A Room of Our Own in Charlotte

Posted in Jazz in Charlotte, The Jazz Continues... with tags , , , , , , , on May 19, 2013 by curtjazz

The Jazz Room - Spring 13In the dozen or so years that I’ve called Charlotte home, the city’s relationship with the music I love has been at best, tenuous. Big name artists will come to town occasionally for a night, on their way to somewhere else. There have been several clubs that have used the word “jazz” in their name but how much actual jazz was performed in them was often limited. I think that those involved liked the idea of being a “jazz club” and the aura of coolness that went with the moniker but most of the time what you got when you walked through the doors was rehashed instrumental funk and loud, second-rate R&B groups.

Meanwhile most of us lovers of traditional jazz were left to either wait for the headliners to pass through or support these local so-called jazz clubs, hoping to be thrown an occaisonal bone for our patience. All the while wishing to have a room of our own, where we could hear the jazz of Miles, Diz, Monk and Newk.

Thanks to Lonnie Davis and the great people of the Jazz Arts Initiative (JAI) of Charlotte, our patience has been rewarded.

Last month the JAI premiered “THE JAZZ ROOM”, which for now is occurring on the 3rd Tuesday of every month at the Stage Door Theater; a black box space in the Blumenthal Performing Arts Center in Charlotte’s Uptown business district. Through the magic of stagecraft, the space is transformed into an elegant jazz club, complete with candlelit tables in the front of the room and general admission seating toward the rear. The concerts begin at 6 pm, allowing those who are getting off from work in the area to come in after a hard day, have a drink and hear some great jazz played by some of the finest musicians that this region has to offer. Tickets for each event are currently a very reasonable $10.

The Jazz Room - Spring 13

The series got off to a great start in April with pianist Chad Lawson paying an outstanding tribute to the music of Bill Evans before a sold out and very enthusiastic audience. The series continues on May 21 with trumpeter Mark Rapp leading a quintet, playing the music of Miles Davis. This performance is already nearly sold out. The next two dates have also been announced with trombonist Tyrone Jefferson in a tribute to Slide Hampton on June 18 and saxophonist Tim Gordon honoring Dexter Gordon (no relation) on July 16th.

Jazz Room 3

Would we like for THE JAZZ ROOM to be open more than once a month? Of course; but let’s face it, you’ve got to crawl before you walk or run. Any kind of jazz series, contemporary or traditional, is tough sell in this economy so building an audience incrementally is a wise business model. Right now it seems as if Ms. Davis and the JAI may be onto something which will work in the long run and we Charlotteans who love jazz are very, very grateful. Kudos to Lonnie, Ocie, Glyn and all of those in the leadership of the JAI.

By the way the onstage MC at THE JAZZ ROOM is a grizzled veteran jazz radio DJ/magazine columnist/blogger named Curtis Davenport. Please try to forgive his corny jokes; he writes his own material.

For more information on the JAI and THE JAZZ ROOM, visit the JAI Website. To purchase tickets for any of the upcoming JAZZ ROOM events, go to Carolina Tix.

Male Jazz Singers – Hope for the Future

Posted in The Jazz Continues..., Video Vault, Who's New in Jazz with tags , , , , , , , , , , , on May 17, 2013 by curtjazz

Ori DaganIn 2008 I had the pleasure of interviewing Jon Hendricks for Jazz Inside Magazine. The legendary”James Joyce of Jive” was extremely generous with his time (we talked for over two hours, including his impromptu, a capella performance of his classic lyric to J.J. Johnson’s “Lament”).  He was also not shy about sharing his opinions.

One of the topics we touched on was the dearth of young male jazz singers coming up through the ranks. While we acknowledged the formidable gifts of Kurt Elling and Kevin Mahogany, we lamented the fact that there didn’t seem to be a lot of others. The young women singing jazz seem to outnumber the men by a 20:1 margin.

Mr. Hendricks offered the theory that in our 21st century culture, jazz singing is not considered a “serious profession” even in the entertainment world and that men of all stripes are pushed toward vocations that will “bring home the bacon”. Whether that is the case or not can be debated. The paucity of guys under 40 who are truly singing jazz, cannot.

However as the title of this post indicates, there is hope on the horizon. Over the past three years, there have been a number of younger men that have showed up on the scene who are quite good. Many are as versed in hip-hop as they are in the standards and they bring to the stage a sound that is fresh and promising.

Here are five that I find interesting. These are not the only five good young male jazz singers, just a few who have my ear at the moment. I have also cheated a bit in that one is slightly over 40 but he is too good to pass up because of that minor technicality.

In alphabetical order:

Ori Dagan

Born in Israel and raised in Toronto, Mr. Dagan is also a classically trained pianist. He is the best scat singer of this quintet and his improvisations, which have at times taken him from English to Hebrew and back again, are often a joy for these jaded ears. He has two albums out, which put the fun back in jazz singing: S’Cat Got My Tongue and Less Than Three

José James

The likely breakout star of this group, Mr. James has dropped successful albums on the jazz and the hip-hop sides of the street. His appearances on Letterman, Leno and other mainstream shows have helped to juice his rise. But make no mistake about it. This cat can SANG. Think of the crooning ability of Al Green mixed with jazz sensibility of Bill Henderson and you’re on the right track.  His latest album, No Beginning No End on Blue Note, is a strong mixture of multiple genres. However to really hear José James the vocalist, you should also check out For All We Know, a duet album of standards that he did in 2010 with pianist Jef Neve, on Impulse! Records.

Gregory Porter

Mr. Porter has become an “overnight sensation” at age 41. Though he doesn’t have the mainstream profile of José James, he has turned the jazz world on his ear and with his powerful yet vulnerable tenor voice, he has even made some inroads into the adult R&B world, as evidenced by his 2013 R&B Grammy nomination. His two albums 2010′s Water and last year’s Be Good are standouts, that earned a place on their respective year’s Curt’s Cafe “Best Of” list.

Milton Suggs

Chicago born, Atlanta bred and now living in NYC, Milton Suggs has garnered attention not only for his powerful baritone voice but for his impressive gifts as a lyricist, which he fully  displayed on his latest album, the appropriately titled Lyrical, Vol. 1 ( a Curt’s Cafe Best Jazz of 2012 selection).  Mr. Suggs lyrics evince a fearless creativity that is reminiscent of Jon Hendricks but with a hip-hop undercurrent that should help to keep those of his own generation listening. Definitely someone to watch. Also check out his previous album Things To Come.

Sachal Vasandani

Blessed with boyish good looks and a smooth, crooning vocal timbre. Mr. Vasandani could have easily opted to go the route of slicksters like Michael Bublé. Instead, the fact that he has toured and recorded with Mr. Hendricks and he has appeared as a guest vocalist on recent albums by artists such as Gerald Clayton and Don Braden, says a lot about Mr. Vasandani’s artistic integrity. Yes, he can sing “The Very Thought of You” in a style that is swathed in velvet but then he will turn right around and bop his way through an impressive rendition of “Monk’s Dream”; something that the Bublés of the world wouldn’t even try. Check out his two most recent albums, We Move (2009) and Hi-Fly (2011).

As I Was Saying…

Posted in The Jazz Continues... with tags , , , , , on April 4, 2013 by curtjazz

Hey Y’all!

I know I haven’t been around in a while…

No, I was not so disgusted by the results of the Grammy’s in the Jazz categories that I quit. Most of those results, I saw coming anyway (except for the absurd Latin Jazz Grammy victor but don’t get me started on that!).

Actually, it was prostate cancer that put me out of action for a while. I had a radical prostatectomy on February 12.

Though my cancer was Stage II and apparently localized, I did end up with a couple of post surgical non-cancer related complications that put me back in the hospital twice more in the two weeks following my surgery. Though I dropped into Twitter and Facebook periodically, I really hadn’t gotten back my focus to the point where I was ready to blog.

The day after my surgery. Nothing else to do, so I shot this lovely self portrait.

The day after my surgery. Nothing else to do, so I shot this lovely self-portrait.

However, in the past three weeks, my health, physical and emotional, has taken a dramatic turn for the better. I’m back in the gym, back at work and now, back in the blogosphere.

A lot has been happening in the jazz world since my unplanned hiatus so we’ll have a lot to talk about over these next few posts. But that will come later. For now, I’ll just say I’m glad to be back and I’ll leave you with a couple of video clips:

A great performance by the Godfather of Soul in his inestimable prime, with a message that I wholly embrace:


And “Recovery”, a fairly obscure track from Milt Jackson and the Clayton Hamilton Jazz Orchestra, when “Bags” in his twilight, was on the mend from a serious illness.

I do “Feel Good” and I am “Recovering”, all thanks and praises be to God!

That’s all for now…Until the next time, the jazz continues…

2013 Jazz Grammy® Preview #7 – Best Instrumental Composition

Posted in 2013 Grammys with tags , , , , , , , , , , on February 10, 2013 by curtjazz

And it all comes down to this…

Our final look at the jazz artists nominated for 2013 Grammy Awards are in a category that I’m almost embarrassed to say that I initially overlooked.  It would make sense that the nominees in this category would be mostly jazz musicians, since you don’t hear a great deal of pop instrumentals these days. Though there are a few names that you don’t hear often these days, this category like the others is full of the familiar.

The nominees are:

Chuck Loeb for “December Dream”, from Fourplay’s Esprit De Four (Heads Up International)

Guitarist Chuck Loeb is the newest member of this contemporary jazz supergroup and from the sounds of this tune, he fits in just fine with the other three cats. It’s a very pleasant melody and a nice performance as well.

Chick Corea for “Mozart Goes Dancing”, from Chick Corea and Gary Burton’s Hot House (Concord)

He’s baaaaack! Chick Corea, who threatens to have a Christopher Cross type evening (look him up youngsters) as far as Jazz Grammy’s go, has been again nominated in this category for the only new composition on Hot House. Actually, I have to admit that I wouldn’t mind if he was the winner here. Mozart Goes Dancing is very ingratiating and the performance favorably reminds me of some of the Third Stream pieces that John Lewis wrote for the Modern Jazz Quartet in the sixties. So yeah, I’m pulling for Chick this time.

Chris Brubeck and Dave Brubeck for “Music of Ansel Adams: America” performed by the Temple University Symphony Orchestra (BCM&D)

The late great Dave Brubeck and his son, Chris composed this work in tribute to the legendary photographer Ansel Adams. This symphonic work is rendered even more impressive when seen in its original setting, accompanied by the stunning black and white photography of Mr. Adams.

Bill Cunliffe for “Overture Waltz and Rondo”, performed by the Temple University Symphony Orchestra (BCM&D)

Mr. Cunliffe, the noted jazz pianist, arranger and producer wrote this Third Stream style work. While it’s very nice I didn’t find it to be that memorable overall. Nice trumpet work by Terell Stafford on the recording.

Bill Holman for “Without a Paddle”, from The Pete Christlieb & Linda Small 11 Piece Band’s High on U (Bosco)

Bill Holman has been on the scene for over 60 years, first gaining notice with Stan Kenton, I’ve been a fan of tenor saxophonist Pete Christlieb since first hearing his solo on Steely Dan’s “Deacon Blues” when I was in high school. Christlieb has been a longtime admirer of Mr. Holman, so it’s nice to see them come together on this album, which consists of all Holman compositions and arrangements.

This wraps up our Grammy previews, thanks for reading them. Now let’s sit back and see who takes home the awards!

Until then, the jazz continues…

2013 Jazz Grammy® Preview #6 – Jazz in “Exile”

Posted in 2013 Grammys with tags , , , , , , on February 6, 2013 by curtjazz

For our penultimate (I know that I said this would be the last one, but there will be one more after this) look at jazz artists nominated for Grammys in 2013, we will look at three categories in the R&B field that feature one artist who is generally considered to be a jazz musician. These albums/performances got no love from the Jazz Grammy nominating committee but those in the R & B area had the good taste to recognize them.

Best R&B Performance

“Thank You” – Estelle (from All of Me [Home School/Atlantic])

“Gonna Be Alright (F.T.B.) – Robert Glasper Experiment Featuring Ledisi (from Black Radio [Blue Note])

This is one of two nominations for Glasper’s much discussed Black Radio album. The heralded young jazz pianist let his R&B and hip hop influences show all over the disc. I for one found it exciting and refreshing (see CurtJazz’s Best Jazz Albums of 2012). Many other jazz traditionalists scoffed at it. On this track Glasper featured Ledisi, an R&B vocal powerhouse, who has also shown a past appreciation for jazzy things. If the track sounds familiar it’s because this is a vocal version of “F.T.B.”, which is a track on Mr. Glasper’s 2007 album In My Element. The lyrics and the stronger beat are a nice touch. Glasper is up against some tough competition here but to my ears “Gonna Be Alright” compares favorably with the other nominees… I wish him the best.

“I Want You” – Luke James [Mercury]

“Adorn” – Miguel [RCA/Bystorm Entertainment]

“Climax” – Usher (from Looking 4 Myself [RCA])

Best Traditional R&B Performance

(“Grown Folks Music”… Now we’re back in my wheelhouse! Therefore, I will drop a few comments)

“Lately” – Anita Baker [Blue Note]

Good to hear from Anita. Sounds like something from her classic ‘80’s period. Looking forward to the rest of the album.

“Love on Top” – Beyoncé (from 4 [Columbia])

Catchy tune by Mrs. Carter – great beat; irresistible hook.

“Wrong Side of a Love Song” – Melanie Fiona (from The MF Life [SRC])

My goodness! This girl can SANG! A memorable retro torch song.

“Real Good Hands” – Gregory Porter (from Be Good [Motéma])

Jazz vocalist Gregory Porter’s sophomore album was every bit as good as his debut.It was one of our Best of 2012.  But again, it was criminally ignored in the Jazz Vocal Grammy category. At least he did get a nod from the R&B voters for this soulful track. The cut is a winner but Porter is up against some real stiff competition. It’s a Grammy night long shot.

“If Only You Knew” – SWV (from I Missed Us [Mass Appeal/E1 Music])

SWV (Sisters With Voices). It’s good to hear this trio of NYC natives reunited. They sound as good as ever and they demonstrate excellent taste with their cover of this Philly Soul classic made famous by Patti Labelle.

Best R&B Album

Black Radio – Robert Glasper Experiment (Blue Note)

This nomination speaks volumes. The jazz world isn’t open minded enough to consider this work of art but the supposedly shallow, profit minded world of R&B is. I’ll say it again; I view this album as breaking needed new ground in a 21st century direction for jazz. But I admit to being in the minority. There are some fine albums in this category that are more along the lines of mainstream R&B, so a win here by Mr. Glasper isn’t probable but it is definitely possible.

Back to Love – Anthony Hamilton (RCA)

Write Me Back – R. Kelly (RCA)

Beautiful Surprise – Tamia (Plus 1)

Open Invitation – Tyrese (Voltron Recordz) 

You can hear tracks from Robert Glasper, Gregory Porter and other Grammy nominated jazz artists and albums on Curt’s Café Noir, our 24/7 web radio station,through February 10. We feature these tracks daily, from 4 pm – 6 pm on “The Grammy Show”. Click here to listen.

Our last post (we mean it this time!) about the 2013 Grammys will feature the nominees for “Best Instrumental Composition”, a category which happens this year to feature all jazz artists.

Until then, the jazz continues…

2013 Jazz Grammy® Preview #5 – Best Latin Jazz Album

Posted in 2013 Grammys with tags , , , , , , , on February 3, 2013 by curtjazz

Out of all of the Jazz Grammy Categories, it gives me the most satisfaction to write about this one. Not because of the albums nominated, which are frankly, an uneven bunch, but because the Grammy nominating committee has righted a wrong that they committed last year when they dropped this category altogether.  Thanks to the efforts of Bobby Sanabria and a host of other Latin Jazz musicians, scholars and aficionados, this award has been restored to its rightful place. The fight should not end here as there are a number of other categories that NARAS needs to reinstate, however this is a step in the right direction

The nominated albums are:

Flamenco Sketches – Chano Dominguez (Blue Note)

There are many who loved this project, which is essentially a reimagining of Miles Davis’ legendary Kind of Blue album, using Flamenco and other Latin rhythms; I am not one of them.  While I don’t think that it was necessarily a horrible idea, for me there is something missing in the execution. Mr. Dominguez is a gifted pianist and he and his bandmates give it their all, but except for a couple of spots (the stunning title track and “Blue in Green”), the project doesn’t mesh as well as one would hope. Apparently however, the Grammy nominating committee does not share my view and this album has been nominated.

¡Ritmo! – The Clare Fischer Latin Jazz Big Band (Clavo)

Clare Fischer passed away in early 2012. He was widely respected as a practitioner of Latin and Brazilian music and many musicians who have gained fame in Latin music, such as Poncho Sanchez and Alex Acuña have passed through his groups. With all due respect, while Mr. Fischer penned some timeless Latin tunes (“Morning” and “Pensativa”, to name two) and wrote many marvelous arrangements for artists ranging from Dizzy Gillespie to Prince, IMO his Latin Jazz recordings often lacked clave, the rhythmic intangible that is a key to great Latin music. On this album, there are as usual, some good tunes and solid arrangements by Clare Fischer; conducted by his son, Brent. But there is an overall politeness to these proceedings which prevents the album from being anymore than just “good”.  And I’m sorry but  a number of the statements made by Brent Fischer in the accompanying video (including the jaw-dropping assertion that ¡Ritmo! “is the first all Latin Jazz CD in a big band setting”) are at best, ignorant.

Multiverse – Bobby Sanabria (Jazzheads)

How sweet it must be for Bobby Sanabria. He not only spearheaded the successful  drive to have the Best Latin Jazz Album category restored to the Grammys, but his latest album Multiverse, is also nominated for the award. Multiverse doesn’t stray far from the formula that has made Mr. Sanabria a successful Latin Jazz bandleader for the better part of two decades – hard driving horns, relentless rhythm and a big dose of Nuyorican swagger. It’s danceable, listenable and great fun. Based on all that he has invested in getting this category back on the list, I’m personally rooting for Sanabria to win on Grammy night. But he does have some formidable competition from the two remaining nominees.

Duos III – Luciana Souza (Sunnyside)

Duos III is the marvelous Brazilian vocalist’s second nomination for a 2013 Jazz Grammy, the other coming in the Best Jazz Vocal Album category for Book of Chet, which was released simultaneously with this disc. Duos III is the final album in Ms. Souza’s Brazilian Duos trilogy. Accompanied only by one of a trio of master guitarists, Romero Lubambo, Marco Pereira and Toninho Horta, Ms. Souza is as captivating as ever, as she effortlessly interprets some well-known and not so well-known Brazilian tunes. Frankly, I could listen to this record all night and not tire of it.  I know that she says that this is the last one but with music this good, I’m hoping that someone will convince Ms. Souza to record a fourth “duos” volume in the near future. It’s another strong contender to win the Grammy.

New Cuban Express – Manuel Valera New Cuban Express (Mavo)

New Cuban Express may be the breakout album for the young Cuban born pianist.  It’s not a Latin Jazz album in the traditional sense, but it’s an amalgam of Latin jazz, funk and 70’s fusion. If you’re thinking of something along the line of Irakere during its heyday, then you’re on the right track.  Valera does great work from start to finish but his fellow Cuban, the formidable alto saxophonist Yosvanny Terry gives the leader a run for his money, with his skittishly powerful lines threatening to steal the show. I’d have to say Mr. Sanabria and Ms. Souza are the favorites but it wouldn’t be a crime if Mr. Valera was the Grammy winner.

Tracks from these and other Grammy nominated jazz albums can be heard on Curt’s Café Noir, our 24/7 web radio station,through February 10. We feature these tracks daily, from 4 pm – 6 pm on “The Grammy Show”. Click here to listen.

The final Grammy post will feature “Jazz in Exile”; albums by jazz artists that were nominated for Grammys this year, in categories outside of jazz.

Until then, The Jazz Continues…

2013 Jazz Grammy® Preview #4 – Best Large Jazz Ensemble Album

Posted in 2013 Grammys with tags , , , , , on January 19, 2013 by curtjazz

It’s kind of ironic that the Jazz Grammy category that honors recordings by a large number of musicians has the fewest number of recordings nominated. The Grammy nominating committee felt that only three large band recordings were worthy of competing for the award this year.  I can think of maybe a few others, such as Bobby Sanabria (who is nominated in the Latin Jazz Category), that may have deserved inclusion but overall, the nominators may have gotten this one right.

The nominated albums are:

Centennial: Newly Discovered Works of Gil Evans – Gil Evans Project (ArtistShare)

I love everything about this project. From these newly unearthed compositions by the great Gil Evans, to the marvelous arrangements fleshed out by Ryan Truesdell, a 32-year-old composer/arranger/producer, who shepherded this project through from concept, to recording, to release; to the fact that it was released through ArtistShare, which is IMO one of the best things ever to happen to jazz recordings, allowing projects that increasingly skittish record labels run from, to see the light of day.  The Evans family gave Mr. Truesdell access to a trove of Evans’ compositions spanning the breadth of his formidable career and Truesdell showed great judgment in what he chose to be a part of this album. Played by an all-star big band, Centennial is a towering achievement. Will it win the Grammy? Probably not, due to its relative obscurity.

I’m going to bend my rules here and include two video clips from Centennial: first an overview of the project and second, a completed track – “The Maids of Cadiz”.

For The Moment – Bob Mintzer Big Band (MCG Jazz)

Bob Mintzer has been leading a dynamite big band for much of the past 30 years. You can count on his recordings to feature intricate arrangements and a marvelous sound. For The Moment is no exception.  The twist here is that this is an album of Brazilian compositions, many of them by Chico Pinheiro a young Brazilian guitarist. The band is on the money, Mr. Pinheiro is a revelation as a guitarist and a composer and they manage to pull off a fine marriage of the sounds of Brazil and Mintzer. This fine project stands a good, not great, chance of taking home the award.

Dear Diz (Every Day I Think of You) – Arturo Sandoval (Concord)

This is a heartfelt tribute by Mr. Sandoval to one of his greatest mentors, Dizzy Gillespie. Ten of the eleven selections are new arrangements of tunes associated with Diz, the final selection is a touching vocal tribute by Sandoval.  I admit to liking but not loving this project. Though Mr. Sandoval, whom I love dearly, is in fine form and everything is extremely well-played, there is a polish to this entire production that borders on slickness (For this I blame producer Gregg Field, a very good drummer who may have been in the L.A. studios a bit too long for his own good).  Nevertheless, due to his renown relative to his competitors, Arturo Sandoval is the favorite to win on Grammy night.

These tracks and others from Grammy nominated jazz albums can be heard on Curt’s Café Noir, our 24/7 web radio station, right up until February 10. We feature these tracks daily, from 4 pm – 6 pm on “The Grammy Show”. Click here to listen.

The next Grammy post will feature the newly revived Best Latin Jazz Album category – one that I am very happy to see back on the list.

Until then, The Jazz Continues…

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