setting”) are at best, ignorant.

Multiverse – Bobby Sanabria (Jazzheads)

How sweet it must be for Bobby Sanabria. He not only spearheaded the successful  drive to have the Best Latin Jazz Album category restored to the Grammys, but his latest album Multiverse, is also nominated for the award. Multiverse doesn’t stray far from the formula that has made Mr. Sanabria a successful Latin Jazz bandleader for the better part of two decades – hard driving horns, relentless rhythm and a big dose of Nuyorican swagger. It’s danceable, listenable and great fun. Based on all that he has invested in getting this category back on the list, I’m personally rooting for Sanabria to win on Grammy night. But he does have some formidable competition from the two remaining nominees.

Duos III – Luciana Souza (Sunnyside)

Duos III is the marvelous Brazilian vocalist’s second nomination for a 2013 Jazz Grammy, the other coming in the Best Jazz Vocal Album category for Book of Chet, which was released simultaneously with this disc. Duos III is the final album in Ms. Souza’s Brazilian Duos trilogy. Accompanied only by one of a trio of master guitarists, Romero Lubambo, Marco Pereira and Toninho Horta, Ms. Souza is as captivating as ever, as she effortlessly interprets some well-known and not so well-known Brazilian tunes. Frankly, I could listen to this record all night and not tire of it.  I know that she says that this is the last one but with music this good, I’m hoping that someone will convince Ms. Souza to record a fourth “duos” volume in the near future. It’s another strong contender to win the Grammy.

New Cuban Express – Manuel Valera New Cuban Express (Mavo)

New Cuban Express may be the breakout album for the young Cuban born pianist.  It’s not a Latin Jazz album in the traditional sense, but it’s an amalgam of Latin jazz, funk and 70’s fusion. If you’re thinking of something along the line of Irakere during its heyday, then you’re on the right track.  Valera does great work from start to finish but his fellow Cuban, the formidable alto saxophonist Yosvanny Terry gives the leader a run for his money, with his skittishly powerful lines threatening to steal the show. I’d have to say Mr. Sanabria and Ms. Souza are the favorites but it wouldn’t be a crime if Mr. Valera was the Grammy winner.

Tracks from these and other Grammy nominated jazz albums can be heard on Curt’s Café Noir, our 24/7 web radio station,through February 10. We feature these tracks daily, from 4 pm – 6 pm on “The Grammy Show”. Click here to listen.

The final Grammy post will feature “Jazz in Exile”; albums by jazz artists that were nominated for Grammys this year, in categories outside of jazz.

Until then, The Jazz Continues…

2013 Jazz Grammy® Preview #4 – Best Large Jazz Ensemble Album

Posted in 2013 Grammys with tags , , , , , on January 19, 2013 by curtjazz

It’s kind of ironic that the Jazz Grammy category that honors recordings by a large number of musicians has the fewest number of recordings nominated. The Grammy nominating committee felt that only three large band recordings were worthy of competing for the award this year.  I can think of maybe a few others, such as Bobby Sanabria (who is nominated in the Latin Jazz Category), that may have deserved inclusion but overall, the nominators may have gotten this one right.

The nominated albums are:

Centennial: Newly Discovered Works of Gil Evans – Gil Evans Project (ArtistShare)

I love everything about this project. From these newly unearthed compositions by the great Gil Evans, to the marvelous arrangements fleshed out by Ryan Truesdell, a 32-year-old composer/arranger/producer, who shepherded this project through from concept, to recording, to release; to the fact that it was released through ArtistShare, which is IMO one of the best things ever to happen to jazz recordings, allowing projects that increasingly skittish record labels run from, to see the light of day.  The Evans family gave Mr. Truesdell access to a trove of Evans’ compositions spanning the breadth of his formidable career and Truesdell showed great judgment in what he chose to be a part of this album. Played by an all-star big band, Centennial is a towering achievement. Will it win the Grammy? Probably not, due to its relative obscurity.

I’m going to bend my rules here and include two video clips from Centennial: first an overview of the project and second, a completed track – “The Maids of Cadiz”.

For The Moment – Bob Mintzer Big Band (MCG Jazz)

Bob Mintzer has been leading a dynamite big band for much of the past 30 years. You can count on his recordings to feature intricate arrangements and a marvelous sound. For The Moment is no exception.  The twist here is that this is an album of Brazilian compositions, many of them by Chico Pinheiro a young Brazilian guitarist. The band is on the money, Mr. Pinheiro is a revelation as a guitarist and a composer and they manage to pull off a fine marriage of the sounds of Brazil and Mintzer. This fine project stands a good, not great, chance of taking home the award.

Dear Diz (Every Day I Think of You) – Arturo Sandoval (Concord)

This is a heartfelt tribute by Mr. Sandoval to one of his greatest mentors, Dizzy Gillespie. Ten of the eleven selections are new arrangements of tunes associated with Diz, the final selection is a touching vocal tribute by Sandoval.  I admit to liking but not loving this project. Though Mr. Sandoval, whom I love dearly, is in fine form and everything is extremely well-played, there is a polish to this entire production that borders on slickness (For this I blame producer Gregg Field, a very good drummer who may have been in the L.A. studios a bit too long for his own good).  Nevertheless, due to his renown relative to his competitors, Arturo Sandoval is the favorite to win on Grammy night.

These tracks and others from Grammy nominated jazz albums can be heard on Curt’s Café Noir, our 24/7 web radio station, right up until February 10. We feature these tracks daily, from 4 pm – 6 pm on “The Grammy Show”. Click here to listen.

The next Grammy post will feature the newly revived Best Latin Jazz Album category – one that I am very happy to see back on the list.

Until then, The Jazz Continues…

2013 Jazz Grammy® Preview #3 – Best Jazz Instrumental Album

Posted in 2013 Grammys with tags , , , , on January 16, 2013 by curtjazz

The Best Jazz Instrumental Album race this year includes no surprises. Each nominee is a seasoned veteran with a strong following, so the race is likely to be close. Still, I would have loved to see a few of the younger (read: under 50) generation crack this lineup.

The nominees are:

Further Explorations – Chick Corea, Eddie Gomez & Paul Motian (Concord)

This disc also was nominated in the Best Improvised Jazz Solo category. It’s a two-disc Bill Evans tribute recorded live at the Blue Note in NYC. Mr. Corea is joined by two of Evans’ most renowned sidemen, Eddie Gomez on bass and the late Paul Motian on drums. Corea and company capture the essence of Evans while leaving just enough space for their own distinct musical personalities to peek through. A number of famed tracks written by or associated with Evans are here and everyone is on their game. It’s a nice homage to one of the legends of piano. Not my favorite of the bunch, but it’s a very fine album and it stands a pretty good chance of winning the Grammy.

Hot House – Chick Corea and Gary Burton (Concord)

The Grammy nominating committee can’t seem to help itself. If Chick Corea releases an album, they have to nominate it. Not that this is in any way a bad record, I just feel that there were a few more albums out there by artists with less familiar names that were more deserving. Mr. Corea and Mr. Burton have performed together many times over these decades and they have an outstanding musical rapport. The energy flags in spots, but it’s a solid album overall. Another possible Grammy night favorite because of who is involved.

Seeds from the Underground – Kenny Garrett (Mack Avenue)

This is my personal favorite of the nominated albums, one of our Best Jazz Albums of 2012 but it’s not likely to win because it is surrounded by legends. This is Mr. Garrett’s best album in over a decade. His band is tight, his solos are inspired and his writing is top-notch, with a couple of the tunes having the potential to become jazz standards. This is the third album by Garrett to get a Grammy nom. He is yet to win. Again, considering who the other nominees are, Mr. Garrett is a long shot in this category but I’m rooting for him.

Blue Moon – Ahmad Jamal (Jazz Village)

I said it in my Best Jazz Albums of 2012 post and I’ll say it again here – Blue Moon is Ahmad Jamal’s best album in four decades.  Mr. Jamal covers a program mostly consisting of standards from the Great American Songbook and jazz, with his usual flair. What sets this album apart is the strong support that he gets from his sidemen, Herlin Riley, Reginald Veal and Manolo Badrena. The results are thoroughly modern (as in 21st Century), yet also timeless. This is my sentimental favorite. Corea and Metheny are likely to beat him out, but I wouldn’t be at all disappointed if they didn’t.

Unity Band – Pat Metheny (Nonesuch)

Pat Metheny has won 19 Grammys (you read that right) over the course of his illustrious  recording career, so we know that the Grammy voters love him.  Unity Band is a return to a more conventional style after his experimental forays on his last few releases. It’s a kind of retrospective of the varied sounds that made him famous, so every Metheny fan will find something to like here. It’s also a very good album. The result – Pat Metheny will most likely win his 20th Grammy on February 10th.

These tracks and others from Grammy nominated jazz albums can be heard on Curt’s Café Noir, our 24/7 web radio station on Live365, right up until February 10. We feature these tracks daily, from 4 pm – 6 pm (EST) on “The Grammy Show”. Click here to listen.

The next Grammy post will feature the Best Large Jazz Ensemble Album – a category with only three nominees. Until then, The Jazz Continues…

2013 Jazz Grammy® Preview #2 – Best Jazz Vocal Album

Posted in 2013 Grammys with tags , , , , , , , , on January 7, 2013 by curtjazz

To borrow from Maddux and Glavine in those classic Nike commercials, “people dig the singers”. So the next category that we’ll cover in our 2013 Jazz Grammy Preview always draws a great deal of public interest, whether it’s warranted or not.

Here are the nominees for Best Jazz Vocal Album, along with a few of my opinions:

Soul Shadows – Denise Donatelli (Savant)

This is the second nomination in the past three years in this category for this former CNN reporter turned jazz vocalist.  When Lights Are Low, her previously nominated disc, stuck to the straight ahead side of the street; however Soul Shadows mixes things up a bit, leaning heavily on African, Brazilian and Latin poly-rhythms  The overall result is an album with a lighter, more contemporary sound than its predecessor. Ms. Donatelli is a very fine singer, with an engaging voice and Geoffrey Keezer’s production hits all the right notes. However, because she is still relatively unknown and Grammy voters love familiarity, Soul Shadows is a long shot on February 10.

1619 Broadway (The Brill Building Project) – Kurt Elling (Concord)

Kurt Elling has become a perennial nominee in this category – this is his tenth nomination. He deservedly won in 2010 for his excellent Coltrane/Hartman tribute Dedicated to You. However his last two discs, including this one, though nominated, have been a bit of a disappointment. 1619 Broadway has a marvelous concept and it does have a few bright spots but overall, it misses the mark. It’s another long shot on Grammy night, due mainly to the presence in this category of a couple of Big, Shiny Names that are going to draw a lot of voter attention.

Live – Al Jarreau and the Metropole Orkest (Concord)

Say “hello” to Big, Shiny Name #1. The legendary seven-time Grammy winner (and thirteen-time nominee) looms over this category on awards night like the proverbial 800 lb. Gorilla.  Live is a good album but it’s not a great one.  Like Sinatra in his later years, the 72-year-old Mr. Jarreau is not what he used to be but he can still hit the high points occasionally and he knows how to use what he’s got left to his advantage.  Because of who he is, Al Jarreau stands an excellent chance of taking home his eighth Grammy in February, with his only likely competition coming from the other Big, Shiny Name.

The Book of Chet – Luciana Souza (Sunnyside)

Here you have it folks, the best of the albums nominated in this category but it stands very little chance of winning the Grammy. Ms. Souza, the fine Brazilian jazz singer is one of the least known of the nominees in the U.S. and that is going to hurt her with the voters; which is a shame, because this album, one of two of hers that were nominated this year, is sublime.  This Chet Baker tribute is appropriately spare and consistently moving.  Ms. Souza and her pianoless trio meld ten songs closely associated with the vocal side of the jazz icon, into a seamless, haunting statement. Is it melancholy? Yes, but it is also gorgeous. Under different circumstances, The Book of Chet would be a favorite. But now, it is a likely also-ran.

Radio Music Society – Esperanza Spalding (Heads Up)

And last but not least, we have Big, Shiny Name #2. Radio Music Society is Esperanza’s first album since her upset Best New Artist Grammy win in 2010 (which sent many of us jazz pundit types running through the streets in various stages of bet-losing undress).  Whether this album is “jazz” or not has been argued ad infinitum, so I won’t rehash that here. The bottom line is that it is nominated in this category and Esperanza Spalding is now almost as well-known as Al Jarreau. Therefore she stands about as good of a chance of winning this year’s Best Jazz Vocal Album Grammy as the old scat master.

These tracks and others from Grammy nominated jazz albums can be heard on Curt’s Café Noir, our 24/7 web radio station, right up until February 10. We feature these tracks daily, from 4 pm – 6 pm on “The Grammy Show”. Click here to listen.

In our next Grammy related post, we will discuss the nominees for the other “big” jazz award – Best Jazz Instrumental Album. Until then, The Jazz Continues…

2013 Jazz Grammy® Preview #1 – Best Improvised Jazz Solo

Posted in 2013 Grammys with tags , , , , , , on January 5, 2013 by curtjazz

Last year, we took an impromptu look at the jazz artists nominated for Grammy Awards a couple of days before the telecast. It turned out to be one of our most popular posts in 2012.  Because we don’t want to mess with success, we’ll do it again in 2013.

This time though, we’ll start a bit earlier and continue periodically until the awards are presented on February 10. Let’s start with the jazz equivalent of Record of the Year; Best Improvised Jazz Solo.

The Nominees Are:
“Cross Roads” – Ravi Coltrane – soloist (From the album Spirit Fiction [Blue Note])


On Spirit Fiction, Ravi Coltrane starts to fulfill the potential that has long been predicted for him. If it has taken him a while, cut him some slack, being the son of John Coltrane and playing the same instrument as his legendary dad is an insane load to bear. IMO, “Cross Roads” is not the album’s strongest track but it’s nice to see Ravi’s work recognized.

“Hot House” – Chick Corea and Gary Burton – soloists (From the album Hot House [Concord Jazz])


There seems to be an unwritten Grammy rule – if Chick (or for that matter, Herbie) release anything in a given year, it is required to get a Grammy nomination. This album pulled down two noms, one for the title song in this category and another for Best Jazz Instrumental Album. Hot House, the album, is very good and “Hot House”, the track, is one of two standout cuts on disc, so the nod is not unexpected. Corea and Burton play with gusto here and their interplay is top-notch. Name recognition makes this one the favorite to take home the trophy.

“Alice in Wonderland” – Chick Corea – soloist (From the album Further Explorations (Chick Corea, Eddie Gomez & Paul Motian) [Concord Jazz])


Surprise! Another nomination for Chick Corea (see the above rule). This is a fine performance of the Bill Evans tune by Chick, bassist Eddie Gomez and the late Paul Motian, from their live tribute album to Evans, recorded a couple of years ago. This album is also nominated for Best Jazz Instrumental Album. Mr. Corea is in his element here and he gets great support from his bandmates, both well-known Evans trio veterans. There’s nothing new or really surprising here, but it works. Also stands a good chance to win because of the presence of Chick and two other legends.

“J. Mac” – Kenny Garrett – soloist (From the album Seeds from the Underground [Mack Avenue])


For my money, this is the best of the nominated tracks. “The Real Kenny G” is on fire on this tribute to one his major influences, the great Jackie McLean. Garrett is inspired and he clearly inspires the rest of the band – listen to pianist Benito Gonzalez pushing Garrett before Gonzalez explodes with his own solo. A dynamite track from a dynamite album (which is another of the Best Instrumental Jazz Album nominees). Maybe the Corea votes will cancel each other out and “J. Mac” will emerge victorious. We’ll wait and see (and hope).

“Ode” – Brad Mehldau – soloist (From the album Ode [Nonesuch])


I must start by confessing that I’m not as big of a fan of Brad Mehldau as many other people are. I don’t dislike his playing and I certainly respect his artistry, but his style often leaves me cold. That being said, “Ode” is one of my favorite Mehldau tracks. It has a lighter touch than a lot of his work and because of that, I found myself thoroughly engaged from beginning to end. Again, “Ode” may be blocked by the Corea firewall, but it deserved to be nominated.

These tracks and others from Grammy nominated jazz albums can be heard on Curt’s Café Noir, our 24/7 web radio station on Live365, right up until February 10. We feature these tracks daily, from 4 pm – 6 pm on “The Grammy Show”.

In our next Grammy post, we discuss the Best Jazz Vocal Album nominees. Until then, The Jazz Continues…