Archive for lizz wright

Best Jazz Vocals of 2017 (Part 2): A Closer Look

Posted in Best Jazz Albums of 2017, CD Reviews, Video Vault with tags , , , , , , , , , on January 2, 2018 by curtjazz

Happy New Year, everyone.

Well, this didn’t work out the way I intended.

ori dagan nathanielI posted my “Best of; Pt. 2”, list a couple of weeks ago, fully expecting to follow quickly with comments on each of the albums. This vicious strain of the flu that is out this season, had other ideas. The last thing I will say about Flu 2017/18, is I haven’t had any bug knock me out like that in at least 20 years. It’s real, it’s quick, and it’s strong; so please take care of yourselves.

Now back to the Music – The five best jazz vocal albums that I heard during the last half of 2017, in alpha order by album title:

 

Code Noir – Carmen Lundy (Afrasia)

Another brilliant work from this vocal master, Code Noir (which takes its title from the infamous French colonial slave laws) is a lush and dreamily soulful album. Don’t let the ethereal qualities lull you into a false sense of relaxation, lest you miss some of the most poignant lyrical messages of Ms. Lundy’s career. The marvelous Patrice Rushen is on the keys, reminding those who may have forgotten, that she is far more than just “Forget Me Nots”. The underrated Jeff Parker plays some dynamite guitar.  Listen once (or twice) for the lyrics, then let yourself get lost inside of the marvelous instrument that is Ms. Lundy’s voice. There’s not another one like it today in jazz.

Dreams and Daggers – Cecile McLorin Salvant (Mack Avenue)

I must keep reminding myself that she is not yet 30 years old. But that’s a frightening statement because it’s also a reminder that, as good as she is, Cecile McLorin Salvant, has still not yet reached her pinnacle. This is her first live album (mostly recorded at the legendary Village Vanguard), a two-disc set and there’s not a dud in the bunch. She is wondrously accomplished, self-assured, captivating and funny and often, she is all of these things, at once. I also loved the fact that there are very few tired old warhorses; Ms. Salvant mines the songbooks of Bob Dorough, Langston Hughes, (a hilariously raunchy) Bessie Smith, and the quirky, tongue in cheek sides of Broadway scores. And she makes them all her own. I will also no longer compare her, even favorably, to some of her legendary forbearers, for Cecile McLorin Salvant, has arrived, on her own terms.

Grace – Lizz Wright (Concord)

I would love this album, if only for the fact that it once and for all, reclaims Allen Toussaint’s wonderful “Southern Nights” from that crude and misguided megahit Glen Campbell version, after forty years. But there’s so much more here.  On her own work, Ms. Wright consistently delivers a beautiful and deeply personal amalgam of jazz, gospel and bluesy folk music. I’ve been listening intently since her impressive 2003 debut, Salt and she has never been better than she is on Grace. It is a starkly beautiful and majestic work of art, with songs by artists as diverse as Ray Charles, Bob Dylan and Sister Rosetta Tharpe. If you love the sacred or the secular, you will be completely filled with Grace.

Nathaniel (A Tribute to Nat King Cole) – Ori Dagan (Scat Cat)

There were higher profile vocal tributes to the great “King” Cole in 2017 but none were better than this surprising effort from the up and coming Canadian baritone. Ori Dagan keeps proceedings fresh by using his customary sense of humor and by adding 5 of his own compositions, most of which are quite good. In fact, a couple fit in so well, that I assumed that they were quirky, novelty rarities from the King Cole Trio’s heyday, until I read the liner notes. Mr. Dagan also wisely avoids anything that would even approach a perceived impersonation of one of the great voices and stylists of the 20th Century. So, what do we get? We have one of the unique talents of contemporary jazz singing, bringing us his interpretation of some tunes closely and not-so-closely associated with the legend. I like what he was going for, and overall, I loved how it turned out. Plus, he’s got the estimable Sheila Jordan, guesting on a delightful take of “Straighten Up and Fly Right”. Even a Cole fan like me, couldn’t ask for much more.

Rendering – Kellye Gray (Grr8)

This album by this husky-voiced vocalist has the most interesting backstory of any on this list: In 1989, Kellye recorded Standards in Gray, her debut album, for Justice Records, a small Houston area label (I loved many of their releases). It received good press and sold relatively well. However, when Justice fell on hard times, the album went out of print. In 2015, 25 years after Standards in Gray’s release, Ms. Gray gained ownership rights to her album. She decided to crowd-fund and produce a live concert/album, in tribute to the original album, including new recordings of some of the tracks on Standards… The result is the terrific Rendering, a 2 CD set, that includes the new live recordings and a copy of the first album.

Ms. Gray had escaped my notice, until this package arrived at my door. Suffice to say, I am very impressed. While Standards in Gray, is a portrait of a young, big voiced singer, with loads of promise, Rendering, shows us that in the ensuing 25 years, Kellye Gray has made the transition from earnest singer to jazz vocalist. That wonderful instrument of hers has developed nuance and a certain bit of inimitability. She has learned her way around and through a song; which makes the live album, very compelling and worthy of multiple listens.  The arrangements are first rate, as are her sidemen, including the late drummer Sebastian Whittaker, who played on the first date and poignantly, in one of his last recordings, on the live album as well. If your new to Ms. Gray (like me), my advice is to start with these two albums and work your way back. There’s a lot of fine music there.

And those are my five vocal favorites for the 2nd half of 2017.

A reminder, these were my selections for the 1st half of the year:

You can click HERE to read my post about that Fab Five.

Now that the flu is almost behind me, I’ve got a lot of posting to catch up on. Next will be the Instrumental album for the second half of the year.

Tracks from these albums and more can be heard on the new CURTJAZZ RADIO, our 24/7 jazz radio station, on the new Live365.com.

Stay healthy, my friends!

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Best Jazz Albums of 2017 (Second Half)

Posted in Best Jazz Albums of 2017, curtjazz radio with tags , , , , , , , , , , , , , , , , , on December 19, 2017 by curtjazz

don't blinkThere are good and bad things about writing a mid-year “Best of” list, as I did last July: It cuts down your work at year’s end but it also makes it harder to pare that year end list down to a precious few, especially in a year like this, that was filled with great jazz albums, especially on the instrumental side.

Enough of my whining. Here now, is a list of my favorite albums, released in 2017, that I first heard between July and December. As with the previous list, I’ve split them into instrumental and vocals. They are listed in alphabetical order, by album title, not in order of preference. Because all of these living jazz artists would appreciate your support, clicking on the album title will take you to a place where you can purchase the album, with delivery in some cases, before Christmas.

Instrumental

Album Title Artist Label
Bringin’ It Christian McBride Big Band Mack Avenue
Don’t Blink Unhinged Sextet Origin
Handful of Keys JALC Orchestra (w/multiple pianists) Blue Engine
Harmony of Difference (EP) Kamasi Washington Young Turks
Honey and Salt Matt Wilson Palmetto
Hybrido Antionio Adolfo AAM
Jersey Mark Giuliana Jazz Quartet Motema
Marseille Ahmad Jamal Jazz Village
Mi Mundo Brenda Navarrete ALMA
Our Point of View Blue Note All Stars Blue Note
Strykin’ Ahead Dave Stryker Strikezone
Walk of Fire Behn Gillece Posi-Tone

Vocal

Album Title Artist Label
Code Noir Carmen Lundy Afrasia
Dreams and Daggers Cecile McLorin Salvant Mack Avenue
Grace Lizz Wright Concord
Nathaniel Ori Dagan Scat Cat
Rendering Kellye Gray Grr8

 

We will feature a closer look at each of these discs in several posts, over the remainder of the year.

And lest we forget (and we shouldn’t). Here are the albums that were included in our first “Best Of 2017” post, back in July:

Vocal 

Instrumental 

Tracks from all of these albums will be featured, starting on Wednesday, December 27, as we celebrate the Year in Jazz, on CurtJazz Radio, as it returns to the new Live365.com. We are on the air now, with our JazzMas Party (Holiday Jazz), until then. Click HERE to listen. It’s free.

Comments, as always, are welcome.

Until then, the jazz continues.

CurtJazz’s Best Jazz Albums of 2015

Posted in Best Jazz Albums of 2015, Jazz in Charlotte with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 21, 2015 by curtjazz

Well, well ,well…What a difference a year makes…

Eugenie Jones | Come Out Swingin'Last year this time we jazz lovers were once again fending off the usual spate of “Jazz is Dead” announcements from various “serious” publications and also from a satirical “writer” named Django Gold, who thought it would be funny to pen an article, purporting to be Sonny Rollins, claiming to hate jazz.

Now, perhaps because jazz has proven to have more lives than Freddy Krueger, there have been in the past couple of months, an article in The Washington Post and an article/pictorial in Vanity Fair, celebrating jazz and [gasp], the young musicians that represent its future.

This kind of national-level publicity, along with what is happening on  local scenes (such as right here in Charlotte, NC, with the Jazz Arts Initiative, led by my friends, drummer Ocie Davis and flutist Lonnie Davis) has given my cynical middle-aged heart, a smidgen of hope for what is ahead for the music that I love.

I was also greatly encouraged by the tremendous crop of first-rate jazz recordings this year. A major contributor to this is that the jazz world has all but broken free of looking for the approval of the major record label conglomerates. For new jazz recordings, indie labels and self releases have become the rule, not the exception. In fact on my list, only six of the 25 albums have some sort of tie to what would be considered a major label.

And the music itself, cuts across a spectrum of styles, influences and even chronological ages – from vocalists Cecile McLorin Salvant who is 26, to the legendary Tony Bennett, still relevant and vital at 89; from instrumentalists such as Albert “Tootie” Heath, the youngest of The Heath Brothers, at 80; to the exciting twenty-somethings who lead some of the tracks on the wildly creative compilation, Supreme Sonacy, Volume 1.

Yes friends, jazz is still very much alive and kicking some butt. And without further ado, here is a list of 26 recordings that kicked my butt in 2015, in alphabetical order by album title. As usual, we will follow this list with discussions and clips from each of the albums over the next few days. In each title is embedded a link to a place to purchase the CD or download of each recording.

As always, your comments are welcome.

Merry Christmas, Happy Hanukkah, Glorious Kwanzaa and Happy New Year, everyone!